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News and
reviews If you want to find more about what's happening in poetry and the spoken word in and around the Midlands you can now listen to Behind The Arras on Radio Wildfire with views on individual events, what we think are the month's highlights, and discover who our Poet to watch is for the month. http://www.radiowildfire.com/listen/ |
Parole Parlate
Little Venice, Worcester This was the first month that Parole Parlate has run without the formidable hosting skills of the “on holiday” Lisa Ventura. So did the mice play while the cat was away? Did profanity
and sleaze rule? No, because Martin stepped in to deliver an evening
that was as well run as ever! A good turn -out was rewarded with a very
good range of performers, the ones new to “Behind the Arras” of whom
will be highlighted in this piece. Michelle Crosbie took to the
floor and impressed everyone with what she claimed to be her first ever
“proper” performance in front of a live audience. Well if this really
was her debut, she is going to be something special when she gets
going. Blessed with youthful “surfer” looks that would get her an
automatic part for “Home and Away”, Michelle commanded the stage
immediately with an assured, well chosen set which was well articulated,
well performed, and entertained from start to finish. After warming up with “Story
Untold” and the clever “Sail of Love” she hit her stride with “O Dark
Pilot Whales” a poem about the lost Pilot whales who threatened to beach
in South Uist a few months ago. She skilfully layered an eco- poem with
ancient mythological imagery, incorporating Herne the Hunter ( as name
checked in Shakespeare's “Merry Wives of Windsor”) and Sedna, the
Innuit Goddess of the Sea, in a hugely satisfying poem before signing
off with a sung through offering called “Yes to Love”. Fresh and
vibrant, her set was a joy. STARK AND STRONG Drugs poems, like drugs songs,
are dangerous territory. They risk either wallowing in self-indulgent
self –pity ,or glorifying that which they purport to warn against.
Fortunately Bobby Parker avoided both traps . His collection of poems on
cocaine addiction, entitled “Palpitations”, was stark, strong, awkward
and uplifting simultaneously. Disciplined and amusing he also read
from his “Smart Arse” anthology, taking in “And Then We Danced “ and
“Night Life”. Static poetry performance can be
dull, fortunately Math Jones does not do static performance and instead
he paced around delivering a set which was as physically vibrant as the
content. It was fun, not comic, and fired a poetic adrenaline shot into
the audience. Poems about lust and “All because the lady loves..” were
light witty and engaging, whilst “Coat”, a sonnet about the garment left
to him by an ex girlfriend ,was wry and painfully accurate. Failed
relationship poems from a male perspective are quite rare and this was
very sharply observed. “The Boon of Scafell” was a pleasing extended
piece whilst his poem on Tarot Cards was fated to succeed. I had heard about Amy Rainbow
before but not heard her in person, and she was quite a treat. Rhyming
poetry to a high standard is difficult to do well because there is
always a danger that the rhyme is either predictable, or absurdly
contrived. Amy's main device is to use simple rhymes which one might
associate with simple subjects- but with a wicked barb which pricks and
delights in equal measure, which is very difficult. She succeeds
effortlessly. Performing largely from “Poems of
the Unrequited”, she went on a one woman search for love through self
mastery that appeared to rule out all men, flattered John Cooper Clarke
rotten, and then read a John Betjeman poem that might have been by him-
but might not! Her reluctant conversion to the joys of the Women's
Institute was very droll, “Dangerous Verse” was very clever, but my
favourite piece from her was “I Don't”, a withering warning to
any man not to propose marriage to her. And I promise you, if you do,
you will be cut to shreds by her acid, and very funny, tongue. Maggie Doyle closed the evening
with her usual grace and good humour which included several laugh out
loud episodes, but she also injected a less typical serious reflection
on the 7/7 Bombings entitled “Why”, which was equally well received.
Fellow performance veteran Sarah James never disappoints , and earlier
she had romped through her favourites including “Dinner at Chez Per” and
“Part of the Furniture” with her customary aplomb. But a new one to me
particularly caught my ear, “The Nutritionists Night Out”. Witty and wry
she delivered it with brio and pizzazz and a smart pay off line about a
“strange Italian dressing”. Sammy Joe also impressed with some bold,
challenging material , although she suffered a little without
amplification. Parole Parlate next plays on
Thursday 4th
August at Little venice, St Nicholas St Worcester at 7.30pm. Gary Longden |
If walls could speak Brendan
Hawthorn at Wightwick Manor It was a gloriously
bright summers evening as we assembled outside the front door of
Wightwick Manor for our tour. The Manor was looking superb and
some in our group of ten, explored the nearest parts of the beautiful
gardens, or simply basked in the sunshine, until summoned to the house
Lisa Fleetwood opening the door. Inside, the
interior of the Victorian house isn't naturally light and the change in
the light and indeed warmth was striking. We were greeted by senior staff
offering drinks (Pimms or orange juice) before being introduced to our
guide for the evening, Wednesbury poet Brendan Hawthorne, who is also
Poet in Residence at Wightwick. Drinks finished, we set out on
our tour of the ground floor, starting in the scullery and kitchens,
where we learned about the daily life of the kitchen from both Brendan's
poetry and Laura Barker who took on the role of cook. From there, we moved on to take a
look into the Turkish bath before our first encounter with the upper
classes in the family part of the house. In the ladies' Drawing Room we
again encountered Laura Barker as a flustered lady who we had disturbed.
And whose character berated us on our lack of manners, especially as we
had brought men into the room. The men's domain was next door, in
the library, which housed a good stock of books and a John Wood as a
member of family, who greeted us in true Victorian fashion.
From the library, we moved to the
largest room on our tour, the Great Parlour which houses a lot of
the family objects d'art, including Edward Burne-Jones' Love among
the ruins. Once again, Laura Barker was on hand, this time to
tell us that we had arrived early and to make ourselves at home while
our luggage was dealt with. The billiard room was next on our
itinerary and provided a much needed chance for the older members of the
group to sit whilst listening to the history of the room and Brendan
Hawthorne's poem based on the artefacts we had around us. The magnificent dining room was
laid up for a family dinner in the luxurious style that the Manders
would have expected, complete with ‘food' on the sideboards. Upstairs, we visited the bedroom
of one of the ladies of the house. A pleasantly decorated little
room with a four poster bed and almost everything a Victorian lady could
need. A visit to the Nursery caught the
Nursemaid (Laura Barker again) getting the children to tidy up before
bath and bed. Toys around the room reminded some of us of similar,
if slightly more modern, items from our own childhood. The sluice room was most
unexpected as was the ending to Brendan Hawthorne's poetic observation. And so to the last room of the
evening, the Nursery Bedroom, where heavy drapes prevented the sun from
disturbing the little charges' sleep while we listened to the final
scheduled poem. For the duration of the tour the
William Morris clad walls of Wightwick Manor spoke to us, courtesy of
Brendan Hawthorne and the staff. Personally, I'd like to see this
idea expanded to every room, with even more emphasis on how unique
Wightwick Manor is. Eileen Ward-Birch |
Midsummer Madness Sansome
Street, Worcester Literary Festival I've
been putting off writing this review of Midsummer Madness at the Word
and Sound in Worcester. Not because it wasn't a good evening but because
it was so good, I don't know how or where to start. In fact, variety and
quality were so much the spice of life at this open mic that I think
every set might have been my highlight of the evening at a different
gig. It would be fatal last words to
claim this monthly/bi-monthly spoken word evening at the Worcester Arts
Workshop is the longest established in Worcester but it must be one of
the longest established. It is also a true – sign-up on the night, not
sets fixed beforehand – open mic. There is an obvious risk inherent in
not having acts lined up in advance, but I haven't been to a Word and
Sound yet and not had a good evening packed with performers. And this
Midsummer Madness for the Worcestershire Literary Festival on Friday,
June 24 was particularly stunning. The evening at the atmospheric
and arty, arched cellar was opened by one of the organisers, Amanda
Bonnick, with a fine set of poems, including two in particular that left
me with that ‘gasp inside feeling' – her second, ‘edgy' poem, and her
light-hearted yet incredibly well-written, celebratory gay wedding poem
Glad. Fergus McGonigal's set, complete
with props for a smokin' piece on No Smoking, was funny, dramatic and
totally infectious, characterized too by his customary ability to
interact superbly with the audience. Myfanwy Fox opened with a
beautiful solstice poem to mark the midsummer theme and incorporated
comedy, word play, politics, and a villanelle to the Emerald Isle in her
varied set. Matt Brockington kept the
audience entertained with The Banker's Song, a long poem on the theme of
gravitas which was marked by varying pace, political/social comment and
humour. Why do Women Like Crap Music? was
Gary Longden's pacey and stunningly funny opening to his set, which
offered lots of humour – and other Fringe Benefits. Like his opening
poem, his ending poem Majorca had the audience in fits of laughter. INSPIRING WINDOWSILLS I've never thought of windowsills
as inspiring but Sarah Tamar ‘s poem on the topic was one of my
favourites from her varied set, as she turned various plant pot flowers
into characters with distinctive characteristics. I also particularly
enjoyed the description in her robin poem and how she reinforced this
with gestures. And her ending poem had plenty of umph , va-va-voom and
laughter! Dot, from Kidderminster, brought
three beautifully formed and well-read poems to the evening, with some
wonderful description, not to mention amazing Gusto! Catherine Croswell's poem about
jogging was fantastic, with great use of pace and comedy, and a biting
warning about going out for a run with her mother! Her theatrical kisses
poem was very memorable too and full of drama. Revenge, eye balls as lychees,
and diamonds in the dark all added to the wonderful drama of Suz
Winspear's poetry and performance. I particularly enjoyed her family
Revenge poem. The last poet of the evening was
Jenny Hope (also one of the Word and Sound organisers) – and what a
finale! Her intensely sensual sonnets Six of the Flesh were so
stunningly read that I now understand what people mean when they talk
about having the audience in the palm of one's hand! Last but definitely not least,
was Andy Green, who did a series of short sets throughout the evening,
confidently alternating serious and comic, song and poem. He rounded off
the evening and his wonderful series of performances with real audience
participation and his amazing song Get Your Sorry But/Butt Out of My
Face! I'm stating the obvious by saying
it would have been madness to miss out on this evening of Midsummer
Madness of words and sounds – but it would, so there! 24-06-11 Sarah James
Parole Parlate Little
Venice, Worcester Literary Festival It's
7.30pm, Spoz is cranking up the tension in his own inimitable way, and
we are waiting for the first act of the evening. Where are we? The
gloriously aromatic Little Venice restaurant in Worcester which has
opened its upstairs and made the Worcestershire Literature Festival very
welcome and we are celebrating the “Invitation Parole Parlate” – a very
special event indeed. Phew! Sarah Tamar arrives – a
little breathless but this adds to her characteristically intimate and
friendly set. She gives us four poems and we don't go away hungry – one
funny and wry piece entitled Bubble-wrapped, a lovely poignant tribute
to her Dad and a delicately intricate poem Big Girls Don't Cry with
internal rhymes cleverly contrasting the simple heartfelt message. A
touching poem about a new grandchild with his ‘mole face bare,
uncluttered' completes a distinctive, funny performance with the
occasional sting in the tail, nostalgic but not sentimental. John Lawrence was next, known
also for his forays into the novel form , he amuses with honesty and wit
with subjects ranging from life from the point of view of a fish,
quantum physics, and his tour de force about his inadequacies at DIY –we
can all empathise with! Who was next? Well, modesty forbids me from
reviewing the next poet – Amanda Bonnick – I am vaguely related to her –
but she seemed to be well received! Fergus McGonigal's large presence
cranked up the volume and he gave us insight into what keeps him up at
night and what wakes him up early – too early – in the morning. His
lasciviously performed poem, 4.37am, chronicles the agony of giving up
smoking and the secret attractions of that ‘filthy pleasure'. I am
beginning now to be worried for Fergus's health and well-being, because
his next poem describes, in almost too much realistic detail, the
agonies of a hangover. The last poem pulls him back from the brink, a
touching poem to his wife. (ps, don't worry, Fergus, I know it is your
poetic ‘I' who is talking and that you are the most abstemious of beings
in reality!).
Maggie Doyle provides poignant,
well-observed and occasionally whimsical verse, with a strong rhythmical
and rhyming structure that serves her delivery well. Her signature poem
describes in beautifully cringing detail the outcome of a disastrous
blind date and provides a humorous ending. It is certainly an evening of contrasts! Suz Winspear is up next and her own fantastic dress sense and theatrical impact are echoed in her work – some of which is not for the squeamish, especially the poem ‘Eyeballs'. Comic contrast reigns supreme in her piece about the newsreader who loses a second of concentration while ‘on air'as she spirals off in her imagination to encounters with her lover – ‘Last Night's News' certainly went down well with the audience. The lovely images of Colette
Grosvenor's award-winning poem, ‘Sympathetic Smiles' was a contrast to
Suz, and Colette's performance was a subtle rendition of the winning
piece. After the break Allie Sewell not only changed gear but changed
genre and delivered an amusing and rather rude short story about the
Pinocchio effect of lying – but this time when the young man in question
told a porky, it was not his nose that grew! The story ended in a human
explosion and an explosion of applause from the audience. Later participants, Glenn James
reading his fiction, Theo Theobald the first Worcestershire Literature
Festival Poet Laureate and Zena Edwards contributed to the intimate and
exciting atmosphere which Spoz kept at boiling pitch! And the whole
evening was enhanced by Spoz's birthday cake and chocolates! Thanks Spoz
and happy birthday again! Thanks must go to Lisa Ventura and the
Festival crew for organising such a memorable event.23-06-11 Amanda
Bonnick |
Bilston Voices Metro cafe, Bilston TWO weeks ago I did my final review of City
Voices and last night came the time for my final review of Bilston
Voices, and it was a splendid one for me to finish on. The venue, Cafe Metro in Bilston, has always been a
friendly place, ideally suited to both new and experienced performers
and last night was no exception. To kick off the evening we had Jack Edwards making
his Bilston début. Jack, as he told us before he started, has only been
writing poetry since September and is still trying to develop his own
style. He's doing a fine job of it too. His poems have strong descriptive quality that draws
the listener in while describing commonplace, everyday things and
events. His opener, The Red Bike was description of an abandoned
bike. Clear Crossing was a short poem about a woman too nervous
to cross the road. Fog-lights was exactly what it sounds like, a
description of driving in fog. He has a fine turn of phrase that lends
these descriptions a deeper metaphorical quality. It would be damning
with faint praise to suggest that he did a great set for a newcomer
because he did a fine set by any standards. Jack was followed by Lucy Jeynes who described her
set as "quite dark" but that was a bit misleading. Certainly bits of it
were dark but it was a well structured and varied performance that
started with The Invitation a poem about an invitation to a
coffee morning in Hades; rattled through The Business of Waiting
which perfectly captured the rhythmic boredom of office work; handed us
a group of poems that gave a cynical feminist twist to familiar fair
tales; suggested in Den and Angie that we watch soap operas to
learn how to behave in domestic situations; described the human heart in
what was perhaps the only truly dark poem of the set and finished with a
humorous pastiche of the Lord's Prayer in, "A Prayer for World
Facilities Management Day". It was confident and thoroughly entertaining. OLD FAVOURITE The following act was an old favourite, Ray Jones,
who always manages to please the audience with his well crafted and
superbly read short stories. Last night's Thick Barry, a tale of childhood
trauma told by an adult who had never learned to read and write kept the
whole venue in rapt silence. You could hear the scratching of my pen, so intense
was the concentration he was given. The voice of the character was
perfectly realised as he recollected the bullying of his history teacher
and the taunts of his classmates. Excellent stuff. After the break Madge Gilbey took us into the realms
of Black Country dialect poetry. It's the kind of stuff that can be
tricky to pull off, but the great secret is that the poems have to be
strong enough to work without the dialect element, which then just adds
a new layer to them. Madge's certainly were. She started strongly with
Man Boobs, a funny piece suggesting that men are gradually changing
sex. Bare Facts described how shaken her husband was at the sight
of someone's naked backside. Other poems took us through the trauma of washing
cricket whites with coloureds, a state brothel for pensioners, receiving
a first ever Valentine's card in later life, and even closed with a
farewell to the audience in rhyme. All the poems were clever and funny
and thoroughly appreciated by everyone there. LIVELY STYLE The final act of the night was the remarkable
Richard Tyrone-Jones. He gave us a very polished twenty minutes in
lively style with wonderful poetry and witty intelligent introductions.
His opener was a short and very pithy piece about receiving an odd party
invitation. Most of his pieces were similarly short and clever,
delivered as the poetry equivalent of fast paced one-liners from a top
comedian. He even gave us a few fast and funny limericks. There were a couple of forays into more serious
territory as he described having a heart attack in his thirties, and
they were intense and powerful and every bit as good as the humour that
made up the bulk of his set before he returned to making us laugh for
the finish. He is a truly original and excellent performer. And then it was all over. Before the next Bilston
Voices I shall have left the area and before the one after that I shall
have left the country. I'll be back eventually, and when I am, I look
forward to visiting it again. For the moment, I couldn't have hoped for
a better line-up to send me off. 24-06-11. Bob Hale Worcester Arts Workshop Centre, Cellar Bar, Worcester BILLED as “Midsummer Madness”, this was an
event which was part of the Worcester Literary Festival and despite
competing with two other events was well attended by both an impressive
array of poetic talent and a good sized audience. The venue itself is an excellent one in the city
centre, incorporating The Bliss Cafe, which is licensed, and also offers
freshly cooked Mexican food. It provides a very agreeable pre-gig meeting area
contributing considerably to the convivial atmosphere. Although in
theory this open-mic event was vulnerable to the vagaries of who signs
up on the night, in practice this was not an issue. One glance around confirmed that the Worcestershire
Poetic Literati Glitterati were out in force! Amanda Bonnick hosted the
evening with an assured, relaxed, demeanor. The hosting task is not an
easy one but Amanda made it seem so. Normally the job is merely to offer some punctuation
between performances, yet occasionally the host has to alter, or set,
the mood, and she deftly delivered on both requirements. She also set a
formidable standard by opening the evening too, from the edgy “Just Good
Friends”, through the whimsy of “A Cat” to the closing “Glad”, a
splendid celebration of the diversity of the union of relationships,
which always looked strong on the page, but came alive in performance. FAMILIAR FACES Some familiar faces were in fine form. Fergus
dominated the room as always with his sharp wit, acid tongue and shrewd
observation, culminating in a highly entertaining warning on the dangers
of smoking. Sarah James enthralled with her erudite lucidity and
a marvelous pastiche of Philip Larkin on the theme of “Children, they
suck you up”. Two poets in the first half were new to me, both
impressed. Myfanwy Fox drew upon her experience running a Charity Shop
to perform, “Found in his Things- a Theatrical Programme” a delightful
reflective piece, then demonstrated her technical ability with a clever
villanelle, “Hearts homesick for the Emerald isle”. Catherine Crosswell
offered astute and humorous observations on theatrical life with “When
All is Waned” and “Theatrical Kisses” but really cut loose with, “The
Dangers of Running”, an extended piece of beguiling linguistic
intricacy, tricking, teasing and engaging the listener by constantly
morphing its subject matter. Was it about running? Was it about her
mother? Was it about her? Was it a comedy, a satire or a piece of verite?
