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Flare Path
Derby Theatre
**** ANYONE watching
this play can be forgiven for a sense that it should be being performed
in black and white as part of a double bill at the local Odeon cinema,
such is the impact that the film version,
The Way to the Stars
made. Written by Terrence Rattigan and first performed
in 1942, it tells the tale of a love triangle set in a hotel by a bomber
base in World War II. Rattigan’s contemporaneous wartime service in the
RAF lends the writing an obvious sense of authenticity and immediacy. The context in which it was written is an
integral part of the piece. Remote air force bases in rural locations
meant socialising was at a premium, which combined with an appalling
death rate for bomber crew, resulted in romance being consummated fast,
with tomorrow not necessarily a pressing concern. I have had the privilege of going inside a
Lancaster bomber, although large on the outside, inside, it is cramped
and claustrophobic. Spending several hours over enemy territory,
freezing at 30,000 feet, being shot at, must have been terrifying. Film and theatre were
amongst the few sources of wartime entertainment. Inevitably a film
about the war, in order to be successful, needed to be positive about
the war effort and uplifting in its sentiment.
Flarepath
does just that. To modern eyes it may appear a little predictable and
hackneyed, at the time it was just what the population needed, enjoying
Winston Churchill’s endorsement.
The love triangle takes in fading film star Peter
Kyle, an old lover Patricia Warren, and her husband Teddy. Lynden
Edwards is superb as Kyle, louche, smug and determined to win his girl
back. Daniel Fraser is outstanding opposite him as Teddy, brave,
vulnerable and unaware of his wife’s past. Hedydd Dylan oozes forties
glamour as officers’ wife Warren, tall, elegant and initially flighty,
before events force her to reassess her relationship with her new
husband. But this is no downbeat angst-riven tearjerker.
William Reay has the most fun as a Polish Flying Officer whose English
is still basic, Audrey Palmer excels as Mrs Oakes, the formidable,
colourful hotelkeeper. Rattigan’s writing is a delight. The RAF slang is
perfect, the comedy skilfully interwoven amongst the drama with several
laugh out loud moments. The Pole provides not only much of the comedy,
he also signally represents those from abroad fighting the Nazi’s,
having suffered their own losses to the German war machine. The gunnery sergeant, Dusty Miller and his wife
Maudie, Jamie Hogarth and Polly Hughes, provide a slice of working class
life in roles which hint at an upstairs/downstairs theme, but which are
neatly counterbalanced by a stronger sense that everyone was in this
together. Particular mention should be made of Dominic
Bilkey, the sound designer who has the vital role of introducing the
distinctive sound of the passing aircraft, a sound which is unusually
warm and reassuring. The incidental background music pre show, post-
show and at the interval is similarly evocative. Director Justin Audibert has done a fine job with
this Original Theatre Company production which provides an accessible
and rewarding entrée into Rattigan’s work. Everything is understated.
The valour of the airmen, the strength of the bonds between the
protagonists, and the fortitude of the non- combatants, all pricked with
self- effacing humour, or nonchalant asides. To 23-04-16 Gary Longden 19-04-16
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