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Floating by from another age
Three Men in a Boat
Malvern Theatres
**** Jerome K. Jerome initially wrote his most
successful work, ‘Three Men in a Boat’, in 1889 as a kind of guide book
to any would-be leisure boaters who might want to find their way from
Kingston to Oxford along the Thames. He decided to couch it in the form of a kind of
‘blog’ of the trip undertaken by himself and two friends, George and
Harris, with the fictitious dog Montmorency. However the humorous anecdotes and enactment of
various incidents along the way become the real focus of the book rather
than the information for would-be tourists. Craig Gilbert's adaptation for the stage produced
at the Malvern Theatres this week is a recreation of a bygone world - an
upper middle class world of ease and youthful irresponsibility that
relies on an educated and sophisticated sense of humour reminiscent of
Oscar Wilde's world in ‘The Importance of Being Earnest’. In reality the production is short of story or
plot and relies heavily upon the theatrical and comic skills of a very
talented cast. The song and dance routines are music hall entertainment;
the quick-fire dialogue and mixture of contrasted characters with their
loony sense of humour provide plenty of fun. George (Paul Westwood) is the tall gangly
‘John Cleese’ type with the funny walks and weird faces. Harris (Tom
Hackney) is short and stocky with effervescent character. Jerome
(Alastair Whatley), or J as he is often referred to, is the balancing
presence who seems to hold the party together and acts as narrator. The setting for the narrative remains the back
room of the Elusive Pelican Public House in Surrey. The furniture and
props are turned around to suggest a variety of places and situations
such as the boat on the river. In this context there is a young pianist called
Nelly acted by Anna Westlake whose talented contribution provides live
accompaniment to songs, dances, background atmosphere for dramatic
narrative and take-offs of well-known tunes like the theme tune for ‘Chariots
of Fire’! She doesn’t speak but her presence and musical
contribution are superb! The casting is excellent with a beautiful balance
of eccentricity and physiques. There is a large element of physical
theatre/comedy in this show and the team are slick, innovative and
thoroughly entertaining. In one memorable scene George prepares an Irish
stew to which Montmorency apparently contributes a dead water-rat. Another element in the production is the
involvement of the audience. The cast invite and respond to the
audiences contributions, utilise them in a variety of ways and even
apologise to them for the odd flat joke that does not fully work! This production recreates in our imaginations a
wonderful trouble-free England from yesteryear. It will appeal to an
older generation most especially. It is full of ingenuity, subtle
allusion and every trick in the book to compensate for the weakness of
the plot-line. Anachronistic take-offs of films like ‘Titanic’
and ‘Chariots of Fire’ are all adduced to keep the show alive!
They are performed with great skill and artifice. As such it is
entertaining and by the end we have truly grown fond of these characters
with whom we have spent our evening! To 27-09014. Timothy Crow
23-09-14
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