You will have to listen to her to find out. I loved it. After the break, two more familiar poets performed,
both thematically linked by stagecraft. Suz Winspear's magnificent
gothic dress and exploding shock of black hair is an instant attention
getter as soon as she takes to the stage. Combine this with an impish self-effacing manner and
idiosyncratic material, and you get a compelling performer. From love
poetry like “Diamonds After Dark”, to comic gore with “Eyeball” she
always has a twinkle in her eye and leaves the audience with a smile on
their faces. Sarah Tamar's device was simpler; she sat to
perform, which in itself set her apart from everyone else. From a
physical performance perspective, this can be disadvantageous, but with
her rewarding closing poem “I Want to Be” she proved that any performer
is only as good as her material.
A reflection on a middle aged woman's perspective of
young women's aspirations, subject matter which could have been a cliché
heavy minefield, proved to be a poignant light, well written triumph. To close the evening poetically we had Jenny Hope,
another poet new to me, who represented the distillation of all that was
good from what had gone before. Jenny performed a collection of six
sonnets entitled, “Six of the Flesh”. As Pippa Middleton has trademarked
“that dress” so Jenny did with hers. Writing a good sonnet is no easy
task, writing six is extraordinarily difficult, but that is what Jenny
has achieved. Beautifully performed, the room went silent as she took us
through the likes of “Orchard”, “The Morning After” “Picnic” and
“Harvest”. Her performance was sultry, sensual, and erotic, if
Beyonce performed poetry, she wouldn't stand a chance up against this.
Jenny's delivery was exquisite, the language both sparse and rich,
crowning a splendid evening of high quality poetry and performance. The shorter interludes as the evening progressed
also warrant mention, Martin lambasted “Sir Fred”, Dot took us to a
North Norfolk Beach, and Andy Green provided a series of hugely
enjoyable songs, sung unaccompanied, to offer some light and shade to
proceedings. Jenny Hope and Amanda Bonnick co-organise, more information
on future events may be found on the “Word and Sound” Facebook page.
24-06-11. Gary Longden Poetry & Music Bishops Wood Centre,
Stourport-on-Severn Billed as
an unbelievable line-up of
three published poets, three superb guitarists, one singing angel, a D J
and an injection of humour,
this evening of Poetry and Music, part of the Worcester Literary
Festival, certainly lived up to its claims. Okay, so at this point I'd probably best admit
straight up that I was also one of the poets in the line-up. But in case
anyone thinks this makes my review biased, I'll simply say that I
wouldn't read or perform alongside just anyone. The beautiful and
comfortable, relaxed setting was also perfect for this gentle and
beautiful fusion of poetry and music organised by Worcestershire poet
Sophia Dimmock. The evening opened with Sophia's poetry accompanied
by background music from DJ Brother Adam (her actual brother, not a
monk!). This was an interesting and varied mix of poems with music that
successfully complemented the tone and atmosphere created by Sophia's
words. My favourites included her rocking chair poem set to the sound of
the sea, and the sinister Metal Tears. The Very Grimm Brothers Adrian Mealing and John
Denton were far from grim with their comic and varied set combining
fairytale, anecdotes, comedy, poetry, music and singing. Ranging from
political, good cop, bad cop, through peeping toms, music, festivals and
moles (I kid you not!) it's too difficult to pick just one favourite. We
laughed and we laughed and we clapped and we clapped. ‘Nuff said!
Ruth Stacey was next up with a confident and assured
reading of some very well-crafted poems from her very atmospheric Merry
Go Round poem to her beautiful swan poem, and my favourite, Mute.
Definitely awesome! Colin Baggs on the guitar charmed the audience (I'll
resist the temptation to pun and say bagged, though that is what he
did!) with a selection of musical pieces culminating with a Spanish
flavour, and a joke in its Spanish title meaning I don't speak Spanish.
(Or something to that effect. I can't tell you the exact translation
because I really don't speak Spanish!) Singer-songwriter Deb Hodgson was well and truly a
heavenly act offering four instruments, four pieces with poetic links
and a stunningly angelic voice. She opened with her own song inspired by
an area of the Highlands that used to inspire poets like Wordsworth. The song certainly inspired the audience, as did her
setting to music of Christina Rossetti's The First Day. But my
favourite had to be her performance of the jazz piece Autumn Leaves.
This was the English version of the French Les Feuilles Mortes lyrics by
one of my favourite European poets, Jacques Prévert. Finally, from Autumn Leaves to full trees, as Jenny
Hope opened her set with her beautiful The Forest Seamstress poem
combining stunning forest sounds with amazing poetry, expressively
reading. She continued her assured set with a series of six wonderfully
sensual nature and love-inspired sonnets. This was a wonderful ending to
a wonderful evening of poetry and music in tune with the wonderful
natural surroundings. 23-06-11 Sarah James Sarah James was shortlisted for Bard of
Worcestershire this year, and is a poet and short story writer. Her
poetry collection, Into the Yell, is published by Circaidy Gregory
Press. Her web site is:
http://www.sarah-james.co.uk |
Chris Redmond & The Tongue Fu Band Worcester Literary Festival Thanks to Worcestershire Literary
Festival, I have been well and truly Tongue Fued! No, this is not some crazy, new form of martial art,
it's even better than that – this is live poetry and music at its best:
spontaneous, improvised, vibrant, exciting. The idea behind the concept presented to the
Worcester audience at the Marrs Bar on Sunday night is that poets come
along to an evening headlined (stunningly!) by Chris Redmond and his
Tongue Fu band of musicians. Poets get 30 seconds to tell the band what kind of
music/soundtrack they'd like and the musicians cook something up for the
poet to perform to. Like I said, this is improvised, live, exciting! First off, I'll admit my bias, in that I was one of
the poets in the line-up. I'll say no more about that except that the
experience is thrilling. Though it is harder than it seems if you've
never performed with music behind you before, it's also highly
addictive! STUNNING INTRODUCTION First up, after Chris Redmond's stunning headline
introduction to the Tongue Fu concept was Worcestershire Bard stunner-up
Fergus Mcgonigal, now renamed Firstus Mcgonigal as he's now kicked off
three Worcestershire Literary Festival events in a row! His clear directions to the band combined with his
set on the delights of drinking too much and horror of hangovers was an
instant hit with the audience. Jazzman John Clarke, who had performed in his own
Worcestershire Literary Festival event the previous night, was the only
poet of the evening other than Chris Redmond who'd performed with the
band before. He asked them for all they'd got and that is what he
also gave the audience with his pacey pieces demonstrating that “poetry
is the jazz of life”. Next on, was Worcestershire young poet laureate
stunner-up Beth 'Knuckles' Edwards with a funky, confident performance
based on some really strong poetry. Her Shakespeare poem in particular
is one I'd love to hear her perform again – and again and again! NATURAL SYNCHRONISATION Amy Daffodil Rainbow performed some vibrant pieces
from her new poetry collection with such energy, panache and natural
synchronisation with the music that she sounded like a pro at performing
this way. Maggie Doyle brought a wonderful change to the tone
of the evening with her slower, sad pieces followed by a dramatic set
from Andy Green which ranged from political war (Stalinesque music!)
through hip-hop to slow and menacing with his wife-beating poem. Sarah Tamar also brought variety to her performance
with her amazing soft blues Leonard Cohen love song followed by a
strong, jaunty John Wayne political piece. Chris then brought the evening to a whooping,
standing finish with his hilarious Glastonbury Poo and I/eye poem in a
stunning performance that beautifully walked that tricky tightrope
between funny and squirming. Definitely a pro at work! 19-06-11 Sarah James Sarah James was
shortlisted for “Bard of Worcestershire” this year, and is a poet and
short story writer. Her poetry collection “Into the Yell” is published
by Circaidy Gregory Press. Her web site is:
www.sarah-james.co.uk |
Old Cottage Inn, Burton upon Trent This was the third event at this new
venue, which I suspect means that it is no longer new, and should no
longer be described as such. Organiser Gary Carr was
rewarded with the biggest turn-out yet, resulting in a good atmosphere,
plenty of readers, and few spare seats. It is encouraging to see that
Friday nights can command poetry audiences, and this monthly routine
extends across the summer with no break. Crucially, Spoken Worlds is attracting a core of
high quality performers to set a good standard whilst still welcoming
those who want to read for the first time. A first time performer at Spoken Worlds, but a
seasoned veteran of the Birmingham/Black Country circuit was Bob Hale.
An English Teacher by profession, Bob was making his first and last (
for a year) appearance as he is soon to teach summer school at Harrow
and then English in China, so any victory speeches in Black Country
English from the Chinese Olympic Team in London next year are down to
Bob. Wisely his first two poems, “On Being Joined in the
Pub by Two Female Colleagues whose limited range of Conversational
Gambits had Previously Been Remarked Upon” (“I forgot you're not a girl
Bob”) and “Dave” were set in a pub, unsurprisingly they matched the
audience's mood perfectly. “Other Childhoods” reminded of those in other
countries less fortunate than ourselves whilst “Waiting for a Holiday to
Begin” was a short, sharp reminder of the perils of embarking upon any
holiday. But he left his most impressive poem till last,
”Chaos Theory”, from the eponymous second collection of his work, “The
smallest of lies betrays the greatest of truths. . . . . . . . . . . . .
. . . . . ”, a poem of love and loss, taut, anguished and well executed.
A fine set, and well worth the three slots, he will be missed, but
equally welcomed back in a year's time with, no doubt a rickshaw full of
new poetry.
Mal Dewhirst was another who read in three
instalments, a device which allows a reader to offer a substantial
offering of their work without taxing the audience with one
uninterrupted performance. ”Ibiza” picked up a Balearics theme which was
reprised elsewhere whilst, “Donna, Two am” a story of a Mrs Robinson
infatuation, had a painful veritas about it. After pieces about body
piercing and time Mal then went into an extended piece about a recent
visit to Memphis, in which Elvis and the Blues loomed large. The Elvis phenomena is an interesting one. His late
50's career undoubtedly was a defining element in the birth of modern
rock n roll. Yet the draft and then a movie career took him out of the
musical frontline thereafter even though he continued to enjoy hit
records and commercial success for much of the 60's. Shrewdly, Mal
concentrated on the Blues, a back street bar and an aging Bluesman who
had never quite made it which unsurprisingly provided the basis for a
very good poem. Colin “The “ Hench is a poet whom I always enjoy,
and he did not disappoint. One of the poets to be immortalised on the
Polesworth Poetry Trail he revisited his time at Pooley Hall, first with
a sombre reflection on the dangers of the Tip alluding to Aberfan, and
then with “Alvechurch Mound v Pooley Mound, an allegorical tale of the
resistance within the community to the metamorphosis of a once working
pit into a leisure park. John Donne is a man with local connections who
managed the apogee of poetic ambition twice by producing two phrases
subsequently assimilated into the English language in his poem “No Man
Is An Island”, with the title phrase (borrowed by both The Boomtown Rats
and Paul Simon) and the closing line “And therefore never send to know
for whom, the bell tolls; it tolls for thee. ”. Boldly, Colin tackled
the island theme himself – and very successfully he did so too. But for me his “Student House” poem was his standout
offering of the night with a particularly memorable line -
when he described the house fabric as being ”shabby as a cowards excuse” A host of other talent provided sterling support,
including Margaret Torr and Ian Ward with some fantasy writing Terri and
Ray Jolland with light comedy and Rob Stevens with poetry and music.
Spoken Worlds next meets Friday July 22nd, 7. 30pm. 17-06-11 Gary Longden |
City Bar,
King St, Wolverhampton Well,
it's been a long journey that I've travelled with City Voices since I
first attended, and performed , way back when it used to be upstairs at
the Clarendon. Last night was, at least for the foreseeable future, my
final visit, as work will soon be taking me away, first to Harrow and
then to China. So how did it go? Recently Simon Fletcher, the
organiser of the event, has been mixing up the format slightly, and last
night was another departure, with the whole of the second half being
taken up with a folk duo, Billy and Loz. First though we had three
readers to entertain us for the first half, all of them regulars at City
Voices. We started with Yvette Rose, a
quiet performer of personal poems. She started with several poems about
nature - In The Garden, What A Blessing and
Hibiscus - which she followed up with the slight, but clever,
Love With Maths before moving on to very personal poems about
relationships, especially her relationship with her Grandmother. Yvette was followed by Dorothy Baruch, who read a single poem, followed by extracts from a work in progress, a novel that she is writing. The poem was a short and quite strong piece revealed to be about adoption only after she had read it. She introduced the extracts from the novel by telling us that some of it is quite dark but she had chosen the "less dark" sections for the performance. She has a strong expressive voice
and a good ear for dialogue. On one hearing of this short section I
found it quite hard to work out what was going on but the rhythm of the
words and the authentic and convincing way that she read carried me
along as she described a naming ceremony for a child in the Caribbean.
It was a fine performance.
Finally to end the first half we had Jane Seabourne, a very accomplished poet. Her set was a mixture of some things I've heard before and some that I had not. She opened with a favourite, At the Family Fun Day, which contains the great line "it's rumoured there'll be Morris dancing". She rattled on through a
fast-paced series of excellent poems - Wilfred and I Celebrate Our
40th Anniversary - about how, as a teenager she discovered the
poetry of Wilfred Owen, Note To a Non-Cooking Man - sharp and
funny with a bitter twist in the last line, Wriggly Monkey - a
well observed description of an old man who doesn't "want to be any
trouble". She finished the set with two poems about school games lessons
and a gently observed one written for, and about, The Race For Life
cancer charity. After the break we had our folk duo, Billy and Loz, or Brian Dakin and Lawrence Hipkiss to give them their full names. Lawrence played the guitar well, adding occasional comments in the gaps between songs, while Brian alternated spoken word with song. Their songs and poems were all based firmly in Black Country history and were thoroughly entertaining. Drovers was introduced as being a Black Country cowboy song and was precisely that. Rag Time Roll was about old fashioned pub entertainment, The Bricklayers Daughter was a poignant and touching tale of a man bringing up a child alone and Hard Times was a bleak description of workhouses. My favourite though, my favourite
piece from the whole night in fact, was the rousing Shut The
Curtains, Gerald which told the tale of Queen Victoria visiting the
Black Country and insisting on going through Tipton with the curtains
closed so that she wouldn't have to see it. Excellent stuff. I shall miss it.
14-06-11 Bob Hale |
Spread the Word The Voice Box, Forman St, Derby Spoken word events traditionally major on
poetry, interspersed with the odd prose piece to provide a bit of a
break. “Spread the Word” turns this concept on its head by majoring on
storytelling, and using poetry and music as the interludes – and very
well it works too. Organised by Sophie Snell, it is compered by John
Fearon, who also tells a few stories himself. The location itself is excellent, a refurbished hall
in an old building, and the open pitch roof offers excellent acoustics
rendering amplification unnecessary. Modern kitchen facilities provide
refreshments including chocolate cake and tables, and chairs are arrayed
informally, creating as friendly and warm an atmosphere as the
organisers themselves extend to audience and performers. First up was Dave Tonge, the self styled “Yarnsmith
of Norwich” who entertained us with “The Onion's Tale”. The bearded Dave
often performs in costume, but even without, convinced as an Old English
troubadour telling a traditional tale. Dave had travelled from East
Anglia for the evening. His warm manner and good humour set a high
standard for the evening. He also excelled in his ability to get the
best out of the audience in creating creaking hinge noises. My personal
tip is that for an extended creak, starting from as low a musical pitch
as possible is best. At that point I was impressed that someone had come from as far as Norwich, until the next performer, Ana Lines, introduced herself as a Brazilian national! Although Portugese is Ana's mother tongue, she speaks fluent English with a delightful Latin accent which evokes an exotic ambience to her delivery which tonight told “The Farmer's Tale”, a parable about a treasure windfall and a gossiping wife, universal themes which transcend national boundaries. KNOWING WINK She has an endearing presentational device of
ostensibly taking the audience into her confidence, and she flatteringly
declares assumed wisdom in the audience, drawing us closer in still.
Full of poise, and a knowing wink, she tested the audience's ability to
creak too. . . . . . Sophie Snell closed the first half with “The Teeny Weeny Tiny Old Woman”, the macabre story of a hairy old toe. Sophie writes stories for children and adults and she skilfully drew on strands from both in this gory tale. Part fairy tale, part horror story and part cookery
ingredient guide, she had us enthralled as she sat in classic “Jackanory”
pose then aghast as she strode around to reveal the ghastly outcome.
“Just a Minute” would hate her – for there was not a moment's
hesitation, repetition or deviation in her story. She has been touring
her “ Seven Deadly Sins” show, I have no doubt that an extended set
would be an even greater treat. And yes, she got the audience to creak
too! However my appetite for the chocolate cake was somewhat diminished.
. . . . . . . . . . After the break Bryan Franks told “Noah's Tale” with
god humour and panache whilst David Brookes gave a more contemporary
account of a submarine escape, both aquatic themes but from different
eras. Jim Kavanagh had joined Dave Tonge on the trek from
East Anglia but his story was from Ireland, “The Land of Youth”. Drawn
from the “myths and legends” tradition. This one hailed from the era of
St Patrick and was beguilingly and compellingly told, in an almost
confidential manner, and light irish brogue. To close the evening Emma
Carlton entertained with “The Monks Tale”, an amusing story of a
medieval monk and his shared adventures between two monasteries with
very different mores. Flamboyant and brisk Emma shone and was the
perfect curtain call for the evening. The storytellers were interspersed with some poets,
musicians and a very confident young riddle teller in the shape of Ben
Snell. Not only is Sophie Snell a fine storyteller, but she is also
clearly a good alchemist too, as each main performer not only had a
distinct style, but also the stories themselves were quite diverse,
ensuring a satisfying, stimulating and rewarding evening. “Spread the
Word” returns later in the year, more details available at:
http://www. flyingdonkeys. co.
uk/ 09-06-11 Gary Longden Erdington Library, Birmingham This evening performance was part of a week
-long series of workshops and performances at the library led by Jan
Watts. Erdington Library has traditionally been hugely supportive of
this type of event and so it was again with a staff who were as helpful
and keen to please as ever. Marcus Taylor organised the evening and
assembled an impressive array of local talent.
Chris Smith from Sutton Coldfield and Cannon Hill Poets opened the evening followed by Jan Watts herself. Jan took us on a journey including her childhood in Walthamstow, her experience of being closer to ducks from her boat, and her dissolute lifestyle as a lady who lunches. As always her clarity and freshness of expression
shone. “Sunday Express” is a long established open mic poetry event
running on the third Sunday of the month at 4pm at the Adam & Eve
Digbeth. “Big Bren” Higgins runs it and he brought his rumbustious charm
with him whether with the likes of the sharply observed “Ego Trip” or
funny, and brief, “Writers Block”. Richard Bruce Clay, a man who never
needs a microphone, ripped through poetry inspired by King Lear, “Men
are from Venus women are from Mars” excerpts from “Both” and “She's
Alone” and the very funny “Poems are Easy”. Richard runs a spoken word
evening at the Hollybush in Cradley Heath on the first Friday of the
month.
