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Stars explained: * A production of no real merit
with failings in all areas. ** A production showing evidence of not
enough time or effort, or even talent, and which never breathes any real
life into the piece – or a show lumbered with a terrible script. *** A
good enjoyable show which might have some small flaws but has largely
achieved what it set out to do.**** An excellent show which shows a
great deal of work and stage craft with no noticeable or major
flaws.***** A four star show which has found that extra bit of magic
which lifts theatre to another plane. |
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Hannah Tolley as Nell and Stuart Wishart
Nell Gwynn
The Nonentities
The Rose Theatre, Kidderminster
****
The Nonentities have assembled perhaps one of the largest casts
for some time, for their current production of Nell Gwynn. The
play written by Jessica Swale is no small undertaking both in its scale
and ambition but gives ample opportunity for many of the cast to shine.
Swale's play centres on the significant historical importance of a 17th
century woman called Nell Gwynn. It is said that she rose from humble
beginnings and a dubious background, to become one of the most beloved
actresses and mistresses of King Charles II. Gwynn's charm, quick wit,
and natural talent captured the hearts of both the public and the king,
making her a prominent figure in Restoration England.
The play presents certain challenges for any independent company to
produce but those seem to have been met and overcome within this current
production. Swale's play is crafted in the manner of a traditional
Shakespeare work. Added to it though are subtle modern references such
the film Titanic that add humour to what is essentially a detailed
account of Gwynne’s life.
It’s also Shakespearean in both its costumes and staging and travels
from a humble theatre setting to the grandeur of the Kings palace. It
also has a considerable amount of musical content and whilst Director
Jen Eglington admits that this is not really the company’s forte, the
interludes were equally as enjoyable as the drama. She also states that
there is seven decades of Nonentities performers present in the
production.
On that note it’s been a pleasure to see so many productions and watch
supporting players grow in confidence and into lead roles. This is
clearly evident in Hannah Tolley who takes on and commands the
formidable central role of Gwynne herself.
Long-time performer Richard Taylor gives a spirited performance
as Edward Kynaston ousted by Gwynne as one of the first female
performers in the company.
Stuart Wishart adds swagger and flair to his portrayal of King Charles
although I couldn’t quite get over his potential to play Captain Hook in
his Royal finery, moustache and long wig.
A relatively new company player Beth Dalton had several moments to show
how capable a performer she is in the role of Rose and looks to be a
great asset to the company, as she added true weight to her performance.
Tracey Man and Louise Fullwell in the royal roles as Catherine and
Madame Kerouaille were delivered in Spanish and French something of a
feat in itself. Faye Bingham was the bitchy Lady Castlemaine with
Bhupinder Brown as Nancy, Nell’s over enthusiastic friend and assistant.
There was great support as always by Bob Graham as the frustrated
Theatre owner Killigrew and Tony Newbould as Charles Hart, the man whose
love of Nell tempts her into to the theatrical limelight. David Wilkes
played the writer Dryden and for this production has written some fine
original music that was played live
Nell Gwynne effortlessly blends humour, romance and music into this
historical tale. Transporting the audience back to the 17th-century and
complete with its bawdy wit, exceptional costumes, and authentic props,
The Nonentities' have created an immersive and fully entertaining
experience. To 17-06-23.
Jeff Grant 12-06-23 |
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