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A stroll along the prom, prom, prom
Beside the seaside: Neal Davies, left, as Don Alfonso in his ringmaster role along with some of the less conventional characters who pop up on the prom in Benjamin Davis' production. Così fan tutte Welsh National Opera Birmingham Hippodrome **** MOZART'S story of love, testing and
betrayal takes a trip to the seaside in this Welsh National Opera
production. And it works very well. By setting the scene in a
colourful world of ice cream parlours, funfairs and magic tricks, the
fluff takes over so that we forget the rather sordid undertone to the
plot. Here two suitors decide to test the fidelity of
their fiancées by courting them in disguise – even pursuing their aim
when the women have rebuffed them. With deckchairs and women in bikini-clad fat
suits, Max Jones' set takes on the guise of a picture postcard – one of
those saucy double entendre pictures which evoke a nod and a wink but
nothing more. Benjamin Davis' production therefore resembles a
cartoon which relies heavily on slapstick. For example the disguised
lovers are so ridiculously transformed with false noses and moustaches
that their deception becomes little more than a joke, keeping the drama
as light as candy floss. Within this frivolous and slightly surreal
setting we can ignore the implausibility of the plot and the meanness
inherent in testing out the faithfulness of someone you love. There are some really lively characterisations
here. Máire Flavin is an incredibly winsome Dorabella while Elizabeth
Watts is a much more tortured Fiordiligi.
Matching them, Gary Griffiths as Guglielmo and
Andrew Tortise as Ferrando switch back and forth between tortured lovers
and cunning deceivers. There are moments when the production goes just a
bit too far and risks making it all just plain silly. While having the
characters watching a Punch and Judy show adds a clever touch of irony,
having a policeman and crocodile then join the cast simply confuses
matters. But overall this is an imaginative and fun
production. Diane Parkes
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