The second half offered a rare chance to listen to Mal Dewhirst perform an extended set, and hugely enjoyable it was too, probably the best I have ever heard him. “Music & Places” name checked Barberellas in the late 70's, “Newburn Bridge” a walking holiday in the North East and Liverpool got a mention too. Although predominantly a serious poet, “The Squatter”, dedicated to his cyber hacker was sharp and “Aspiration Blvd” a marvellous piece of whimsy. Mal runs a poetry evening, “Fizz” at Polesworth Abbey, bi-monthly. Elaine Oakely breezed in, then breezed out again all too briefly before Louis Campbell took the floor. Louis' appearance was noteworthy for two reasons, firstly he does not run a spoken word event, and secondly he was sans his trademark long leather coat. What he had brought with him though was his
formidable collection of social commentary poetry. ”The Ant that would
not Pop” took us back to childhood, “Eyes of a Spider” reminded us of
surveillance culture, “Text an Apology” reminded us that saying things
in person is always better whilst “Credit” was as searing a condemnation
of popular finance as ever. Before Alan Wales had entertained with a marvellous
Welsh pastiche, “Under Deadwood”, Gary Carr was another poet to benefit
from the chance to stretch out a bit. Gary runs “Spoken Worlds” on the
third Friday evening of every month at the Old Cottage Tavern, Burton
upon Trent. “Not Having a Ball” was the story of a young footballer
whose career was wrecked through injury, “Without You” was a painfully
sharp commentary on relationship breakdown whilst the highlight was a
wonderful parody of “My Way”. Marcus Taylor ensured a brisk pace as compere and
read some observational prose on his experiences in New York winding up
a fine evening which may become a more regular event. 09-06-11 Gary Longden |
Parole Parlate Little Venice,
Worcester THE final Parole Parlate before the launch of the
inaugural Worcestershire Literary Festival offered an impressive array
of talent to the sizeable and loyal audience of this well-established
spoken word event. First on the bill was Janet Smith, who started the
evening with a selection of travel-themed poems. A performer of great
poise and fragile elegance, her work is powerfully elemental, whether in
her pieces “Bear” or the owlish “The Cry”, which neatly bookended her
set, or “Pacific” where the rich imagery which runs through her work
worked to tremendous effect. Tony Judge is a Parole Parlate regular. He read
extracts from his two novels, “Sirocco Express” and “The Whole Rotten
Edifice”. The two pieces contrasted well; the first describing
a wanted man's night on the run out in the Moroccan Mountains, and the
second told from the point of view of a disillusioned sniper marching
through Red Square at the time of Operation Barbarossa. Despite the
tension in both pieces, there were also deft touches of humour which
characterize much of Tony's work. IMPOSING PRESENCE Third on the bill was Ruth Stacey, whose remarkably assured performance was a highlight of the night. Reciting her poetry, she commanded an imposing presence on the stage. Her first poem was the striking “Extinction”, which opens with the arresting line, “Mermaids drown in freshwater…” and is the tag line for her blog. She really hit
her stride with “Rose Red”, for which her timing was absolutely spot on;
she barely skipped a beat but also rode the audience's laughter
effortlessly. Her repartee with the audience segued seamlessly into her
final poem, “Averse Muse”, dedicated to her husband. We await her next
performance with great anticipation. Gary Longden delivered a set which sparkled with
humour, energy and a plethora of memorable one-liners, my favourite of
which concerned Cheryl Cole and her “forensic observations”. The topical nature of his verse, from the Royal
Wedding (Victoria Beckham on a bus, anyone?) to a Facebook unfriending
via the closure of the last typewriter factory in Mumbai, and the
“thinly veiled erotic innuendo” of “Adultery”, about attending spoken
word events, ensured an instant connection with his audience which he
maintained throughout his set and which showed conclusively that brevity
is indeed the soul of wit. The unenviable task of “Follow that!” fell to Nicola
Callow, who made a very good job of it with some wry and caustic poetry
, the best of which was “Please Don't Do a Welsh Accent”, dedicated to
Spoz, erstwhile performer at this event. Having provided several
compelling reasons not to do the aforementioned accent, she concluded
the poem with “it is not funny!” a line which rounded off the first half
with a large laugh. DELIGHTFULLY CLEVER Mr Morrison, whom I had seen the previous month at
Hit the Ode, started off the second half with the delightfully clever
“Angie”, name-checking Wordsworth, Pope, Hardy, Kipling and Shakespeare;
the Angie of the title referring to the audience. His second poem, “Déjà
vu”, about a troubled six-year-old boy, was delivered with equal
panache. Mr Morrison's delivery is one of his fortes; he is not afraid
to let the space between phrases add weight to his words and thus
enhance the impact of his poetry. The three poems which Chris Guidon read were by
turns explicit, touching and amusing. “Upon Not Knowing” was dedicated
to his new fiancé, Emma, and his third poem, “Fuck Your God”, was a
searing and effective piece, but my favourite was his hilarious homage
to adolescent onanism, which every man in the audience related to, apart
from the liars. I shall look forward to seeing him again. Best introduction of the evening went to Beth
Edwards, with “I'm Knuckles”; once you've heard her poetry, there can be
little doubting her when she says that she is “a rocket ride to the moon
and back”. Feisty yet sensitive, she is an extremely talented
young poet; there is a maturity in her writing and delivery which belies
the tenderness of her years and she must be in a very small minority of
teenagers who are able to write successfully about the political. And thus it was that we found ourselves in the
capable hands of the evening's headliner, Birmingham's former Young Poet
Laureate, Matt Windle. A supremely confident young poet, the key to the
success of his set was in the variety of choice which he presented the
audience: the epic and aspirational “Work in Progress” was juxtaposed
with the short and witty “Number” and “Alphabet”; the tension of
“That'll Be the Day”, about a couple who ought to break up but don't,
sat well next to “Cracks”, another brief but witty piece; “Outstanding”,
his strongest poem of the night, is a poem which every female of dating
age ought to read – if shyness is the kryptonite of this young man,
imagine how the rest of them are feeling. Concluding with the
“Unconventional”, Matt rounded off an evening of exceptional variety and
entertainment. The Worcestershire Literary Festival Special of
“Parole Parlate”, featuring guest performers from the last year, is on
Thursday 23rd June, the next regular meeting is on Thursday 7th July. 02-06-11 Fergus McGonigal |
Hit the Ode Victoria Pub, Birmingham City
Centre This month's “Hit the Ode” is reviewed by
guest writer “Spoz” . A past Birmingham Poet Laureate, he is a
regular on the Festival Circuit, a Poetry Slam and workshop organiser,
and has supported the likes of John Cooper Clarke and Attila the
Stockbroker. IS IT dangerous to always expect poetic
fulfilment every time one visits “Hit the Ode”? Could you, surely, be
raising your expectations of such an event just a little too high? There
must be a tipping point? Enough of the probing questions already!
Suffice to say, that tonight's show was another corker!
As is becoming usual for “Hit the Ode”, you've got
to get there early if you want a seat, so my son and I stood at the back
for the first half. Now there's testament enough if you ever needed it
- my son, Zack, helped me out with a backing track for one of my
performances at HTO (the night with Lars Ruppel, Sebastian Rabsahl, Hollie
McNish and Polar Bear) and now he's hooked! Anyway, Ddotti Bluebell kicked off the open mikers
in style, with her hairstyle poem, followed by top Brummie, “Long Lost
Frank” with some cheeky queue jumping anecdotes … really refreshing and
funny stuff! See you next Tuesday, Frank! Samantha Hunt gave an
endearing reading while Laurence Inman treated the audience to a very
witty, personal experience of “Education, Education, Education”. Big Al Hutchins closed the first half of open mikers with his passionate, Birmingham fuelled bravado. His very presence demands your attention, and with a bloke of his size, you give it to him! BRILLIANT GRASP And so, onto our first featured act. Oskar Hanska
and Laura Wihlborg are from Sweden and have a brilliant grasp of the
English language … better than the locals (thanks Oskar!)! Oskar's “Def
Jam” delivery gripped you from the word “gå” (that's Swedish for 'go'
don't you know!) and was unrelenting in his parent / child and lover /
lover obsevations which were both witty and charming – I especially
liked his piece in Swedish, and, although I had no idea of what was
being said, Oskar's animated self left me with a wide grin and warm
feeling. Laura was quite different, though still instantly likeable with
a more vulnerable yet confident delivery. Her discourse with ”European Airlines” was great, as
was her recorded conversation with travel agents to destinations where
”she could find herself”. Very clever and beautifully delivered with the
aid of powerpoint translations. You've got to take your hat off to
performers who can draw in an audience in another language apart from
their own – Oskar and Laura did just that and I salute you! After a short break, we were back into our open mic slot. Our old favourite (but not in an old way) Louise Stokes opened proceedings with ... something happy! Using her voice / accent skills to great effect, she left me smiling! She was followed by Mr. Morrison – not of supermarket fame but, I wager, soon to be of spoken word fame! He was witty (really liked the ”I want you like Dawn French wants dinner” line) and poignant – keep an eye out for this guy. Our final open miker was Beth Jellicoe, who announced that this was her ”first time” – so the HTO audience were immedeatley on her side! Her shy yet unapologetic performance left me wanting more. POSH DELIVERY Luke Kennard was our second featured artist and represented the local scene – though to be fair, I don't know any Brummies who sound like him. Now, I've worked with Luke before, but frankly, he was properly on fire tonight! His posh delivery (”I can't help it, it's the way I speak”) was perfect as he apologised for having to ”shoot in and shoot off” due to a mayonnaise incident in his kitchen. Whether he was reading or ”off book”, his charisma,
humour, intellect and plummy tones demonstrated why Luke is a ”must see”
of the poetry scene. I'm not sure whether he's going to thank me for
this, but there were moments of Michael McIntyre in his mannerisms and I
loved the way he went off on tangents during his poems. Brilliant. Talking of brilliant, Adam Kammerling, the final
featured artist from London, was just that too. From his cakes to his
kidnapping of rich gits who don't tip, aswell as when he was ”on book”,
Adam was intellegent, amusing and unassuming. I especially liked his
”this is M&S bin food” piece and his rap that challenged to stereotyped
genre of rap itself. Gotta see this guy again – for much longer next
time! So there you have it – as the actress said to the
bishop, it was all over too soon. Though as the old cliche goes – always
leave 'em wanting more. June 30th will be the next one. On our way home in the car, my seventeen year old
son turned to me and said ”Do you notice how much more chatty and happy
we are after Hit the Ode?”. 'Nuff said. 26-05-11 Giovanni ”Spoz” Esposito |
Bilston Voices Metro Cafe, Bilston IF YOU like your poetry events in an
unpretentious, friendly, welcoming environment, you should look no
further than Bilston Voices. Organiser and MC Emma Purshouse has this uncanny
knack of assembling an interesting and varied bill, and then simply
letting it happen. There are no vain displays of her own work, and no
artificial hype. She performs nothing herself, just offering kind words
of introduction and appreciation, she lets the poets do the talking and
it is a very effective device. Kurly McGeachie was an exceptionally strong opener.
Hugely experienced, he performed only four poems, from memory, but did
so in style. He specialises in soft light rhyming pieces, which were
tender with a wonderful, innocent vulnerability. “Smile” and “You are Beautiful” did as their titles
suggest, “Words” explored the joys and torment that words can offer,
whilst “Home” was his disguised gem. An opus of epic proportions it
starts off as a straight forwards homage to domestic bliss before
launching off into several clever and unexpected tangents. Confident,
but self-effacing, Kurly's performance was a delight. In contrast to Kurly's campaign medals, Maurice
Arnold was making his Bilston Voices debut. His style was wry and
reserved as he skipped through several quite short pieces. “The Poetree” was written subsequent to his visit to
the Much Wenlock Festival, “Tipton games” was a localised look at the
forthcoming Olympics, whilst “Special Cake” humorously recounted the
adverse effect that a cake with hallucinogenic properties had on his
partner! Light, fun, avuncular and satisfying. Closing the first half was Bob Hale, teacher, travel
writer and poet. Bob is very good at assembling a set thematically.
Previously I have seen him do a Travel Set. This time he opted for an
autobiographical collection.
Poignant and evocative it told, of the secret place
he had as a child to escape the hurly burly of an adult world. It
succeeded because it conjured up the desire most of us experienced as a
child of wanting a secret retreat and spoke touchingly of a childhood we
all lose. We are soon to lose Bob for a year or so, first to Harrow, and
then to China – what tales he will have to tell upon his return. Prior to Simon Fletcher's closing set, Mark Reece
read from his recently completed novel “Sub-Prime” featuring Mike, a
dodgy insurance salesman, in an even dodgier insurance company. Simon
himself promised us a quarter of an hour of butterflies, birds and
flowers - and was as good as his word. Including selections from “The Cherry Trees of Wye”,
“Some Fine Old Ways To Save Your Life” and “Butterflies of Shropshire”.
His nature poems are distinctive in that he revels in exactitude of
description rather than fullness of lyrical description. “Moon Daisies”
was a delight, whilst “Welsh Poppies” memorably combined the flower with
the politics of Welsh invasion. “Woodcuts” was his most satisfying piece, about a
beech tree carved with lovers initials and messages at the Pistyll
Rhaeadr waterfalls beauty spot in Wales. He created a marvellous sense
of place, beauty and occasion, whilst being unable to resist using the
word dendroglyph ! Assured and urbane, Simon delighted an appreciative
audience. Bilston Voices next meets on Thurs 23rd June. 26-05-11 Gary Longden |
A 42 Special Dedicated To The
Life & Work Of Douglas Adams Boston Tea Party,
Worcester This 42 special entitled “Vogonesque” was actually
one in a week long series of events organised by 42 Genre Arts as a
tribute to Douglas Adams under their banner of “Hitchhiker's Week”. I'd already been to the first three live readings at Waterstones in Worcester by Glenn James of 42 Genre Arts of “The Hitchhiker's Guide To The Galaxy” and enjoyed them immensely, so I knew that this night was going to be special, especially with such a great line-up including Suz Winspear, Fergus McGonigal, Hitchhiker and The Shambolix to name but a few. Towels were optional, although with it also being Towel Day many of the participants and audience were carrying their towels and displaying them with pride. First up and to start off the evening was Craigus
Barry with his rendition of the theme of the TV series to the
Hitchhikers Guide to the Galaxy, followed by the event organiser Glenn
James, who complete with towel and dressing gown recited a prose piece
in tribute to Douglas which included the fact that Worcestershire was
actually mentioned in the book in the form of stinking bishop cheese, a
piece of writing which made me laugh out loud in parts.
I have to congratulate Glenn on really looking the part and for finding a dressing gown to wear for the occasion that was very close in colour and design to the one that Martin Freeman of “The Office” wore in his role as Arthur Dent in the film of “The Hitchhikers Guide To The Galaxy”. It is this kind of attention to detail that really brought the evening to life. Glenn was then followed by local writer John Taylor,
who read a short story called “First Thoughts”, a haunting tale of how a
loner called Frank set off a nuclear strike and then wondered why his
friends did not return to him and a poem called “Dear Mr Camping”, a
funny and very true rendition about the 89 year old man called Harold
Camping who predicted the world would end in 1994, then again on May 21st
this year, and now he's saying it will be in October this year. Mr Camping can well and truly shove his predictions up his a**s, as the last line in the poem states, a view that is no doubt shared by many. After encouraging John to share his prose and poetic works some years ago it was very nice to see him standing up and reading to an audience. “Parole Parlate” perhaps…..? Suz Winspear is always a delight to see live and her performance complete with a sensational costume did not disappoint at all. She stuck to prose this time rather than poetry and wrote a special piece especially for this “42” special, although she did finish off with one of her poems. Hitchhiker consist of music duo Sean Jeffries and Anna Mason, and they did two of my favourite songs by them called “Arthur Learns To Fly”, which is dedicated to Douglas Adams and “Photo 51”. It was nice to have the spoken word performances nicely broken up with some music that tells a story from Hitchhiker. We were then treated to a performance by some of the members of Narcoleptic Penguin including Jez Mort, Ed Steelefox, Craigus Barry and others which was set in the restaurant at the end of the universe in rather hilarious form, but the real treat of the night came from Fergus McGonigal, who gave us his own take on Vogon Poetry. Vogon Poetry, according to “The Hitchhiker's Guide To The Galaxy”, is “the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent, of his poem, Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning, four of his audience members died of internal hemorrhaging, and the president of the Mid-Galactic Arts Nobbling Council, survived by gnawing one of his own legs off... The very worst poetry in the universe died along with its creator, Paula Nancy Millstone Jennings of Sussex... in the destruction of the planet Earth." RAUCOUS LAUGHTER There was no danger at all of any of the audience
members dying of internal haemorrhaging during Fergus's performance,
maybe from heavy and raucous laughter, but certainly not internal
haemorrhaging. Fergus's unique take on Vogon Poetry was first class, and
the phrase “Oh yell! I've wet my conks” sticks in my brain like
superglue and causes me to roar with laughter every time I think of it
and of Fergus's magnificent performance last night. My staff in my office have been giving me strange looks all morning, and I am still chuckling now whenever I think of his Vogon love poem “A Huffyolet”. “Darling, I've written a love poem for you” takes on a whole new meaning if the recipient was confronted with the hilarious words of the “Huffyolet” that Fergus composed. I wonder what his wife would make of it . . .? The evening was closed by a performance by The Shambolix AKA Craigus Barry and Ed Steelefox, and although it took a bit of time for them to set up their kit it was a nice end to a rip roaring stunning and splendid evening. Organisers Glenn and Angela James at “42 Genre Arts” are on to a sure fire winner with this format that celebrates the gothic, sci-fi, fantasy and horror genres, and I'm already looking forward to the next “42”, which may, just may, be under the banner of the forthcoming Worcestershire Literary Festival next month, although this has not been confirmed as yet – so watch this space! It only remains for me to say so long, and thanks
for all the fish. Now where did I leave my towel . . . ? 25-05-11. Lisa Ventura
|
Kitchen Garden Cafe, Kings Heath POETRY Bites is an event which “Behind the
Arras” has been meaning to cover for some time. Finally that moment
arrived. The venue itself I was familiar with and exudes Bohemian
bonhomie. It hosts bands, historians, comics, musicians and
storytellers. The approach via a gardening display also gives it an
unique ambience! The staff are friendly with a good range of inexpensive
alcoholic, and non-alcoholic drinks available, as well as snacks. The
off-set floor space adds to the charm, but does require performers to
make a conscious effort to work the audience. Long established, “Poetry Bites” is hosted and
promoted by poet Jacqui Rowe. Bravely, there was just one headliner, and
numerous open-mic spots, which can make quality control hazardous. Yet
such is the reputation of the event that most spots were taken by
seasoned performers and established poets, many of whom I knew. So in
practise the bill was guaranteed to succeed. Jacqui herself opened the first and second halves,
taking the opportunity to launch her latest Flarestack Poets collection
“Paint”. The writing has been inspired by Jaqui's recent residency at
Wightwick Manor in Wolverhampton, the ancestral home of the Mander
family who made their fortune producing paint in the 19th
century. Curiously Theodore Mander married Flora Paint, so a
title for the pamphlet was not hard to come by! The poetry itself is
inspired and beautiful, with the pamphlet available from her website.
