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 Keeping mystery on trackThe Ghost TrainBelgrade Theatre**** IT 
		IS a stormy night and six weary travellers look as though they must 
		spend the night on a windswept and isolated Cornish railway station.
		  The year 
		is 1926, the outlook is bleak and the company is already irritable. 
		Company Director Richard Winthrop (Dick – Ben Roddy,) who has a sergeant 
		majorly air about him, and his independently spirited wife Elsie 
		(Corinne Wicks) are married a year and at war.  Newly 
		unemployed and desperate Charles Murdock Teetotal 
		Miss Bourne (Judy Buxton) travelling alone with bird in cage sleeps 
		through th The 
		station master Saul Hodgkin (Jeffrey Holland - 
		pictured) in broad Cornish refuses their pleas to 
		stay with them overnight because it is the 20th 
		anniversary of a serious and fatal rail crash at the very spot. The 
		ghost train of the title is expected at 11pm and he is off – thank you 
		very much!   A fair 
		number of the characters aren’t what they seem but everything turns out 
		OK in the end . . . This play, from Arnold Ridley (Private Godfrey in 
		Dad’s Army if you’ve forgotten) was inspired by a real event and written 
		together with a large body of other work when times were hard in the 
		acting profession. It was the longest running play in the West End for 
		years and has also been made into a film a few times, so it is an 
		interesting revival.  There are, 
		to be fair, a number of holes in the plot, but who cares? It’s a very 
		entertaining story and gets even better when a strange and rather trying 
		trio arrive in full evening dress. Julia Price (Jo Castleton) in the 
		most gorgeous handkerchief dress, does a histrionic turn about the 
		train’s appearance, her brother Herbert (David Janson) doesn’t stay and 
		a so-called doctor (John Hestor) presumably from some sort of asylum 
		takes care of Julia’s nerves. The set is 
		a marvel, managing to imply so much from so few clues, mainly lighting 
		and sound special effects. All in all, the twists and turns of plot are 
		a mind-mangling treat, the traditional nature of the production, 
		directed by Patric Kearns, is great homage to a great story told well – 
		which is what we want. I particularly liked the start, even before the 
		curtain went up, when a lovely plumy Received Pronunciation voice with 
		vestigial Home Service overtones, read us the cast list and left us to 
		it. To 16-05-15 Jane Howard12-05-15 
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