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Plugging in to brave new worlds
The rapid pace of innovation and growth within the world of digital technology is creating an ever expanding range of new tools, new techniques and new ideas for creative artists and Diane Parkes has been looking at how the worlds of art and Science are being brought together in Interactivos?, an international event which has landed in Birmingham MAC
Birmingham this month is the centre of an international event bringing
together artists and cutting edge digital technology. Looking at how gadgetry
can open up unexplored avenues for creative arts,
Interactivos?
Birmingham features seven projects, which is
all be open to the public. With the work including a device which mimics a
beating heart, a dancer looking to work with holograms and a
visualisation of the digital ‘cloud’, Interactivos? promises to
take the arts into new territory. Featuring artists and digital experts from
Brazil, Germany, Spain, Austria and the UK, including Birmingham,
Interactivos? launched on June 17 and over two weeks features a
seminar, workshops and the development of the chosen projects. It is the first time that Interactivos?
has come to the UK. Created by Madrid’s Medialab Prado, previous
showcases have taken place in Mexico, Peru, Ireland, Spain and Slovenia.
In Birmingham it brings together the expertise of Birmingham City
University, Sampad South Asian Arts, mac Birmingham and BBC Birmingham
with support from Arts Council England. It was Sampad’s operations manager Clayton Shaw
who was keen to introduce Interactivos? to the city after he
attended a Medialab Prado workshop and recognised its potential. “Birmingham has such a strong industrial heritage
and has always been at the forefront of technology,” he says. “We’re now
in a new era of industrialisation and it’s good that Birmingham is still
at the forefront. “Interactivos? is really about looking at
skills development for artists and finding new models to develop
artistic practice with digital technology. “One of the UK artists, Divya Kasturi is a South
Asian dance artist and she is a really good example of someone who might
be able to look at how she can blend her experience of Kathak and
Bharatanatyam and digital systems. “One of the aspects she will be looking at in her
piece Forgot Your Password? is gesture recognition and how we
could use holographic technology in dance.” An open call went out for collaborators who are
then partnered with the artists and other experts to develop each piece. “At the start of the process we won’t really have
an idea of how it will develop – that will progress during the two
weeks,” says Clayton. “It’s very experimental and we are keen to ensure
that all of the artists have a strong collaborative experience. “And we want to engage people to come along and
talk to the different people involved in the different projects. It is a
chance for those involved in the projects to test assumptions of how the
public engage.”
The fortnight of workshops could be just a
beginning. “We want this to be a springboard,” says Clayton.
“We want to go on to build a community of people, both nationally and
internationally, who artists can access and be connected to.” For Birmingham City University, Interactivos?
is part of an ongoing study researching and developing cross
pollination with the arts and future technology. “This project had grown out of a larger project,
Cross Innovation, which is very policy-led and has pinpointed a real
interest in Birmingham in cross innovation and how the creative
industries spill into all areas,” says Alexa Torlo, BCU project and
business manager in the Research, Innovation and Enterprise department. “It is about multi-disciplinary opportunities to
bring people together for co-creation and to break down barriers. It is
about inviting people to come along and look at how they can work with
other people and not be an island. “It is fantastic that we were able to bring it to
Birmingham. Interactivos? will give Birmingham recognition across
the world as it is bringing people together from a range of different
disciplines and countries. As a modern university this really
complements what we are doing in terms of research and collaboration
with other groups and businesses in society.” And she feels it will be felt beyond the arts. “Bringing Interactivos? to Birmingham is
very exciting because it demonstrates how much the city is interested in
innovation,” says Alexa. “The city is really putting itself on the map
in terms of cross innovation. This city has always been experimental and
at the front of new industries and now it is looking at how it can
collaborate for future industries.” All of the partners worked together to design the
programme and decide the final projects which include music, dance and
photography. “We had 37 projects apply and needed to choose
seven so all of the partners, with the input from technical experts from
the university, then considered the projects,” says Alexa. “We had to