She also took the opportunity to perform her contribution to the
Polesworth Poetry Trail – “Black Swan Possibility”, something which she
had been unavailable to do when the successful poets were announced. Headlining was Midlands troubadour Heather Wastie.
One of the pleasures of commentating on the Midlands poetry scene is
watching performers evolve as time goes on, and Heather is not one to
rest upon her laurels. Heather has just been shortlisted as a
prospective “Bard of Worcestershire” along with open-micer Maggie Doyle. Performing a split set at the end of each half
suited her as she combined poetry with music, played on keyboard. Host
Jacqui Rowe introduced Heather by revealing that Heather had taught her
daughter to play the recorder – although she wasn't produced to
accompany Heather as she played!
Her material combined new work with established
material from her two collections “Until I Saw Your Foot” and “The Page
Turner's Dilemma”. A professionally qualified and accomplished musician,
comedienne and poet, she effortlessly slipped between disciplines to
offer a show, rather than simply a reading. “The Music Stand”, about her trusty ancient
apparatus was poignant and wry, “Ping Pong Neo Natal ICU” her most
daring and successful piece. Yet despite the cleverness and humour which
run like rich seams through her writing her authenticity is perhaps her
most endearing quality. “Love in the Garden” is light, fey, but
heart-felt. No-one who heard it cannot help but have thought to
themselves “that IS what love is about” and not had a warm feeling.
Which is exactly what listening to a Heather Wastie performance
invariably does. The open-mic slots were very strong, with
forthcoming headliners David Calcutt (Author of “Crowboy”, “Shadowbringer”
and “Map of Marvels”) and rising poetic star Anthony R Owen from
Coventry (“The Dreaded Boy” collection), both performing short teasers.
Naomi Paul is the scarlet pimpernel of local poetry, she appears, she
dazzles, and then she is gone for a while. Her material is very good.
She was able to dust down “Icelandic Eruption” from last time (as was
Heather Wastie with her volcanic offering) along with the mellifluous
“The Truth About the Goddess of Rhyme”, the witty “Displacement
Activity” and the nostalgic “Grey Rabbit”. Sarah Tamar impressed with
the harrowing “Just 22” and Spoz entertained with “Housefly” as did
Maggie Doyle with “Motherhood”. The evening was not short of social conscience
either. John Lane performed very strongly with “Spring Awakening” about
the Cuts Protests, and “Tender” about the privatisation of the NHS.
Fine, serious poetry was also in evidence from Jan Watts, Penny Hewlett,
and Janet Smith. The latter of whose quartet “Frost Struck”, “The Edge”,
“In the Priest House” and “The Cry”, another Polesworth Poetry Trail
winner, impressed. All in all, a splendid evening, effortlessly eased
along by Jacqui Rowe. ”Poetry Bites” meets bi-monthly on the last
Tuesday of the month, next event, Tuesday 26th July 24-05-11.
Gary Longden The
Old Cottage Tavern THE second event at The Old Cottage Tavern,
“Spoken Worlds” is settling in now just fine at a venue to which it is
well suited. “Behind the Arras” has covered individual
performances quite closely in recent months, this time I offer more of a
view on the flavour of the occasion. One of the things which I most
enjoy about open mic events is the uncertainty. Who is going to turn up?
What are they going to do? I suspect that this frisson of excitement is
shared in a somewhat different way by organiser Gary Carr! “Spoken Worlds” offers what the name implies.
Poetry, prose, monologues, book extracts, drama and comedy sketches,
occasionally the spoken bit is stretched to accommodate the odd song or
two too, but with the emphasis on the words- all on an open mic, ” first
come first up” basis. This time around, the amount of non-poetry had a far
greater impact than usual. Colin Henchley set the standard here with a
short play, “Sin”, that has been accepted for the second phase of a
competition run by the Nottingham Playhouse. Performed by Colin himself
and Mal Dewhirst, it is a dark, claustrophobic piece, set in the Second
World War. It was powerful, and worked well. Apparently part of
the competition process may involve expanding it. How he achieves this
will be interesting. I am a huge admirer of Colin's writing and what
always impresses is his attention to the mechanics of what he is
writing. Each word and phrase is measured. Stretching this short play
without redesigning it will be a challenge, but a challenge at which
Colin will no doubt excel.
Author David Calcutt made his debut performance
reading both poetry and an extract from his novel “Shadowbringer”, he
has also had “Crowboy” and “Map of Marvels” published. “Shadowbringer”
is a psychological supernatural thriller aimed at the teenage market,
but can be enjoyed by inquisitive younger children and adults alike. The
hero is Nathan, and his grandfather's advice is to stay out of the
attic. . . David revels in character and this was wonderfully
demonstrated in the extract he read. The two poems he read were river
companion pieces. The first, “Acheron”, one of David's finest, told of
his real life physical walk in that river in Greece. Acheron is the name
of one of the five rivers that flow through the realm of Hades. The name
means "river of woe", and is often metaphorically used for Hades itself(
“Here the shades are ferried across by Charon”, Virgil VI, 107). And as
he walked, so reality and myth become inter twined: “The stones that stared up at me from the
riverbed His second poem recounted a visit to Stratford on
the occasion of Shakespeare's birthday (not when Shakespeare was alive,
obviously, David isn't that old!), it particularly made reference to the
River Avon, but this time David mysteriously resisted the urge to jump
in it. Lyrical and rich, it was the perfect companion to “Acheron”. Terri and Ray Jolland specialise in light “Terry &
June” styled comedy, and do it very well. Their comedy sketch about
naturists skilfully played on stereotypes whilst being fresh and
entertaining. Combine this with Mal Dewhirst delivering “Pop” in an
American accent, Dea Costelloe singing in “Lament”, and Janet Jenkins
reading from “Silver Words” and you have a sense of a very varied
occasion. The variety that evenings such as these offer is to
be cherished. There is always something to surprise and delight. Even
the regular established talent can trip you up, the normally comic
Fergus McGonigal used his “previous” to sledgehammer dramatic effect by
embarking on a poem about a schoolboy which we assumed was going to be
light - but wasn't. Fergus has been shortlisted as a prospective “Bard
of Worcestershire”, all at “Spoken Worlds” and “Behind the Arras” wish
him luck. “Spoken Worlds” next meets, Fri 17th June, 7. 30pm.
20-05-11 Gary Longden |
The New
Polesworth Poets, Polesworth Abbey The evening began with Richard
Meredith reading a poem written by Theo Osborn,
his nine year old grandson titled ‘The magic and beauty of Malvern'
which was beautifully scripted and befitting of nature. The New Polesworth Poets, who
consist of 16 poets, performed their work in the order which they may
appear on the trail, creating a vocal trail for the gathered audience.
Within the audience were local historians, park rangers from Pooley
Country Park and local coal miners - who'd inspired the poets with
recollections of their mining days. Brick Making Remembered
by Peter Grey. Peter's poem remembers
the Polesworth Brickworks that was on the site of Ensor Drive and Kiln
Way. Pooley Hall by Gary
Londgen. Gary's poem reflects on the
history of Pooley Hall and its association with the Cockayne Family with
hints at a more recent resident Edwin Starr. Unrippled by Sarah James.
Sarah's poem takes the theme of the
canal and the swans and builds a link between the Abbey, the original
poets and Pooley Pit. Advice to a Geordie Lad
at Pooley by Barry Patterson. Barry's
poem takes the theme of the migration of Miners from the North East of
England in the 1950's and 60's to the Warwickshire coalfields. Living Echoes by Gina
Coates. Gina's poem reflects on the
roles of women, some once miners and then later as wives and mothers,
describing their hardship and fears. Pooley Miner's Tale by
Barry Hunt. Barry is a songwriter and
musician whose father once worked in Pooley pit, his poem takes the form
of a folk song incorporating the lives of the miners and their families
along with the regeneration of the natural environment. As Barry was
unable to attend the evening, Peter Grey delivered the song in a
befitting manner. Women's memories of
Mining Menfolk by Dea Costelloe. Dea
spent some time talking to the wives and daughters of the ex-miners for
inspiration, from which she created her chatty monologue poem that is
rich with memories of ordinary lives.
Pooley Pit Ponies by
Margaret Torr. Margaret compares the
lives of the Pooley pit ponies with that of the wild ponies of the
Carmargue, who are seen as a “Gift of God”. It shows a really different
outlook from the ponies' point of view. In their footsteps by
Marjorie Neilson. Marjorie's poem
explores the generations of miners that followed each other into the
pit, also reflecting on the feelings of their mothers. Jutt by Bernadette
O'Dwyer. Bernadette's poem is also
about the pit ponies, one in particular who was down in Pooley pit and
would only pull six loaded wagons. A Cry by Janet Smith.
Janet's poem is a conversation
between the poet and a female owl and reflects the majestic freedom of
the owl. Them up there don't know
us down here exist by Gary Carr.
Gary's poem takes the motorway as its theme and reflects that in the
rushing lives of the travellers, they do not realise that the country
park exits. Aloft by Janis Kind.
Janis' poem takes the view point of a
buzzard circling Pooley mound and reflects on its view of the motorway. Black Swan Possibility.
Jacqui's sonnet harks back to
Drayton's poem that is on the first part of the trail, and that in
Drayton's day it was thought that Swan's could only be white and that a
black swan was a myth, and begs the question that swans could be a
myriad of colours. As Jacqui was unable to attend the evening, the poem
was delivered by Margaret Torr. Ladies of the woods by
Terri Jolland. Terri's poem takes the
silver birch trees as its theme and how they have recolonised the Pooley
site. The trees take on a mystical presence as they perform this miracle
of regeneration, often held in myths as protectors against witchcraft
and at the same time used to make witches brooms. Dreams of Alvecote by
Colin Henchley. Colin's poem talks of
the delight and legend of Alvecote priory as place where dreams are born
and enacted in this tranquil enchanting ruin. Kite – a collaborative
poem by Malcolm Dewhirst and the year 3 children at Birchwood Primary
School 2011. Malcolm was commissioned
to work with the children, exploring what it would be like to be a kite,
then helping the children to make their own poetry kites. The children
gave Malcolm most the words to use in this poem, which explores the idea
of the wise wind being the teacher and the kite being the pupil learning
to fly. Open
Mic Mal Dewhirst thanked everyone
involved with the Polesworth Poetry Trail project, bringing the first
session to a close. After a brief interval, the open mic session
provided a suitable contrast enabling a host of poets to perform their
work. Andy
Biddulph performed two pieces; the first a humorous
account of lightning - the second called ‘On the lump'. Terri
Jolland performed her poem ‘Canal Child' which captured
the colourful imagery of life associated with the waterways. Gary
Carr read three short pieces, ‘The Other Night',
‘Caught in Motion' and ‘Window lickers', which depicted the world of the
poet behind glass or an invisible boundary eager to capture the passing
detail. Sarah
James, from Droitwich, who performed two stunning
pieces; ‘The trapped bird' and ‘Instrumental' each detailed the precise
movement of emotion, motion and a child, her son. Gina
Coates' poem ‘War of the roses' retold the history of
Cockayne and Burdett's fatal duel in fields near Bramcote. Tony
Owen's poem ‘To the East' evoked strong emotions in
relation to women of war. His second poem, ‘My father's blue eyes'
recalled touching childhood memories of a coal mining father. Alec
Simpson's read a short extract from his autobiography
‘A Boy at War' recalling a tale of being lost in the fog - a warm
account of his upbringing in Arbroath, Scotland. Gary
Longden's ‘Royal Wedding' provided a humorous slant on
royal reporting. His poem ‘To whom it may concern' was a fitting tribute
to a typewriter factory which recently closed after 134 years of
production. Margaret
Torr was assisted by Dea Costelloe, to deliver her poem
‘Lamant' which depicted the tale of a mother raising a boy to becomes a
miner, followed by the darker voice of the mine who takes the miner into
her eternal womb. Janet
Smith recited her poem's ‘Withen's Walk Music', ‘In the
Priest House' and ‘Washing off a Seam' each beautifully tailored for
performance, depicting her talents for capturing the smallest of
details. Dea
Costelloe recalled a bygone age along ‘Miner's Walk',
describing their walk to work amidst Pooley Park's nature and the sturdy
oak trees grown from their strewn apple cores. Peter
Grey delivered the harsh realities of ‘A Brick maker's
Lot' relaying the working conditions, the unknown dangers and back
breaking work in each shift. Ian
Ward delighted the audience with his short poem
dedicated to home ‘My York', then ignited the atmosphere with ‘Delta
Devil Blues' a favorite piece for several of the poets. Hench
gave a dramatic finale to the evening with his poem ‘The reflection
strata – the little veins of Pooley park' consisting of four poems, four
styles and four stanzas, representing four strata layers beneath Pooley
Park. All in all, a fabulous evening crammed with the very best poetry, all home grown and honed within the Midlands area. The next Poetry Fizz 8 is on Tuesday, 19th July, at Polesworth Abbey refectory and will feature Matt Merritt – doors open at 7ish with a prompt start at 7. 30pm – everyone is welcome! For further details: Mal Dewhirst's blog, http://pollysworda. wordpress. com/ or http://secretwriter1. blogspot. com/
Bernadette O'Dwyer
Rhymes – Milton Keynes Invasion Station Pub,
Kings Heath BIRMINGHAM has had more than its fair share of national and international poetry talent in recent months. Lorna Meehan with Rhymes continued that trend by inviting the best of the poetry talent from Milton Keynes to perform, the self styled Milton Keynes Massive aka Bardcore. Those familiar with the emergence
of the Punk movement in the mid 70's may recall the Bromley Contingent,
suburban punks who made good in the big city, and there was a touch of
that with Bardcore, as they arrived to make their mark. First of the quartet was Donna Scott whose modest, self-effacing style belied some excellent poems. ”Poetry Crush” was fey, girly and fun, “What's in a Name” mocked what had possessed her parents to call her Donna, and “50 Ways to Leave Your Labour” was a clever pastiche of the Paul Simon song inspired by a colleague who had walked out of her job. Although two old favourites
“Slob” and “Cake Shelf” delivered as she knew they would, it was “Geek”
that stood out for me. A serious piece about child bullying which
demonstrated her ability to write powerfully, and not just amusingly. Fay Roberts was an unknown quantity for me – and an absolute delight. Her writing is rich, sophisticated, and multi layered, opening with a part sung chant, she zipped through hay fever, foot tapping percussion with “Moving as One”, and a clever exploration of “oh” in “Oh”! The love poem “Song from the Sea”
she had introduced hoping that it would resonate with the audience, and
it did, a beautiful and evocative piece, but it was the closing
“Dedication”, a poetic “I Am What I Am” declaration which stood out for
me. Her performance was assured and serious, but warm and engaging too.
I suspect we shall be hearing more of Fay. Poetry Kapow (“kapow!”- you had to be there) is an event and website co-hosted by Fay and Danni Antagonist who opened the second half. Danni's energetic and confident manner was the perfect pick-me –up after the break, her material very varied. “You're Never Too Young For a Mid-Life Crisis” was classic performance stuff, and very well done. “Repent” asked where all those harbingers of doom carrying sandwich boards and placards proclaiming the end of the world had gone, whilst “Concrete” was a more reflective observational piece about her time in London. Yet for all her front and pizzazz “Bless This” stood out for me. The emotional tale, told in
plangent tones, of helping her father clear out family bric- a- brac
subsequent to her mother's death. In order for such a personal story to
work it has to have an Everyman quality which reaches out to all – and
it did. To close the evening we had the first ever Milton Keynes Poet Laureate, and ever reliable Mark Niel. I have seen Mark perform on several occasions, his reputation as the UK's leading performance poet is deserved. And although he may now be a Poet Laureate, he is not sitting on his laurels. He is moving beyond a straight poetry performance to deliver a one man show style performance incorporating music, storytelling and anecdote. The favourites such as “The Lozells Prayer”, “Poetry Voice” and “My Half of the Fridge” are still there, but we now have a far greater sense of cohesion and an enhanced platform for his talents. He is even inventing his own words – PILF! His act was a fitting climax to a very good show. Rhymes returns in two months on
Wed 20th July with performances by Jody Ann Bickley, Tony
Stringfellow, Fifi Fanshawe and Janet Smith. 18-05-11 Gary Longden |
City Bar, King St,
Wolverhampton This month gave us a very different City
Voices as a combination of intention and circumstance threw the normal
format out and replaced it with no fewer than nine performers, five of
whom didn't appear on the printed program. The first half was taken up completely by the
Scribblers writing group, of which I'm a member, launching our latest
anthology with a selection of readings from it as well as a few
additional pieces from our individual writings. Silvia Millward kicked
off the proceedings with two pieces from the anthology and a brand new
poem. They are fine poems but her rather quiet delivery was done no
favours by the noisy air-conditioning from the bar. She writes and reads
very well but still comes over as a little tense and stilted in the
links and will be even better when she is able to relax more into the
performance. She finished by introducing Andy Moreton who read
both his pieces from the anthology - a short anti-war poem and a long
and amusing story about a dirty old man. Both were very well received
with the short story generating frequent laughter from the small but
attentive audience. Andy was followed by Janet Bogle who chose not read
her story from the anthology but gave us instead her accompanying poem
and a second short poem from her other writings. Both pieces were
excellently crafted and very perceptive, characteristics of all of her
work. Jill Tromans was next delivering a dialect poem
about buying a new oven that had the audience chuckling and her lengthy
and amusing piece documenting a month in the life of a computer. This
was not the easiest piece to read, having a rather awkward structure but
it had enough about it to please the audience. Neil Howard followed in his first public
performance. He read his slight short story "Tiger Waits All Night" and
a poem reflecting on mortality, "Gone", before introducing my section. Years of teaching mean that a noisy environment is
no match for my loud voice but, having performed last month and with one
member of the group still to come, I kept my offering quite short. My
three poems, two about homelessness and begging from the anthology and a
third about Alzheimer's from my collection, Chaos Theory, were very well
received and drew gratifying compliments in the break from a number of
people whose work I respect a lot. PLEASANT DELIVERY In turn I handed over to Mike Narroway who has a
pleasant mannered delivery and gave us his poem, "The Garden" in which
an exasperated Eve has a conversation with a rather naive Adam. It was a
good end to the first half. If the first half had been different in form by
intent, the second was different by accident. One of the billed
performers Jonathan Collings had failed to turn up leaving the other
one, John Thomas, to carry the bulk of the time. After an introduction
that was, perhaps, rather too long, he read three sections from his
modern gothic novel "Beyond This Wilderness". The writing was rather
stylised and reminiscent of the classic era of gothic writing but the
necessity to set the scene and explain the background, combined with the
descriptive nature of the chosen extracts made it all seem a little slow
and ponderous though he read with confidence and conviction. To fill in for the absent reader we were treated to
a set of poems from Jane Seabourne who is one of the most accomplished
of the regulars at City Voices. It was a short but varied set including
poems about butterflies, staff training, dogs and a walk in the woods.
the one about being expected to sit through training in an aspect of
your job that you have done for years, given by someone who has never
done it, struck a particular chord with me. All in all another fine night out. City Voices meets
the second Tuesday of the month, 7.30pm 10-5-11. Bob Hale |
Hope - Benefit for Japan The Public, West Bromwich THE Public has had a fairly rough ride since
opening with criticism both of structure, and purpose. Fortunately, as
time progresses, that identity is being found. The theatre and performance space is particularly
impressive and was a good venue for this event. Organised and promoted
by Sue Hulse and Tracey Smith, a strong spread of performer and act was
assembled for the evening, the purpose of which was to raise money and
awareness for the victims of the recent earthquake and tsunami in Japan. Headliner, and star turn, was undoubtedly Al Barz.
