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Stars explained: * A production of no real merit
with failings in all areas. ** A production showing evidence of not
enough time or effort, or even talent, and which never breathes any real
life into the piece – or a show lumbered with a terrible script. *** A
good enjoyable show which might have some small flaws but has largely
achieved what it set out to do.**** An excellent show which shows a
great deal of work and stage craft with no noticeable or major
flaws.***** A four star show which has found that extra bit of magic
which lifts theatre to another plane. |
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Well Stoked tale of fated twinsBlood BrothersHall Green Little
Theatre
***** IT is quite a
challenge that Edward James Stokes has taken on here. He not only
directs a Willy Russell play that makes a searing exploration of
how an awareness of class affects people who regard it as a battlefield,
he also takes the role of Mickey, the twin whom circumstances have
disadvantaged in relation to the brother who was given away by their
mother. It is in fact
a double challenge, and one to which he rises splendidly. As the
director, he ensures that each facet – the fun, the quarrels, the anger,
the drama – is honed to make the most of its moments as well as fitting,
abrasively or smoothly, into the situation in which it emerges. And as Mickey, he creates the happy-go-lucky lad
whose carefree approach to life is submerged in envy and bitterness as
he becomes unemployed but sees his brother's far easier progress; and
anger and jealousy when he suspects that his brother is in fact rubbing
salt in the wound by taking away his girlfriend. James Weetman is brother Eddie, distinctly posher
having grown up in the care of well-to-do parents, but immensely
likeable and easy to feel sorry for in his struggle to remain a brother
and not lose touch because of the very different circumstances that life
has allotted him. FINE PERFORM These are two fine performances, each of them
coping with the extra responsibilities that come as the drama builds. Jean Wilde scores excellently as Mrs Johnston,
the mother who cannot afford to keep them both. This is a lovely,
amusing, sparky contribution. Linda Neal, as Mrs Lyons, the woman whose
life suddenly includes the baby Mickey, has grittier responsibilities.
She is depicting someone in the grip of a fragile mental state. There's
not a lot to laugh about here and she certainly rules the roost in the
dramatic final stages. Kate Campbell is a joy as Linda, the happy
Scouser who inadvertently ferments the friction, and Steve Parsons, as
the confident Narrator, comes completely unruffled to some lines that
rhyme with transparent reluctance and some that are presumably in a
deliberate mess with their metre. Incidentally, Edward James Stokes has taken on
rather more than the double challenge I have already mentioned. In
addition to taking a lead role and directing, he has also designed the
set and helped to paint it, designed the sound, been involved in the
costumes, helped to build and paint the set and the scenery, and
produced the programme.
He's a sort of sweat-and-blood brother – and the team with which he is surrounded has ensured that it has all paid off most satisfyingly. To 05-02-11. John Slim |
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