lean towards projects which were manageable within the timespace. But we
are keen for all of the people behind the other projects to be involved
so we have asked them to come back as collaborators. This is an example
of how this project is nurturing relationships.” The university hopes Interactivos? will
lead to other partnerships. “The next question is ‘where do we go next?’ and
we really want to continue with this,” says Alexa. “We hope there will
be a series of events afterwards which will continue to build these
communities who can work together into the future. And for the
university it is about embedding cross innovation into education and
allowing students and academics to engage.” Birmingham’s mac is the ideal venue to host
Interactivos? because the arts centre is a meeting point for
cross-pollination of ideas, says mac’s Producer for Learning and
Participation Pat Dawson. “We are very committed to digital media and,
being a hub for people to come together and develop new work, this sits
very well with our ideas of reaching out to different people and
communities,” she says. “One of the big advantages of mac is our
footfall. We do get a lot of people who come for specific events but we
also get a lot of people who
would
not necessarily go into a traditional art gallery but come here to the
café and then see an exhibition.” The centre in Cannon Hill Park will be aiming to
ensure a good many of those visitors become involved in Interactivos? “We will have an exhibition downstairs which will
feature two interactive installations from previous Interactivos?
and people will also be able to visit the collaborative working as it is
going on,” says Pat. “We also want to involve some of our Next
Generation groups. They are all young people who are interested in the
arts and they tend to be very keyed into technology so will have an
interest in Interactivos?”
In doing so mac Birmingham is also ensuring the
event has a legacy. “We hope this event will help us to continue to
build ongoing links with the next generation,” adds Pat. For the BBC in Birmingham, Interactivos?
is part of a strategy aiming to ensure the company is at the forefront
of digital media. The company’s BBC Comedy Executive Producer Will
Saunders, who has been at the centre of developing the BBC’s digital
strategy for comedy, is a speaker at the seminar and other staff will be
involved throughout the event. “The BBC’s brand can be a catalyst for something
like Interactivos?” says BBC Birmingham’s Head of Business Development
Tommy Nagra. “We are looking to develop our partnerships with other
organisations to develop digital media and we want to take our audiences
with us. “The industry is changing at such a rapid pace
and it is difficult to predict what will happen next. Traditional
television is still alive and well but being involved in these
partnerships and working together we can look to the future and embrace
it.” The project fits into a much larger digital brief
for the BBC in Birmingham which is to include an Academy for in-house
and industry training, the formation of a Digital Innovation Unit in
Digbeth and the move of the company’s digital arts partnership with Arts
Council England, The Space, to Birmingham. “This plan for the BBC in Birmingham is to make
sure we are future-facing and innovative and are creating a new story
for Birmingham,” adds Tommy. One of the seven projects to be chosen is being
led by Professor Cham Athwal, head of the Digital Media Technology Lab
at BCU. The project is looking at ways artists can take advantage of an
interactive virtual studio the university department has created. “The virtual studio captures the real-time
interaction of an actor with virtual objects,” says Prof Athwal. “The
captured video can potentially be streamed or broadcast live so that
distant viewers can also interact with the actor and the virtual
objects. “This facility opens up the potential to create
engaging presentations where the actor can directly manipulate virtual
representations such as anatomical or other complex structures or simply
graphics for election nights. “We hope that artists will collaborate with us at
Interactivos? and suggest novel applications for this system.
Then we hope to work with other technical collaborators to implement
some of these ideas so that a set of interesting demonstrations are
created.” And he adds: “For the DMT Lab this an opportunity
to showcase our work and gather ideas for future research directions.” The event has been supported by Arts Council
England whose relationship manager for creative media Peta Murphy-Burke
sees it is as a unique opportunity for the city. “Medialab Prado are recognised as international
leaders in arts and digital collaborations,” she says. “This is an
exciting opportunity for Midlands-based practitioners to explore the
artistic application of new technologies.” For more on Interactivos? see
www.interactivosbham.co.uk
and www.sampad.org.uk
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