Al is an unique talent who, armed with a good programmable Yamaha
keyboard and some clever spoken lyrics delighted the audience with a
remarkable set. “If I Could Be a Racing Driver” had shades of
Kraftwerk's “Autobahn”. “The Whisper of Your Name” lifted the bass line
from “Rikki Don't Lose That Number”,and “Dadumdadumda dum” (not to be
confused with “De Doo Doo Doo, De Dah, dah dah” by the Police”) borrowed
the melody from “Nellie the Elephant”, with Al's distinctive brand of
Block Rocking Beats stamping his own identity on the number. Whilst neither Keith Emerson nor Fyfe Dangerfield
will feel their keyboard
pre-eminence is under immediate threat, Al was inventive and
entertaining in equal measure. His tongue was firmly in his cheek
throughout, and looking like a cross between Father Abraham and Thomas
Dolby's Dad, he had the audience on his side from start to finish.
Despite the fun, which we lapped up, his straight poem “Spring Friday”
reminded us all of why we were there with a simple, powerful piece. A
great turn. EFFORTLESS APLOMB Music was well served by Emma and Kieran (the latter
of whom looks like classic boy band material), and Phil Challoner who
despatched three standards with effortless aplomb, as did Craig Hegan
and Phil Churchill on guitar. “Johnny Don't Smoke” were a trio who benefitted from
a lead singer with “Blondie” looks, the more folky East West Infusion,
Phil Cross and Caroline Waldren offered traditional folk fare of a very
high standard, with Caroline's vocals a delight. Earlier Anna and Steve
had established a folk presence exploring territory opened by the likes
of Emmylou Harris, Gram Parsons, the Flying Burrito Bros and Alison
Kraus.” Inspiration”, a community based dance trio inspired. Poetry was well served by Black Country stalwart
Alfie Small whose local themed material warmed a home crowd. Janet Smith
read the beautiful “Pacific” a three part poem demonstrating, as usual,
that fine serious writing can find a place with the best of rival art
forms. The “Don't Go Into The Cellar” Theatre Company
excelled with a hugely enjoyable romp through “The Tale of Spring Heeled
Jack” in full costume. Louise Stokes gave another wonderful outing to
Uncle Dirk, this time accompanied by Farouk (Nadeem Chugtai) who was
droll, and looked as though he shares headwear stylists with Princess
Beatrice! Louise's fine writing, and eye for detail on costuming and
characterisation continues to impress. All in all a considerable artistic success which
Tracey and Sue, and the supportive staff at the Public, should be proud
of. 07-05-11 Gary Longden |
I-Slam Poetry Women's Special The Hubb, Birmingham Fatima al Matar was a judge for I-Slam Poetry
Womens' Special and agreed to review the event for Behind The Arras. She
is a rising star in the Poetry Scene, and is currently working on a
project for the BBC which will appear on Ian McMillan's The Verb
on Radio 3. Her published collection is entitled, The Heart and the
Subsidiary. I-SLAM women's special was brought by Soul
City Arts which was founded by Mohammed Ali a.k.a ‘AerosolArabic' the
renowned graffiti artist whose work has reached the United States and
the United Arab Emirates, his dream was to bring art to the community in
Birmingham city, so he established The Hubb, a beautiful gallery, where
talks on the subject of art, exhibitions for creative art form and
poetry events take place. Mohammed has been showcasing i-slam for the past
three years, taking it to Walsall, Luton, London and of course
Birmingham, however, he noticed the underrepresentation of women
slamming at i-slam poetry and that's where the idea of i-slam poetry
women's special came from. Charlie Jordan started the evening off with an
audience of 80 women, l3 of which were competing for the slam. Charlie
noted how glamorous the audience and contestants looked, pointing out
the beautiful styles all the women were dressed in and how different it
was not having scruffy men in t-shirts for a change. She then introduced Zeena Edwards, the
internationally renowned spoken word artist who does not like to be
labelled! Zeena began with a few words of encouragement for the women in
the audience and urged them to write, then recited a poem called “Settle
Down”. Zeena has a beautiful singing voice and did a wonderful job incorporating her singing into her poetry performance. It was then my turn to give a few words and a short poem before the slam commenced, acknowledging Aisha Iqbal who had worked very close with Mohammed Ali on making the event happen. Aisha did everything from finding sponsors for the
slam, providing very valuable gifts for the winner and two runner ups,
she also took care of smaller details such as preparing cakes,
sandwiches and drinks for the audience. The competition started with Afroze Zaidi-Jivraj,
she read two poems the first entitled ‘Death of Trueth', the second “I
will Smile”. Afroze's style came across as quiet but eloquent and showed
a lot of confidence in her delivery. Next we had Anna McCrory who is from Manchester and
has previously won a slam up north, her poem ‘Geeks United' was very
funny and clever as she playfully reminisced how she and her nerdy
friends in school dreamt of being the cool. After that we had Beth Edwards a.k.a ‘knuckles' who
was the youngest slammer at the event, only 16 years old, Knuckles
performed a very mature political poem entitled ‘Child's Play'
where she impressed the audience with her strong opinions on relevant
political issues, the poem also had to be performed in two voices: the
lying corrupt politician's voice and the dissatisfied commoner; Knuckles
managed to perform her poem with skill making good use of the
performance space. TOUCHING PERFORMANCE Cassandra Wiggan gave us a touching performance with
her poem ‘Having a Voice' telling a story of survival in a world of
poverty, hunger and fear, her delivery had a fast rhythm rap style which
was very likable. Next came Ddotti Bluebell with her poem ‘V for
Villain' portraying heart breaking images of human slavery in gated
communities in the U.S. Ddotti's poem was unique and very specific in
its subject and her delivery powerful. Then came Huda Hassan who is from Somalia, Huda read
‘Preach before Erosion' her poem was also a very humane one talking
about the struggles of her people in Somalia. Kesha C also read a very
profound poem about the hardship she and her sisters and brothers face
being born in black skin, her poem was truthful and honest and had a
very strong sense of belonging, conveying pride in one's roots and race. Samantha Hunt really shone at this slam, she read
her nameless poem about waiting for her one moment in time to shine, the
images in her poem were beautiful holding so much hope in them. Sana
Abbasi, who appeared very nervous at first, gave a very emotional
reading of her poem about her father's death and consequently made many
of the women in the audience cry! Saleha Begum, who described herself as
still searching for herself! read a beautiful poem on women's ambition
to achieve, her reading was very powerful and the imagery in her work
was strong and thought provoking. Remi, came all the way from London to perform, she
gave a very lovely and touching reading of her poem ‘I woke up missing
you' a beautiful poem of longing for a loved one. Selina who concluded
the first round gave a very good performance of her poem on faith and
believing in God and relying on his wisdom, and being grateful for his
blessings. The first round ended and there was a ten minute
break for the judges: Zeena Edwards, myself (from the audience) and Sumayya
Khan to add up their scores. The women with the five top scores were to
compete again in the second round to finally bring it down to a winner
and two runner ups. BEAUTIFUL POEM Easing the audience and contestants back into poetry
mode, Charlie Jordan performed a beautiful poem about words and how they
can be as sweet and as succulent as ripe fruit. Then, the five women
with the highest score were announced: Saleha Begum, Samantha Hunt,
Ddotti Bluebell, Sana Abbasi and Selena. Each one of them gave another, even more powerful
performance than their first; Saleha with her resonating voice told the
story of rebuilding a broken village after war. Samantha in her poem
‘You loved me the best' provided a sweet and bitter romantic addition to
the many different styles. Ddotti's funny and lively poem ‘Hair' evoked
loud belly laughs, so cleverly performed with different characters,
different voices and accents from her past, telling her story as a young
girl dissatisfied with her naturally curly hair. Although Ddotti's poem was funny it was also moving
as it touches on girls' insecurity about their looks and appearances,
something every woman in the audience has been through. Sana Abbasi
described her beloved, giving a very misleading description of his love
for her and his support for her in everything she does, only for us to
find out in the end she was talking about her love for Allah! Salena
ended the second round with another faith poem about how to hold on to
hope. Allowing the judges to add up their scores, the
first guest poet Zeena took over the stage, singing and filling the room
with her angelic voice that had the women swaying and dreaming. I then ended the evening with three poems and
Charlie gave thanks to all who made the evening happen before finally
announcing the winners; Ddotti Bluebell won the first prize; a £50
voucher from Selfridges, and some books from Birmingham library. Saleha
Begum the 1st runner up won a number of books from the library and
so did Sana Abbasi the 2nd runner up. Both runner-ups will also
have myself as a poetry mentor -for a limited period of time –to provide
feedback and constructive criticism on their writing. LESS INTIMIDATING PLATFORM As the first women only poetry slam, i-slam
women's special was hugely successful, without any exception, every woman
leaving the venue asked when the next one will be. The idea of providing
a safer, less intimidating platform for women was a very welcomed idea
in Birmingham, a lot of the slammers explained, that as first timers not
having men in the audience while they told their heart wrenching,
emotional and sometimes highly personal experiences through their
performance made it less frightening. But the project was not only advantageous for first
timers, other performers with some experience found the evening
pleasurable and described it as the perfect girls night out, they also
added that women competing against men in slams shy away from issues to
do with feminism as a subject matter for their poetry, as female issues
may not be received very well by a male audience or male judges, e.g. a
beautiful poem performed by Afroze in the first round entitled ‘I
will smile' tells the story of a wife doing household jobs willingly and
lovingly for her husband but alas her efforts go unappreciated, a poem
such as this was very poignant for many of the women in the audience,
however, might go entirely un acknowledged and maybe even misunderstood
by a male audience. Poetry, in addition to being beautiful language put
in the most beautiful order is very effectively therapeutic, and seeing
those women tonight shine, watching them after the show had ended and
doors were closed in the dark car park, standing in the rain, sharing
with each other short thoughts and poetic inspirations which they have
noted down from the evening on their “smart phones”, hoping that they
too will gather some strength and confidence to perform their poem in
the next i-slam women's special, really did put it all into perspective.
06-05-11 Fatima Al Matar |
Parole Parlate Little
Venice, Worcester LAST
month's event was a resounding success with a strong contingent
of imported Birmingham talent. This month, promoter Lisa Ventura focused
on local talent, and produced a diverse and equally entertaining show.
Parole
Parlate prides itself on diversity, and this month had a much more
significant prose/ story telling element. As a form, it is much more
difficult to shine in. The extended narrative is often read, there are
no bite sized verses, and no chiming rhymes for the audience to hang
onto. So the challenge is to create a story and performance that will
engage. Talia and then Allie Sewell
opened up, the latter of whom was performing in public for only the
second time, and who told an authentic story of a girls night out in
Worcester. Her “Plumage versus privacy” dilemma on the dance floor was
nicely put. If you have ever considered a trip to France or Wales then
Tony Judge is your man, who offered his own take on the merits of the
two countries. Mark Ellis fell foul of modern
technology when his e-reader failed to find the work he was hoping to
read. What he did find, “Museum” was good, but the preparation does need
to be as good as the material. The strongest of the “narrative” based
performers was Richard Bruce Clay, a man for whom amplification is
rarely required. Author of “ She's Alone” and “Both”, he combined an
extended prose passage with a couple of shorter poems “Drum & Bass” and
“Poetry of Manly Virtue”. His confidence, presence, delivery and
material shone throughout. BARD OF
WORCESTER After the interval Lisa's
commitment to diversity was rewarded by the Jeffrey/Mason duo called
“Hitchhiker”, a tribute to Richard Adams accompanied by guitars, which
was slick, well sung and offered some welcome light and shade.
Supporting the Headliner was the self-styled Bard of Worcestershire,
Fergus McGonigal, whose considerable talents have been well documented
in “Behind the Arras”. As usual he commanded the stage.
His repertoire seemingly strengthens by the week. In addition to the
tried and tested “Lawnmowers”, and “Ode on a Six String Guitar” we also
had “the Truth About Love “ and “A Makeover”. The latter was a very
clever and contemporaneous pastiche on Bin Laden's assassination, the
former a delightful whimsy taking in Auden, the Beatles, Marti Pellow
and Roxy Music! Headlining was Spoz, whose
popularity can be gauged by the fact that he was back by audience demand
from the previous month. Another “Behind the Arras” favourite, he did
not disappoint his fans, drawing on a number of lesser performed gems,
and staples from his collection:” The Day The Earth Grew Hair”. His
politics came through in “Anthem for Doomed Youth”, his humour in
“Rabbits Dressed as Chickens”, and his word play in “The Ballad of Brian
the Balloon Boy”. But it was “Limerick versus Haiku” which showcased his
talent. A brilliant idea, simply told, with wit and warmth, which neatly
summarises his performance in the round. CONSIDERABLE
ADVANTAGES The “find” of the evening however
was someone whom I had not come across before, performed earlier on, and
deserves a wider audience. Suz Winspear starts with two considerable
advantages. Firstly, a striking Gothic fragile image, reminiscent of
Siouxie Sue (surely they are not related?). Secondly, a wonderful
ability to bring character to her speech, reminiscent of Debra
Stephenson. My favourite poem was “A Seduction is Attempted”. Few poets choose Ostend as their
writing milieu, but not only did it provide the framework for a razor
sharp and atmospheric piece, Suz later informed me that she has a
collection of pieces on Ostend! She was at pains to point out that she
does do some cheerful material, “Things to Make or Create” for example.
I was struck both by the richly eclectic powers of observation in her
poetry and the freshness of her viewpoint. A tribute to the Japanese
earthquake victims “the Needle Spell” was inspired by a trip around a
Rag Market, whilst a playfully malevolent piece on Murder, “Dear
Bridget” ensures that I will be extra careful if Suz ever invites me
around for tea! Do look out for her – and I await her “Ostend Special”.
The next Parole Parlate is on 2nd
June, 7. 30pm and anticipates the Worcester Literary Festival which is
being co-ordinated by Lisa Ventura. The evening will not only be worthy
in itself, but it will also provide visitors a sneak preview of the best
of what will be coming up from Lisa, and afford, no doubt, the chance to
network with audience members who will be performing in and attending
several of the events. 05-05-11 Gary Longden |
Hit the Ode Victoria Pub,
Birmingham The “Hit the Ode” soubriquet name-checks
in parody a 1960's hit made popular by Ray Charles. But maybe event impresario Bohdan Piasecki should
think about re-branding it after Peter Frampton's 1970's hit
“Something's Happening” ? Because the buzz before, during, and after
this event, was quite extraordinary for a Spoken Word evening. National Poetry Day Director Jo Bell had travelled
down from Manchester even though she was flying tomorrow to the
Strokestown Poetry Festival in Ireland in which she is shortlisted for a
prize, Ray Antrobus had travelled up from London, Phoenix had travelled
from Leicester and Lisa Ventura from Worcester, all to see a brilliant
headline bill ( and those are just the ones who handed their travelogues
to me!).Three hours is a long time to listen to Spoken Word performance,
and it is a tribute to the variety and quality of what was on offer that
the time flew by for a packed house. Topping the Bill was Polarbear. Although a writer,
performer and poet of national, and international, repute he is also one
of our own, now living in London, but originally from Birmingham. So
this was very much a home-coming performance with plenty of
acknowledgements to friends in the audience. HOME TURF He might have spoken his work on stages all over the
world from Glastonbury to Kuala Lumpur via Ljubljana and California. But
tonight at the Victoria he was where he belonged, back on home turf. He
did not disappoint. Looking unnervingly like Mick Hucknall, circa
“Holding back the Years”, he enthralled the crowd with his trademark
hip-hop tinged stagecraft and lyricism. At one point he stopped to describe himself as a
storyteller, and that is a fair observation. A storyteller who uses
rhyme but who specialises in the moment. There is no conventional
narrative, although the stories are linear. You hook up for the ride and
then get taken to wherever he decides to take you, where you started
from, and where you end up, are less important than where you are at any
given point in his poem, the ultimate in living for the moment. He took us on a time travelling retrospective of his
work from 2005 through to the present, including “About David”,
“Candlelight”, “Heartburn” and “The Scene”. His stand-out piece was
“Jessica”, a wonderful timeline poem in its own right which closes with
advice to a little boy which sums up “Polarbear the Poet” perfectly: “ The spaces between words deserve to shine.... speak
what you know, breathe deep as you flow.....Make sure that when you are
gripping the mike you make sure that you write for right now.” All of
which are pretty much the Polarbear manifesto. A captivating
performance, appreciatively received. MAGNIFICENT PERFORMANCE Co-headliner was Hollie McNish from Cambridge who
instantly won the hearts and admiration of the audience – and then,
after a magnificent performance, left us all yearning for more. Hollie
is an exceptionally interesting young performer. She graduated in French and German, more recently
specialising with an MSc in Agricultural and Political Economics. Since
then, she's been performing around the UK and Europe and running
educational poetry days and workshops on topics from racism, homophobia
and drug politics to cookery, riversides and bumblebees! She also works
as poet in residence and event organisor with Shape East, an educational
charity focused on sustainable and ecological urban planning and youth
inclusion in decision-making. POLITICAL AWARENESS A subsequent piece about the prejudices which The
Daily Mail panders to highlighted the political awareness which she
prides herself on, whilst the hilarious, “Willies are More Dangerous
than Guns”, combined that political edge, with rib tickling warm humour,
which not only closed her set, but left us cheering for more. Hollie performed with conviction and a fragile
beauty. Her strength is in combining a strong sense of narrative, easy
rhyme and an uncompromising message. A rising star if ever there was
one. AUDIENCE PARTICIPATION Jo Bell revealed that she is either very well read,
or has had an extraordinary range of lovers, in the hilarious,” Coming”.
From Leicester, Phoenix read the chilling and serious “Don't Shoot the
Messenger” and “Hold Me”, with the Red Poet form Birmingham offering
lighter fare with “Have you been haunted by love?”. Just before the
break, American Anne Rose MacArthur recited an unusually original piece
“Have You Ever Been Kissed” a lengthy, but hugely rewarding poem
interweaving the power of a Tennessee deluge with the power of an urgent
kiss. Gary Longden Bilston Voices Metro Cafe, Bilston The performances were of the same high standard that
we have come to expect and so we were treated to five more excellent
sets in our evening's entertainment at the Cafe Metro. Other poems covered various aspects of her
experience as a poet - how she became a poet, the stress of writing and
so on but by far the oddest was a rapping villanelle about child
slavery. Before I heard it I'd have sworn that a rapping
villanelle was an impossibility and the subject matter added an extra
level of improbability. Nevertheless it was a fine piece of work, both
technically and as thoughtful entertainment. POWERFUL PIECE It was wonderfully and mesmerisingly done with
intense flashes of anger contrasting sharply with almost prosaic
descriptions of violence. He followed it with a brighter poem about an
inspirational teacher and an extract from his new novel in which he
convincingly described a visit to a rather dodgy car dealer. It was a
varied set and all very well done. |
Spoken Worlds Old Cottage pub, Burton-on-Trent This was the debut of the new venue for
“Spoken Worlds” at the Old Cottage Public House, and very agreeable it
was too. Organiser, MC, and Poet, Gary Carr had previously
defied conventional wisdom by holding this event on Friday evenings.
This time he took that defiance one step further by holding it on a Bank
Holiday Good Friday, the assumption being that Spoken Word must play
second fiddle to other things. That assumption ignores the pull of this event. He
was rewarded by a very good turnout which augurs well for the future
well- being and success of “Spoken Worlds” in it's new home. The room
itself is a first floor function room, soundproofed from the hurly burly
of the Pub downstairs, and away from casual interlopers or disinterested
regulars, yet with the bar and toilets within easy reach. It also had
the benefit of a PA system too. With some thirty performance slots (some poets
performing more than once) the evening flew by, two breaks providing
time for reflection, recharging glasses and socialising. Malcolm Dewhirst stood out tonight with an
exceptionally varied presentation. “Kites” drew on work he has been
doing with local schoolchildren as part of the Polesworth Poetry trail
at Pooley Country Park. Sadly Mal decided not to re-enact the moment
when he ran around a playground with the children pretending to be a
kite. “Fulcrum” was a tribute to Alfred Williams whom Mal
has been studying as part of a project to resurrect interest in
forgotten poets – who shouldn't have been forgotten. Alfred Mason
Williams (1877 – April 1930) was a poet who lived in the vicinity of
Swindon. He was almost entirely self taught, producing his most famous
work, “Life in a Railway factory” (1915), at night after completing a
gruelling day's work in the Great Western Railway in Swindon. He
was nicknamed The Hammerman Poet.
Williams was born in the village of
South Marston, the son of a carpenter, and grew up in poverty after his
father abandoned his wife and eight children. He became a farm labourer
at eleven, and then, when he was fifteen he entered Swindon
Railway where he worked in the Stamping Shop for the next twenty-three
years. Married in 1903, Alfred pursued a demanding schedule
of full-time work and private study. He published his first of book of
poems in 1909, Songs in Wiltshire, but his health declined and he left
the factory in 1914. Williams produced a total of thirteen books but
died in poverty in 1930 in South Marston. Life in a Railway Factory has
been described as "undisputed as the most important literary work ever
produced in Swindon, about Swindon." Although Williams could write in Latin, and the poet
performing before him had lauded the intricacies of the language, Mal
decided to keep his Classical language skills under wraps this time
round and perform “Fulcrum” in English. I think Williams would still
have approved. In a departure from material which I have seen him
perform before, he finished off with “Our Town”. A lengthy piece neatly
inter-weaving an irreverent assessment of the merits of Tamworth with
those of modern living generally, and hundreds of towns like it. Stark,
dour, but compelling, it worked very well indeed. The Polesworth Poetry Trail provided the material
for two other poets who performed. Host Gary Carr read” Those Up there
Don't Know About Us Down Here” about the M42 scything through the
Country Park, Margaret Torr looked at the Wolf Spider and a particularly
strong piece on the fate of the Pit Ponies.
A new venue deserves new contributors and Ian Ward
from Lichfield Poets had the benefit of being able to present material
from his substantial body of work to a new audience. “Ice Queen” and
“The Withered Wychwood” took us into a fantasy world of death,
destruction and desecration, whilst the more succinct “Mothers
Grow Old” was a very effective observation on dementia. One of Ian's trademarks is song references, but in
“Ghosts” I found no hint of The Specials or Japan. Yet he came good with
his closing “There's Always An Echo” inspired by Prog Rock and a
workshop with the critically acclaimed Julie Boden. Pink Floyd were
there with “Echoes” and “Time”, Genesis with “Ripples” and Coldplay with
“Clocks” but I am sure there were more I missed. Catching the musical
sub-texts is always a pleasurable extra dimension when Ian reads. It is a truism at Spoken Word events that the best
poets often reveal their work most sparingly. This is certainly true of
Colin Hench. His “Silentium Agonomi” was raw and powerful. “Thoughts on
a Bear Cave” an exceptionally strong exploration of existence through
sex and death. He left us wanting more. A similarly tantalisingly
sparing performance came from Tony Keaton whose companion poems about
“Big Jugs Weekly” and “25 Beautiful Homes” was clever, sharp and very
entertaining. It also introduced us all to the concept of “The Merkin”. Part of the success of “Spoken Worlds” is an overt
desire for variety, and it delivered once again this evening. Roy sang
a poem unaccompanied, and then performed a very funny duologue with
Terri, Brian read monologues whilst Rob and Andy both accompanied their
own work with acoustic guitars. Such fare attracts people from afar, one of whom is
Fergus McGonigal from Worcester. His opus soliloquy on grammatical
pedants was a delight, his “Ode on a Six String” struck a chord, and as
for “There's Nothing Worse”. Well there's nothing worse than forgetting
your glasses, is there Fergus? “Spoken Worlds” next meets at 7.30pm on Friday 20th
May. 22-4-11 Gary Longden
42 Open
Mic Night Sansome Street, Worcester The suitably
atmospheric cellar of the Worcester Arts Workshop played host to “42”,
an evening of spoken word dedicated to alternative genre writing (www.facebook.com/42openmicnight).
The evening was compered by Glenn James; if you've come across his work
before and are a fan of the art of story-telling, you'll know why I was
so keen to come along. PROFOUND
Smoke and Mirrors: The Second
Coming Malvern Youth Centre
SIMPLE PLEASURES Whether relaying how love can transform the backdrop
of an NCP car park to something altogether more magical or the simple
pleasures of … fruit, she had the audience transfixed. |
The Western Pub, Leicester SHINDIG is a collaborative venture
between Crystal Clear Creators, represented at the gig by Jonathan
Taylor, and Nine Arches Press, represented by Jane Commane and Matt Nun.
Recently relocated to “The Western”, the venue is
one of the ground floor bars which is commandeered by the organisers for
the evening. It was packed out with an audience wholly dedicated to the
poetic proceedings; a good PA system ensured that everyone could hear
clearly. The format was a shrewd and proven one. Two sets of
headliners with local links, and short open mic slots beforehand. This
cleverly ensures that a combination of non-billed poets, as well as the
entourages of the headline acts, swell those in the audience who have
simply come to listen. A stall is provided to sell the published works of
those performing which tonight did brisk business. The headliners were
split, two closing each half, in a women versus men juxtaposition.
Jonathan Taylor acted as MC for the first half with brisk efficiency,
although perhaps just this once, it should have been the audience who
advised the MC to ensure that his mobile phone should be switched off
during readings! Kathleen Bell closed the first half of the evening.
Kathleen is a widely-published poet including work in “Poetry in
Nottingham” and “The Coffee house”. She is also a, critic, prose writer
and Principal Lecturer in Creative Writing at De Montfort University.
It showed. Her nine pieces, themed around Illusion,
war and ghosts were stylish, considered and richly sourced. Illusion
took us into the world of Victorian magic tricks, “Restoration” was
particularly memorable, whilst her affection for Paris manifested itself
both in “The Station of Montparnasse” and her poems on the German
occupation of the city. Before her, birthday girl Maria Taylor had
entertained with a very accomplished set. Maria is a poet and reviewer
from Leicestershire. Her work has appeared or is forthcoming in the TLS,
Coffee House, Under the Radar, Obsessed With Pipework, and others. Her
first poetry collection will be published by Nine Arches in 2012. Her trademark is short, concise neat poetry which
bustles with joie de vivre. “Soap Sud Island” visited her erstwhile home
district of Acton in London and its status as launderette to the more
upmarket Chelsea and Kensington. “Getting Rid” told of the disposal of a
troublesome bee in her bedroom, or was there a metaphorical dimension to
this tale? Whether she writes about endless school holidays in “Six
Weeks Lasts Forever” (my highlight of her set), or a Murderous Cook in
gaol, she entertained and engaged with a magnetic economy of
expression. After the break Jane Commane assumed MC
responsibilities with chirpy enthusiasm and a supply of open-mic poets
which took even her by surprise. Introducing the male headliners, Matt
Merritt was first up.
Matt is a poet and wildlife journalist from
Leicester, whose second poetry collection, “Hydrodaktulopsychicharmonica”,
is published by Nine Arches Press. His interest in ornithology ran
through his set with a particularly fine piece on Swifts. “Things left
in a Hotel Room” rang painfully true, whilst “Waiting to Cross” was a
beautiful snapshot of islands created by the tides. Bravely he chose to perform a couple of
contributions to the NaPoWriMo challenge to write a poem a day for a
month, a challenge alien to most poets who fear their work is never
quite complete. I favour the aphorism that there is no such thing as a
completed poem, just work in various stages of abandonment. Matt chose
“Smoke” and “Custard Apple”, the latter of which was my favourite of his
offerings and the final stanza of which I quote: Who could resist that? Closing the evening was Mathew Stewart. Mathew is a
British national who splits his time between West Sussex and Extremadura
in Spain, and his poetry is coloured by that experience. His set centred
around his recently published pamphlet “Invented Truth”, published by
Happenstance. He explained the phrase “Invented truth” by quoting Julio
Cortázar:"I knew I'd never reach the invented truth...if I convinced
myself that a new country was a new life and love is changed like a
shirt,” and his poems revelled in exploring identity and self. “Foreigner” in particular was a delightful vignette
on the flawed aspiration of seeking to speak another language with no
trace of a native tongue. And although his poetry told of beautiful
Spanish landscapes and delicious paella, he also told of “Driving on the
M25 after Midnight” and “Last Chance”, his stand-out piece, a soliloquy
from a second-hand book in a second-hand bookshop. His claim to like
playing with identities to enable him to bounce poems between concave
mirrors, distorting their points of departure so as to reach somewhere
revealingly new was satisfyingly realised in a sophisticated, assured
reading. All the above was supported by a dozen or so open-mic
poets who complimented the evening with their discipline in performing
two poems only, and the quality of their work. Many were worthy of
headline status in their own right. “Shindig” undoubtedly offers a Poetry Evening with
an unique character. There was virtually no Performance Poetry per se,
and everything was read. The standard was uniformly high, almost
highbrow, but with no sense of self-importance, and provides a welcome,
and all too rare, platform for serious poetry with a warm and friendly
welcome for all. “Shindig” meets again on 27th June at 7.30pm
at this venue. 18-04-11 Gary Longden |
MAC, Birmingham This debut event at the Mac was billed as pushing the boundaries of emerging UK poets and focused on three of our best young local poets in Jodie Ann Blickley, Matt Windle and Fatima Al Matar. It was directed by
Amanda Wilde from Red Earth Theatre who said: “ I have been working with
3 dynamic, committed, talented and tireless performance poets on the Lit
Fuse project, initiated by Apples and Snakes and Mac Birmingham,
exploring how far the boundaries of performance can be pushed for spoken
word artists. For Red Earth this is a project working outside our
comfort zone and that's a good thing; it energises and gives us new
perspectives.” The Hexagon theatre at MAC is a small, intimate space, with steeply tiered seats, overlooking a small stage; It was just right for the select audience, which included several well known poetry performers. The whole event was MC'd by Bohdan Piasecki, Regional Coordinator for joint organisers Apples and Snakes, who welcomed and encouraged the performers, but did not perform himself on this occasion. Each poet had one long poem to perform, which had been especially written to the brief for the evening. Jodie Ann Blickley started with an emotional poem
which she introduced as being inspired by Cinderella. It told in heart
wrenching detail how she ‘was not over you', remembering a lost love and
seemed to pour out emotions raw and believable.
Fatima Al Matar was next, and she used a prop of a
baby blanket, caressing it and telling the ‘baby' how she was destined
for a life of sadness and abuse, using a chorus of ‘Baby baby baby' to
great effect and apologised to the baby for her ‘past' . Matt Windle combined his skill as a boxer with that
of a poet to deliver a riveting performance of a tale of an ancient
Greek battle with Leonidas, King of the Spartans, imagining the thoughts
and feelings of the soldiers and acting the fighting parts in a physical
way which emphasised a very masculine performance. All three poets delivered emotionally draining
performance pieces and I was wowed by their depth and clarity. The small stage and lighting effect were used to
enhance the pieces and having seen Matt and Fatima perform previously, I
can truly say that they were pushed beyond any boundaries I have seen,
as were the audience! The whole event was quite short, less than an
hour, but the poets stayed and chatted afterwards, all of us needed a
break and a wind down! Cathy Crossley |
Ghost Town Music by Bobby Parker Kidderminster Library I WENT to a book
launch last night, in Kidderminster, the town I had some of my blackest
moments in, It's a hate-hate relationship, anyway the poetry book is
called Ghost Town Music and the poet's name is Bobby Parker.
The first poet was from the Black Country, forgive
me for forgetting his name, but he spoke lines that were comic and he
had some precise observations of society. Heather Wastie gave a slick
and confident performance, the first person perspective of an
apostrophe! Sarah James was excellent as usual, she performed a vivid
poem about the tiger and her stand out poem for me was the darkly comic
'10 things to do before you die.' GENEROUS Ruth Stacey Reproduced with permission from Ruth's Blog:
http://mermaidsdrown.blogspot.com/ |
Spoken Word & Music Hollybush
pub, Cradley Heath I'VE
BEEN promising my good friend and host of this night, Richard Bruce
Clay, that I would attend this event for some time, and so, armed with a
babysitter (at home) and a baguette (on the bus) I began the journey
with fellow poet Brendan Higgins from Birmingham to the homely Hollybush
in Cradley Heath. It's a small,
intimate venue where the jukebox plays Johnny Cash and the real ale is a
very reasonable price. Candles, friendly locals and a landlord, Dave
Francis, with a passion for spoken word make this a friendly, inviting
and cosy evening. A strong bill included: BoBo Pilar , John Gow, Malcolm
Jeffrey, Phil Cervi and Jonathyn Morgan. First to take the stage was the bard himself Brendan Higgins, reading first from his published book 'The It Factory', a satirical take on the 'X Factor'. The first chapter was well received and the hits kept coming with a set that included old favourites such as 'ill', and newer poems about art and lifestyle. MUCH LAUGHTER The set was received to much
laughter, and it says something of Higgins' status that he turned up ,
and a member of the audience was wearing the now infamous 'Shopping'
T-shirt. Needless to say, both were delighted to meet each other in the
flesh. So then to me. I was terrified at
the prospect of reading to a room full of men as most of my poems are
generally from a feminist/maternal standpoint. However, as I opened with
a new piece about love, it was so well received that I felt comfortable
to run through a list of both newer and older poems, all on different
themes, from God to sexual abuse. I have to say this was the moment
where I "became" in my mind and thanks to the audience really got into
my stride. Afterwards, I was blessed with praise such as “this was the
best I've ever seen you". In turn this was largely thanks to the
audience who responded so well to every poem that the reaction
established the set's momentum. Next up was comic poet Long Lost
Frank- who opened with a piece about shoes on bus-stop roofs, and
delivered some of his signature poems with his trademark animation
and passion. A poem about being an expert swearer went down well
with the audience, as did one of my personal favourites ''Work Shy'.
Frank mixes clever rhyme, storytelling and social commentary with expert
performance and is always a delight to watch. All in all a typically strong
night where free admission and a relaxed supportive atmosphere made for
a hugely enjoyable evening. Next playing; Friday May 6th,
8.30pm. 08-04-11 Samantha
Hunt |
Parole
Parlate Little Venice, St Nicholas St, Worcester THIS monthly event has been attracting
an increasing level of interest in recent months. A combination of a
strong bill, curiosity, and a personal invitation from organiser Lisa
Ventura moved me to check it out, and I was not disappointed. The venue itself is a good one. Set on the first
floor of an Italian restaurant, the space is airy, private, and has its
own bar and toilet facilities, with the added advantage that a meal
beforehand, or just a snack, are both to hand (the latter very difficult
to resist!). The restaurant itself is located right in the middle of the
City with several bustling pubs and car parking close by. The first half was closed by Amanda Bonnick who
offered an accomplished performance. She opened with “A Day in Art”, a
very clever piece themed with artistic imagery, each reference having a
resonance which no doubt varied according to the sensibilities of the
listener. Intriguingly, she later revealed to me that it was a poem of
which she was uncertain. I thought it was her best work. One school of poetic
thought suggests that heartfelt passion and emotion produces the best
poetry, another that sometimes a more dispassionate, considered and
deliberate approach works best. I found “A day in Art” meticulously
composed and very satisfying. Amanda seemed determined to show her
variety of poetic inspiration in her poem selection. “The Ballad of
Cara” told of an encounter with an outwardly feral young teenager in a
park whose eyes told a different story to her words.
It was a sparse, moving description which echoed far
beyond the page. Whether she was (amusingly) exploring the loneliness of
Lane Swimming, the whimsy of the allure of shoes and of a little girl
dressing up, or the natural majesty of a kingfisher in the wild, sharp
observation, economically told, was her hallmark. The enthusiastic
response from the audience was richly deserved. Before her, Caroline Ferguson opened with strong
material, the performance of which she should take time to evolve, as it
can work much harder for her. Ddotti Bluebell is a very distinctive
performer with a trademark delivery of a rap/sing-song tone. Her
inspiration comes from personal experience including that of her
brothers in “Nintendo”, or her struggles with her hair. Her confident
delivery will have inspired other younger aspiring female poets in the
room. David Calcutt by contrast performed a single
“narrative verse drama” entitled “The Desire of Women”. A bold and risky
gambit, it was a triumph Witty, nuanced and very well told; it also
benefited from a strong punch line. After the break two young female poets caught the
ear. Beth Edwards, imposing, confident and charismatic, went for
powerful diversity. “I'm the Dealer” was a strong street piece, the
“Plagiarism Poem” an enjoyable literary romp, “My Two Left Feet” a
tender, emotional love poem. Laura Dedicote is more restrained in
manner, but no less effective. Elegant and assured, her work with Spoz ( of which
more in a minute) was evident with her “Cuts” poem, it is good to see
that a political radical edge is apparent in today's youth, and
persuasively articulate she was too. Yet “Home” and “Secrets and
Silence”, a teenage take on teenage life, were mature but authentic, and
heart-warming, all at the same time.
Opening the second half Neil Richard delighted with
a “Ramones” inspired set in which he was able to recite about four times
as many poems as anyone else in the same time slot! Short, sharp and
edgy, Neil stood apart from all others, and was the better for it. To close the evening we were entertained by a past
and current Birmingham Poet Laureate. “Spoz” is a consummate performance
poet. Engaging with the audience from the start, he galloped through “Brummie
Rotunda”, an ode to Daisy Waugh, a raunchy homily to Miss Davies a
school Science teacher, before giving us “fibre” advice with “Bad Diet”.
Spoz has worked with John Cooper Clarke, and his poems often reflect the
tone of Clarke's work. Tonight I realised that he is starting to look
like him too! Spoz's humour and humanity went down a storm. Last on was Roy MacFarlane whom I have seen
performing on several occasions. Invariably strong, this was the best I
have seen him. I suspect he would be pleased by my assessment that he
defies conventional categorisation. His skill lies in a remarkable ability to be
inclusive in his work, whilst not hesitating to work with marginal
subjects. He tackles Black heritage in an accessible way to all, his
poems on fatherhood, motherhood and love ,( “I Wanna Walk With You “ is
a delight) are warm and wry. But his middle section on injustice was the
highlight of his set, and the evening, particularly with “Daily Bread”.
A banker who met Roy at the gates of St Peter would be in for a VERY
rough ride. All of this was efficiently, confidently, and
expertly overseen by the effervescent Lisa Ventura, who kept things
moving, on time, but always ensured that her poets were the stars of the
show .A full, enthusiastic, house was a just acknowledgement of her
efforts. “Parole Parlate” next plays on Thursday, May 5th at 7.30pm.
07-04-11 Gary Longden |
Ghouls Aloud Patrick
Kavanagh Public House, Moseley NEW theatre company,
Don't Go Into the Cellar
specialise in Period theatre. This show, a sister to “Gothicana”,
has a bawdy theme, as the show title suggests, but is still presented in
a Victorian context. Part Gothic Macabre, and part comic Variety show,
the space offered by the first floor performance room in the Patrick
Kavanagh was ideal to showcase their talents. Madame Morganne, played as a
psychic cross between Mystic Meg and Marti Caine, wonderfully realised
by Rachel Green, acts as de facto MC for the evening, cajoling the
audience and amazing everyone with her (lack of) Spirit World prowess.
Jonathan Goodwin provides the star quality with two very strong
interactive monologues, first as Van Helsing, then as Lord Byron. As Van
Helsing we are treated to a tranche of Vampire gags, as an inebriated
Lord Byron, Goodwin very skillfully plays the crowd in an impressive ad
lib section in which he creates rhymes and rhapsodies around the names
of female members of the audience.
A surprise highlight of the
evening was "Lizzie", played by Kaz Luckins, who sang two great songs in
"was I standing at the Church” and “Ann Boleyn with
her head tucked under her arm in the midnight hour”, injecting much zest
and vitality into the show in a one woman ball of energy. In a contrast
of styles, Matt Pritchard enthralled with a straight magic act. Gary Archer, as William McGonagal,
performed two humorous poems, “The Alleged Assassination of the Queen”,
and “Glasgow” , around a substantial and entertaining character piece,
”Aiden the Nutter” performed ”The Freaks Tale” in a powerful tale of the
macabre. The show was funny and
substantial, running to just over two hours with a half time interval.
Well costumed, a few members of the audience arrived in Gothic garb
themselves, a trend I suspect may grow in the future. Licensed premises
suit this show with Lizzie Luckins returning for a sing along finale
which was lustily entered into by the entire audience. It's combination
of monologue, theatre, magic, music hall song, poetry and Tarot Card
reading is unique and very effective. Crucially, each show is
different with a rolling roster of performers, Louise Stokes and Jade
Cole played supporting roles tonight. An off-beat treat. “Ghouls Aloud” returns to the
Patrick Kavanagh on Thursday 28th April at 8pm, “Gothica” returns to the
Shakespeare Memorial Room Birmingham Central Library, Tuesday 26th April
at 7.30pm. Gary Longden |
St Martins Church The Bullring The hall of this famous, landmark
Church is now a fine venue in its own right with excellent public
address and lighting as well as a bar, cafe, formal and informal
seating. Compere Penny Hewlett, leader of Smart Poets did her
customarily skilful job in showcasing the groups talents whilst at the
same time bringing in talent from across the City. Poets are not renowned for their timekeeping, or memory. Penny dealt with absentee and late performers with effortless ease to put on another fine evening. Ben MacNair was the pick of the Smart Poets with a neat quartet of poems, two of which were Jazz themed, “Blue & Green” and “Thank You Miles”. The former a wry expose of jazz
pretentiousness, the latter a straightforward paean to the great Miles
Davis. Laurie Spencer looked back on “London Pride”, Graham Stubbs
lambasted the “Big Society” whilst Penny herself read an
understated but poignant piece about our economic hard times entitled
“Lament”.
Naomi Haworth played an accomplished trio of her
songs on keyboard before accompanying Katriona Heatherington on
the epic, classically inspired, “Psyche”. Samantha Hunt offered an
ambitious personally inspired long piece with “Hotel Across the Street”
which continues to mature and evolve in each succeeding incarnation. After the break Lorna Meehan was able to get her
teeth into her own set for a change instead of running her own event,
“Rhymes”. The cavernous space and wildly disparate audience presented a
challenge for all performers, Lorna wisely decided to do a bit of
everything generically from her repertoire.”Stephen Fry for President”
is a great homage to the qualities of one of Englands great contemporary
artistic figures, “Eyes Closed” a more personal piece, and yes she still
yearns to share sonic screwing with Mat Smith in “Dr,Dr” ( Not to be
confused with the great Thompson Twins hit). Her best moments came with
the closing extended “All Stories Are About Love”. Clever, fey, erudite
and passionate. Yet it is such a good poem that it feels like a
stand-alone work. One where you want to enter into her world on a solo
journey, unencumbered by what has gone before. The finale was a quick fire open mic session. These
always are the organisers version of Russian Roulette, with each
performer stepping up to the podium often as unsure as the audience as
to whether they are going to fire a poetic silver bullet, or a blank.
Amongst many, Pauline Morgan borrowed from ancient mythology for
“Don't Look Back”, Charles Wilkinson read a very entertaining “Not By
Me”, and David McLelland freestyled with a Bardic “Greetings”.Cream
always rises to the top. Past Birmingham Poet Laureate Chris Morgan
exemplified this with his readings to close the evening, not least with
“Charmed”. Gary Longden |
Polesworth Abbey
Polesworth I've reviewed
similar events on many occasions and as a writer I attend as a means
of relaxing within the company of other wordsmiths - each time I come
away inspired and eager to focus upon my own writing. Anyway, The Lichfield Poets - nine poets attended representing the local group and they were a delight to behold. They began with a selection of poems relating to 'Battles': 'During the War' by B Asbury -
such precious memories infused with colour, such as the
kingfisher, brought the imagery to life. IGNITED MEMORIES DRAMATIC DELIVERY George Barbrook's poem 'Scout
Camp' was crammed with images of fun-hungry scouts running a muck
between games of 'maggots'. Margaret Torr delivered three poems 'Home
run', 'Empathy' and ' Hidden agenda' each beautifully crafted - leaving
the audience wanting more. Ian Ward's 'Lifestyle' and 'The
Traveller' and Dee Costello's 'Memorial to the ordinary' and
'Arrowheads' were befitting the tribute and theme of the evening. Steph
Lunn's three poems 'One more day', 'Something must have happened' and
'The magician's wife' brought yet another tear to my eye - I
really must be get a grip but hey that's the beauty of poetry. Edith Abbess |
Hit The Ode Victoria Public House John Bright Street, Birmingham HIT The Ode in Birmingham has only been running for three nights so far and as I run "Parole Parlate: The Spoken Word" on a monthly basis in Worcester I thought it would be good to pay a visit to the Victoria and oh boy was I in for a treat! This fantastic and diverse mix of cultures, nationalities, spoken word and performance poetry is what makes Hit The Ode such a unique event and one that has placed itself firmly on the spoken word calendar as a must be at experience. The evening opened up with a few open mic spots starting with Spoz, a former Poet Laureate of Birmingham. Now anyone who knows me well knows that I am a huge fan of Spoz, and his new poem "Science" which was a world exclusive complete with synthesiser sound effects and telling the story of his crush on his old science teacher was a joy to behold. He was followed by Joe Coghlan and Hayley Stephens, before leading into the bellowing overtones of Richard Bruce Clay, who reminds me of a young Brian Blessed, except with a strong Brummie accent. I still have the taste of Bovril flavoured coffee in plastic cups in my mouth two days after the event. RISING STARS After another open mic slot from Al Hutchins the first featured act of the night was Daan Doesborgh and Ellen Deckwitz. Both are rising stars on the Dutch poetry scene and have travelled extensively taking their poetry across Europe. The ability to take the mickey out of themselves and their native country made for some hilarious performance poetry and their rhythmic trance like stance drew me in like a moth to a flame. They are both Poetry Slam Championship winners and they are more than worthy of winning such accolades. Amazing stuff. The second half kicked off with Lorna Meehan and segued into a side splitting rip roaring performance from Richard Tyrone Jones, arguably one of the funniest of the open mic performers at Hit The Ode. Once he cleared up that Ronald McDonald was not his Dad (well not his real one anyway), and that the first poem he was going to read was a found poem (explanation: a poem that has been found), he then went on to read a poem consisting of pieces of advice given to him by his Uncle, including "never trust anyone who doesn't have their own teeth, because if they can't be trusted with their own teeth what can you trust them with" and "never employ fat people, they never do anything, that's why they are fat". Close to the mark yes, but extremely funny nonetheless. BRIGHT ATTITUDE James Barnett, Anna Rose McArthur and Naomi Paul finished off the last of the open mic slots and the next featured poet surprised me with his infectious reggae overtones and his positive, bright attitude. Moqapi Sellasi is a well known poet on the Birmingham circuit, a veteran on the scene and is a founding member of the Conscious Poets Society and the New October Poets Society. Now I must confess that I sometimes suffer with low self-confidence from time to time. I worry about everything and get nervous at the slightest thing sometimes, such as having to perform my poetry live in front of the Mayor of Worcester, which I am going to be doing tonight (well okay, that's quite a bit thing really). But no matter, because I now have plenty of CONFIDENCE, charm, personality and eloquence, thanks to Selassi's reggae inspired tones. I lost count of how many times I shouted out CONFIDENCE at the top of my voice and I felt so inspired and uplifted by the time it finished I felt I could write a whole book that night. Perhaps I should have. Last up, and well worth waiting for was Dizraeli, who is a BBC Slam Poetry Champion and Farrago UK Slam Champion. His hip-hop mix of poetry and music was catchy and infectious, and although I confess to being more of a heavy metal chick than a hip-hop one, Dizraeli's mastering of rap infused with thought provoking poetry and music was hugely enjoyable. I'm already very much looking forward to the next Hit The Ode on April 28th featuring Polarbear, Hollie McNish, Sebastian 23 and Lars Ruppel. I have a feeling that I will be making the pilgrimage from Worcester to Birmingham every month from now on. 24-03-11. Lisa Ventura MCIPR |
Bilston Voices Cafe Metro, Bilston THE FIVE performers on offer at Bilston Voices played to the usual packed and appreciative house at the Cafe Metro in Bilston. First on the bill was Louise Stokes. I've seen her a few times now and she usually performs character comedy in the guise of one of her alter-egos. Character presentations, however well done, are just not my thing so I have been indifferent to some of her past perfoamnces. Last night, however she he did only one poem in the voice of Kimmy-Sue Anne, oneof her most popular characters, but chose to perform most of the rest of the set as herself. I enjoyed it all the more for it. Her poems are often on very serious topics. Whether it is the pain (rather than the pleasure) of love in "Stay", or how mental illness can cause you to push away those who most want to help in "Meltdown", they are powerful and provocative. She finished with a rather self-knowing poem about
writing in the voices of those other characters, interspersing verses in
different voices with verses in her own. It was all very clever stuff
and worked very well. A fine performance that had me warming to her work
much more than on previous occasions. He followed with a couple of pieces that employed a
device he often uses - poems that seem to start out very serious but
suddenly have a twist that undermines their seriousness. So, for example
his poem about Tigers initially seemed as if it was going to be lyrical
but changed rapidly with the introduction of Tony the Tiger, the well
known cartoon breakfast cereal salesman. He raced through a set of humorous verse on
subjects as diverse as new babies, adultery (another poem that gradually
warped from sounding relatively serious to something much lighter and
funnier), stealing stuff from work and Anne Widdecombe not to mention a
new piece about an unfortunate encounter with a pub condom machine. Good
stuff.
The first half was rounded out by the gentler and
quieter humour of Maggie Doyle. Like Gary, she started with a serious
piece, reflecting on her memories, but soon moved on to a set that
meandered humorously through her life. We had the ever popular poem
about a disastrously bad blind date, the slightly more serious one about
someone missing out on life because of living with her mother. She
finished with the lengthy and accurately funny "I Want To Retire And
Write Poetry". Bob Hale |
Spoken Worlds Rangemore House Burton-on-Trent THIS was a valedictory occasion for the last “Spoken Worlds” to be held at this venue. The unavailability of Rangemore House going forwards has prompted a move to the Old Cottage Tavern, just a few hundred metres away down Byrkley St, for future meetings. Rangemore house itself has proved to be a good host,
a drama studio with modern toilet and refreshment facilities, wholly
self contained and private, a sympathetic place for Spoken Word. But
poetry and pubs have been easy bedfellows since the time of Chaucer. A
private room, a bar, and free entry, close to their old home, strikes me
as being a winning move which will only serve to build on the success of
the existing event. Poetry/Spoken Word evenings are quite difficult to
get right. Straight page poetry can be hard work, performance
poetry only can seem lightweight and ranty, multiple monologues boring,
and music and sketches “off message”. The trick is in getting the
alchemy right, and that is what organiser ,and MC , Gary Carr gets right
at “Spoken Worlds”. On Friday we were treated to a mix of all of the
aforementioned- and it worked well. Mal Dewhirst is a distinguished presence on the Midlands poetry scene. His economic ,evocative poetry, particularly a memorable description of a waterfall scene in Yorkshire was a treat. Performance poet Fergus McGonigal had endured a two hour journey up the M5 on a Friday night to make his debut performance at “Spoken Worlds”. ARDUOUS JOURNEY But his arduous journey was not apparent in a
sparkling , humorous, rehearsed set ,including pieces about the
tell-tale signs of middle age and the delight that we take in seeing
other people's children misbehaving. Janet Jenkins , leader of Lichfield poets also made her SW debut including a delightful nature poem and a cautionary tale about the perils frogs face when copulating from falling mobile phones ( you had to be there). Rob Keogh from Buxton, combining the physique of a
Manchester cocaine dealer with the finesse of a Saville Row tailor,
delivered wry humour that was consistently a delight, Dea Costelloe
enthralled with her monologue, and Andy Biddulph used his flamenco
guitar skills to atmospheric effect during “Condor”. Jeannie Jordan
performed the second part of her drama with Jo imagining the fate of
Shirley Valentine's husband, and Margaret Torr read a poignant piece on
deafness. All that provides a by no means comprehensive flavour of what
was on offer on another very enjoyable evening. Next meeting Friday April 22, at The Old Cottage Tavern, 3b Byrkley St, Burton-on-Trent, DE14 2BG, free entry, 7.30pm, open mic and thereafter May 20, June 17, July 22 and August 19. 18-03-11 Gary Longden |
Rhymes Out of Town National South Birmingham College Digbeth This event represented a bold departure
for “Rhymes” organisers, Rogue Play, who had imported non-Midlands
poets to entertain, rather than concentrating on local talent.
Artistically it paid off with four very different performers taking to
the stage, compered by Lorna Meehan with her customary skill and poetic
interjection. Brighton based Oliver Gozzard, used his book “The Commuters Tale”, a thriller in verse inspired by the life of Byron , in which a careworn commuter abandons his humdrum life to embark on a voyage of adventure with a rapper he meets on the train, as his centrepiece. The simple, rhythmic, rhyming verse was easy on the
ear whether recounting his efforts to get a haircut like Byron, or his
imagining of an illicit love affair inspired by the train Tannoy
announcement, “Will the Guard Please Contact the Driver”. His wry,
laconic delivery appears to have evolved by a process of osmosis from
his daily rail commute to London, although I suspect that the sneakers
he wore are not for the City. His poem about a cocaine snorting goat
called Elvis was surreal, his reply to Wendy Copes's “Bloody Men”
entitled “Women” a little restrained. MC and poet, Jack Dean was born in Tooting, raised in the southwest UK, likes to wander all over the place telling stories of love, loneliness, nostalgia and midget porn ,and is a Hammer and Tongue Slam Champion. He currently calls Bath his home ,a location slightly incongruous with some of his material. I imagine that there is greater concern in Bath over
the temperature of the Chablis than the “heat on the street”. “Moths”
was by far his best poem in which his youthful, zestful
performance best dovetailed with some very neat word play to maximum
effect. “Selly Oak” reprised Oliver Gozzard's railways theme. George Lewkowicz, aka “Superbard”, from London is a multi-media performer using some recorded music and sound effects to support his material. A strong performer with credits for appearances on “Newsnight”, “The Jeremy Vine Show” and Radio 4, he promised us his political set. BIG PICTURE The bankers jibes probably were a bit of a soft
target, but his “Favourite Films” section was a tour de force. In
Edinburgh he was the only storyteller to reach the Hammer & Tongue
final, and that grasp of the big picture, and his desire to present it
in an innovative way, shone through. Headliner Richard Frost from Milton Keynes is one of
the most distinctive poets on the performance circuit. In the mould of
Byron Vincent , he delivers a complete performance from which his poems
emerge from amidst stories and apparent stage asides. This is
considerably more difficult to pull off than it might sound, but Richard
does it in style. Content includes the absurdity of signs saying that
“this sign is not in use”, the trials and tribulations of being a Dad in
“Weekend Dad” ,and the symmetry between gerbil socialization and that of
humans in his most accomplished piece. Not only does he use repetition
of phrases like “nature is a great teacher”, “the only permanence is
change” and “All things must pass” ( no obvious George Harrison
connection) within poems , he also reprises them in between other poems,
and sometimes within them! It was a hugely satisfying, relaxed
performance which rounded the evening off splendidly. Rhymes plays again on 18th May, check the
Facebook page for venue details. Gary Longden |
Bloxwich Library Theatre A splendid evening in aid of the “Born Free”
charity whose patron, Virginia McKenna,OBE, sent a generous message of
support. Organised by local writer Helen Calcutt, the event
featured several poets from across the Midlands at this excellent venue.
The serendipity of World Book Night falling on the same day meant that
there were numerous free books available too. Richard Bonfield, Born
Free's Poet in Residence headlined with both passionate poems in praise
of the tiger, and a fascinating insight into the Charity's work,
including the involvement of fellow sixties glamour girls Alexandra
Bastedo, and scourge of Labour Ministers, Joanna Lumley. Although the evening was tiger themed, poets
entertained with a range of work, some loosely connected others just
worthy, or amusing, in their own right. Jenny Hope took an arboreal
tangent, Ruth Stacey was inspired by her children and Lucy Jeynes
mischievously borrowed Charlie Sheen's tiger twitter status to lead us
through a contemporary and very funny romp. Prize for dedication to the cause definitely goes to
David Calcutt who produced a sequenced quartet of tiger poems starting
with a childhood dream, Jacqui Rowe made a customarily refined
contribution, some of which will be available in metal engraving, whilst
Julie Boden drew on her own significant body of work to offer tiger
poems and pieces on crows and bears! Janet Smith stood out with two poems, the first,
“Owl” is a clever and powerful composition with only one polysyllabic
word in it. Janet delights in efficiency in her work and excels at
producing the maximum energy from the sparsest of words. “Owl” is a case
study in how to say more with less. She also gave her prize winning poem
“Between You and Me” its first public airing – it did not disappoint. Helen Calcutt remarked that to her surprise the
quantum of poetic contributions had far exceeded the Art contributions.
The range, variety, quality and differing interpretations of the theme
of the evening were a tribute to the power of the spoken word. 05-03-11 Gary Longden |
Café Tarifa Oxford. The Oxford Chapter of Hammer and Tongue
kicked off the 2011 season in exceptional style with a double headline
act line up. Hosted by the ebullient founder of H&T, Steve Larkin, the
packed audience was treated to a night of that epitomised the best of
the current spoken word scene. After Steve Larkin had welcomed the audience with
“Live in Leeds” a poem that pays tribute of northern university towns,
but takes a dim view of students who are quick to leave their radical
uni beliefs, was time for Byron Vincent to take the mic. Byron has a conversational style to his sets, with
lots of funny chat between his poems. Indeed he says he is hard to
categorise beyond “spoken word artist” as he is ‘not clever enough to be
a poet, not funny enough to be a comedian'. He is though a charming and engaging presence with
plenty of self-deprecating remarks (‘look at me, I'm 90 per cent
twiglet') sprinkled before the poems. Vincent's poetry covers modern
culture and topical subjects touching on KFC, football, marketing
slogans and the pope's visit and he was well received by the Oxford
crowd. H&T are one of the foremost hosts of Poetry Slams
with six regular venues stretching from Brighton to Cambridge and
tonight was no different with ten poets doing battle in a one round
slam. SACRIFICIAL POET Tina Sederholm guided us through the Slam section,
explaining the rules and scoring before introducing Mark Niel as
tonight's ‘sacrificial poet' (a poet who performs but is not part of the
slam so judges can set some bench marks to get their eye in). Mark is a familiar face on the poetry circuit and he
took the opportunity to try a couple of newer poems in front of an
audience. ‘Popping the Question' took the voice of a nervous suitor
plucking up courage to talk to a girl and laid the foundation for a
delicious twist in the last line. Mark also gave us ‘Poetry Voice' which pays
back-handed tribute to a certain type of open mic reader. It was now
time for the Slam proper . The ten poets competing represented first timers and
experienced hands with material that ranged from Folk ballads to
humourous tales with plenty of political points made along the way. FUNNY AND RAUNCHY The main contenders were Katie Byard whose poem
lambasted an ex-boyfriend and had plenty of funny and raunchy touches. A
strong contingent from Milton Keynes had made the journey across country
and Danni Antagonist, Ian Freemantle and Richard Frost showed just why
MK has become a significant centre for poetry in recent years. Richard was best favoured by the judges with a poem
that used Gerbils as a parable for a failed marriage (Sounds weird but
you have to hear it to see how it all makes sense). It is funny and
moving and extremely well delivered. Richard was followed by Pete the
Temp. Pete gave us “Angry Pedestrian”, one of his established pieces
which encourages and received audience participation. In the end, Pete
emerged the winner with Katie second and Richard third. Time was now at a premium so a second interval was
spurned and we welcomed AF Harrold as the last tranche of the Slam
sandwich. AF Harrold has become a stalwart of the contemporary
poetry scene and it is testament to his skill as a writer and performer
that repeated viewings does not dull your enjoyment of his sets. I have
seen him many times and he always seems to sparkle. I don't know if it's possible for a voice to
twinkle, but if it can, his does. Clever wordplay and quirky humour are
perfectly married when he's on stage and even simple brief poems meant
for children are well crafted. Harrold has such a body of quality work
ranging from breathtakingly sensitive love poems to comic literary
pastiche that he can mix and match to fit the mood of each performance. Even his collection of “poems not good enough to be
in books” would be enviously coveted by other poets. And so the gig
finished in fitting style, in the hands of a poet who knows how to hold
a crowd and demand laughs or our attention as befitted each poem. If
this is the benchmark, it's going to be a great season for Hammer &
Tongue. 23-02-11. Noel Hill |
Cafe Metro, Bilston Bilston Voices provides a platform for
local poets to perform their work, yet such is its reputation that
performers and audience are drawn from far and wide.MC Emma
Purshouse invariably combines established and emerging talent. Tonight
was no exception at a full Cafe. Elaine Hickman-Luter was a strong opener who was clearly prepared to suffer for her art. Although restricted by a broken arm in a sling, she employed the cricketing equivalent of a “batsman's runner” to turn her pages for her in a very diverse set. It encompassed the pastoral with “The Trees”, the
whimsical with “Moving to Mars” ,and the humorous with “The Friendly
Elf”. Her stand-out piece though was “Tapestries of Time”, a reflection
on Dudley Castle which evocatively embraced that castle's resilience
over the centuries. Her craft, honed with Dudley Writers, showed. By contrast Ness Tobin was performing for only the
second time, but what she lacked in experience she made up for with
charm , brio, and lots of short poems.. She has a verite style telling
of everyday life, a poetic Lilly Allen of sorts, swinging from the
incidental “Rich Boys” one minute to the altogether darker “The Child
Who Never Was” the next. Her quick-fire delivery was enjoyed by all.
The first half was closed by Peter Hill, stalwart of both Bilston Voices and City Voices in Wolverhampton. Peter opted for two long pieces which were both full of character, and entertaining. The first told of the shortcomings of the
“Three Billy Goats Gruff” fable, the second of his wife's
enthusiasm for painting things which had resulted in his having a pink
garden bench! Peter's manner is that of a skilled raconteur and his
material close to monologue in parts offering a welcome change of pace
before the break. The first of the two second half performers was Silvia Millward of Bilston Writers who opted for quite diverse material. Her best was “Eels and Minnows” a tale of childhood camping in the Lake District. Fond, faithful and persona,l it had an elegiac
quality to it, which combined the specifics of her experience, yet
reached out to us all, in a very effective poem. Her strength lies in
some striking imagery. Camping they were as “fearful as minnows in a
bucket”, in “Red White & Blue” the young soldier's widow had “mascara as
thick as tar”. Top of the bill was Simon Lee performing from “Tales
of the Half Expected”. A seasoned performer, Simon veered from the
knockabout crowd pleasing material about bankers, superheroes and his
inability to dance to altogether weightier matters. It is the eternal
dilemma of the Performance Poet. Almost all have work of substance to
share, yet an audience is there to be entertained as well finding the
balance is fiendishly difficult. His best two poems were his serious
ones, ”I want to See Poetry” and “The Waiting Game”, the latter an
agonising, baleful take on the “Time waits for no-one” theme.
Nonetheless, his set closing “I Want More Moore” a fond celebration of
Sir Patrick Moore's fifty year stargazing career was a guaranteed winner
– and so it proved. Bilston Voices meets on the last Thursday of each
month at the Metro Cafe, Church St, Bilston, next meeting 31/3/11. It is
not open mic, to take part contact Simon Fletcher,
simonfletcher@wolverhampton.gov.uk Gary Longden |
Cirencester Love Slam It's a poet moot. I'm deep in conversation with one of my slam rivals when Donna Summer's “Hot Stuff” signals the entrance of organisers Marcus Moore and Sara-Jane Arbury. We all clap along enthusiastically. Smiles all round followed by that butterfly feeling in my stomach when the first 3 poets' names are drawn from the hat. Not me .... please. The first poet is .... Mac
McFadden. Mac is not me, neither is Kurly nor Sue, phew. Mac kicks off
with “A girl called Sid”, sits beside me and agonises over a fluffed
line which no-one noticed. Kurly smiles, dances and sings a love poem to
his wife, and first-timer Sue confidently reads her two pieces. Judges
sit scattered throughout the audience. Scores are added up, combining
marks for writing, performance and audience response, and Mac wins the
heat. Now the heat's on again. Three more names to be
drawn. My husband Geoff plunges his hand into Marcus's hat. There's
local discussion as to what I would do if he drew out my name, so Marcus
has a look - no, it's not my name. Phew. He announces the names. Colm
McCarthy, not me. Heather Wastie .......... ah. Colm's delivery is intimate, eyes closed. Up I get
and perform “Dave's half”, encouraged by the sound of laughter. Then up
steps Dominic Berry who clears the stage of microphones to allow space
for a very mobile, compelling performance which I know will get more
marks than mine. Sure enough, my marks are good, but Dominic's are
better. My only chance of getting to the semis now is as highest scoring
loser er non-winner.
Onwards. Peter Wyton stylishly brandishes love hearts, calling them old fashioned. Crispin Thomas and Peter Tickner give assured performances, and Peter Tickner wins the heat. Mac points out that I got more marks than he did. He's confident I'll get through. I'm not. Next up is Tim and I'm struggling to spell his surname. Before I know it, Wild Bill Balding is making
Mars bars sexy and Steve Rooney is talking about his shirt. Marks are
revealed. Wild Bill is through .... and I'm not. Tim has more marks than
me. Right, now I can relax and think about
writing this review. Emma Purshouse shows her superbly sexy
personification of a one-armed bandit, Catherine Crosswell dwells on the
mechanics of saying “I love you” and Theo is sweet-talking in H&M. Emma
is through to the semis. Tim also makes it as highest scoring
non-winner. Marcus shares his knitted poem in praise of libraries and we
all cheer. After an interval, during which I catch up with more poets, the semi-finals begin. First out of the hat is Dominic who once more empties the stage of microphones. His second poem is delivered whilst riding a virtual bike, the one with stabilisers on, which he had as a young boy. You can see the wind in his hair and hear him learn
to trust both two wheels and his step-dad. This is exhilarating stuff.
Then Emma Purshouse twitches her way through another superb
impersonation, “Getting to the nub of it”. Tim Brewis (got the spelling
now) rants eloquently about decadence, and exceeds the 3-minute time
limit, being stopped just short of the end by Marcus's whistle. “I hate
doing that,” says Marcus.
Peter Tickner is next with his
comfortable-sweater armchair-humour - except it's not. With a twinkle in
his eye, his material is surprisingly naughty. The last line of his poem
is a perfect illustration of the importance of punctuation - “What is
this thing called, love.” Every poet gets a short introduction from Sara-Jane. In round one, these are supplied by the poets. In round two, Sara-Jane, relishing the pun, cleverly combines elements from the poets' descriptions and the material performed to make new intros. Wild Bill Balding's confectionery inspired poem from round one results in his introduction in round two as the “Mars bard”. Wild Bill gives us two poems for his daughter, as a teenager (“I was, like, O my god”) and a small child being visited by the tooth fairy. Great delivery, and I'm enjoying the poems very much but he too slips over the time limit, and demonstrates something I've seen before - a difficulty in not finishing the poem. The Mars bar man (calling out the remainder of his
set from the gallery) was followed by the clever Mr Marmite, Mac
McFadden. Sarah-Jane delivers a short poem while marks are collected,
and we're on to the final. Tim and Emma go head to head. Tim wins the
toss and elects to go first. His vivid portrayal of a war zone in
Afghanistan is gripping and sends shivers through my body. Emma, in
complete contrast, delivers her side of a telephone conversation in
which she tries hard not to mention the ‘p-word'. It's excellent, but
Tim is a worthy winner, by 5 marks, and proves that it isn't always a
comedy performance that takes the top spot. Prizes are awarded and every poet goes home with a
packet of (old fashioned) love hearts, having seen a wide variety of
performers of a high standard and had the chance to meet writers from
many walks of life. On the way home in the car, I start writing a new
poem which will emerge for a future Spiel Unlimited extravaganza.
Thanks, Sara-Jane and Marcus. You always put on a good show! Heather Wastie |
Spoken Worlds Rangemore House,
Burton upon Trent Conventional wisdom is that Spoken Word events are not held on Friday nights as people have more attractive options at the end of the week. “Spoken Worlds” organiser Gary Carr, neatly turns that proposition on its head by ensuring that his event, held on the third Friday of the month, IS that more attractive option. He was rewarded this evening by a full room, and an
audience and performers who had travelled from the likes of Derby,
Nottingham, Birmingham and Essex, as well as from the immediate
locality. Burton upon Trent may be famous for its brewing, but it
appears that news of its Spoken Word event has spread far and wide too. However good the event, and however talented the
performers, there is a limit to how long any audience can concentrate on
the unaccompanied solo voice. Gary Carr wisely manages this by
organising the evening into “Three halves ”, limiting each performance
to around five minutes, and allowing for generous intervals for the
audience to chew the cud on performers and performances. Gary, Comperes
the event , topping and tailing the evening with his own poems. His well
crafted contributions set the standard, and he cunningly squeezed in
some more work by allowing his daughter, Kirsty, to read some further
contributions of his. “Airports” was evocative, “Without You” eschewed
the schmaltz of the Nilsson song with the same title, and “ He Who Lasts
Last Lasts Longest” was a fitting evening closer. Modern popular poetry events are the battleground of
the Performance v Page poetry debate. Generally Performance Poetry
wins, yet “Spoken Worlds” is characterised by a stubborn and pleasing
determination to take page and serious poetry seriously. The challenge
is that the best page poetry may not be revealed aurally, spoken by
someone else, it's magic and artifice instead best explored by solitary
reflection and exploration. Thus, serious spoken word has to work doubly
hard to compete at evenings such as these.
Fortunately Margaret Torr had the material to do just that, particularly with “Blind Spot” and “Running Parallel”. Both relationship poems. Poets are very fond of baring their souls with tales of their own emotional experiences. The problem is that just because an incident mattered deeply to them does not mean that it is going to matter deeply to the audience. Margaret succeeded by writing her narrative in such a way that it drew upon our universal experience and demonstrated what we may have felt, and seen others feel, first and foremost. The trap of self-indulgence which can cripple such
themes was avoided. We were there with her in the car park, or on the
river bank. Combine this with some well chosen, original imagery , in
poems which were cliché free, and you have one of the stand-out
performances of the evening. By contrast, Richard Young is a Performance Poet, and a very good one at that. He recites from memory enabling him to use his obvious drama skills to maximum effect. Strong material is supported by even stronger delivery, the master of the pause, a sideways glance, or a “stage aside”. Popular performance Poetry depends upon
subjects which engage, and Richard scored each time with this. Morrissey
once sang, “We Hate It When Our Friends become Successful”. Richard
hilariously reprised this theme with “Bruce Byron”, the actor with whom
he studied at Drama School and whose subsequent success has clearly been
the subject of some angst for Richard. I googled him – he does exist!
“Fantastic Felicity” also entertained whilst “Computer Programming” had
an altogether darker humour and sinister edge. Richard confided to me
that he had a shortage of material, but with poems of this quality, he
needn't worry too much about that.
The diversity of talent impressed enormously. Andy Carroll is a performer and author who likes to stretch out, and fresh from a recent appearance at “Rhymes” in Birmingham, he performed an extract from his book ,“Once”, set in Smethwick ,Birmingham, whilst Jeannie Jordan , and her friend Jo, offered a clever piece imagining the role of Shirley Valentine's husband. Poems about animals, and pets specifically, are difficult to pull off. Maudlin sentimentality lie in wait to crush the
efforts of hapless writers. But Dea Costelloe succeeds with two of
her cat poems, “Distinguished Visitor” and “Against All Odds” ( no sign
of Phil Collins), from the “Cat Lines” anthology. Colin Hench writes with a fine traditional, but
eclectic , style with challenging thoughtful themes, his reminder that
“perfection is for the gods” amongst them, “Flotsam to the Door” stood
out. Simon French veered from the light and satirical, to the dark and
powerful “Druggie”. Tony Keeton gave us the light “Crimes Against
Poetry” juxtaposed with a brilliant period poem, evoking the ghosts of
Sharpe and Flashman with “Uncle Crispin Barrington Bruce”. The
ever-reliable Andy Biddulph shone with “Armistice Day”, Joanne Hoare's
reading of her daughter Jenny's “The Short Straw”, was evidence of a
burgeoning youthful talent. The setting , Anne Lee's Drama Studio at Rangemore
House helped enormously to provide an environment for performers to
shine. Although the next event will take place there on Friday 18th
March at 7.30pm, Gary Carr anticipates that beyond that a new
venue may need to be found. For more details check the Facebook
Group “ Burton Spoken Word Nights”. Gary Longden |
Bring & Share Valentine's Evening Library Theatre Birmingham Reigning Birmingham Poet Laureate, Roy MacFarlane masterminded this prestigious free event which avoided the pitfall of an overdose of syrupy love poems with a shrewd choice of format and poet. The organisational energy of Roy ( and his wife)
combined with the support of the Birmingham Library Service who sponsor
the Poet Laureate ensured a strong turnout on a cold evening which was
soon warmed up by the performers and performances on stage. Roy himself is a very fine poet. In a show of
admirable self-restraint, he limited himself to his signature piece,
“Where You From ? Birmingham !” , a wonderful celebration of the
diversity of our City ,and “I Wanna Walk With You”, a beautiful love
poem with shades of the great Smokey Robinson's love song “Being With
You” echoing thematically. From opening with the reigning Birmingham Poet
Laureate, we then moved to the reigning Birmingham Young Poet Laureate ,
Jordan Westcarr. Only 16 years old, he was the youngest performer of the
evening, yet gave an assured performance. Wisely, he concentrated on
what he knew, teenage love, delighting his contemporaries, and jogging
the memories of the old 'uns! “Long Enough to Smile at you” and “Kid”
stood out, sharply observed, yet soft, and performed with conviction. A
young man with a very bright future. Matt Windle, a past Young Birmingham Poet Laureate
is only a little bit older, yet asks for no concessions for his youth -
because he doesn't need it. Hammering out words at a rate per minute
that would have a shorthand expert operating at full stretch he skipped
through relationships with “That'll be The Day”, and teenage shyness
“Outstanding”, before disappearing in a blur. Like Jordan, he sticks to
themes he knows best, and is building up quite an audience of peers on
the back of it. Yet he also expresses himself with a maturity
which resonates with all age groups. Quite a skill.
“Behind the Arras” has been championing “Fatima Al
Matar” for some time now, and this venue and occasion was perfect for
her. Although more than happy to pay her dues in Slams and Pub poetry
nights, a proper theatre, with good acoustics, and an audience that has
come to listen, is Fatima's milieu. That was her platform for the
evening. Once again she excelled. Her poetry invariably has a mystical
tinge to it, and so it was tonight. We were treated to a child's love, an
exploration of the definition of love in “You Let Us”, and a deeply
sensual “How We Loved”. Performing serious poetry successfully is
extraordinarily difficult, a good poem is not enough. Fatima combines
incredibly strong material with charisma, presence and a remarkable self
–awareness of how to use the pitch and modulation of her voice to
maximum effect. Rarely have I seen a poet whisper – and notice the
entire audience lean forwards to catch the words – as if they were meant
for them, personally, which of course they are. Closing the first half we were treated to a rare
appearance by Sue Brown. Her elegant and dignified bearing was in
perfect harmony with her poems. “For the Love of Auset” was a marvelous
piece borrowing from the Classical Myth of Osiris and Isis who flew too
close to the sun. “Death is only a breath away from life”. Intricate,
and unafraid to borrow from arcane tradition it was an ambitious and
powerful piece, and probably the literary high point of the evening, yet
with the likes of “Some Other Day” she also demonstrated a mastery of a
simpler, but no less effective, form. Hazel Malcolm is a stalwart of the Wolverhampton
literary scene and showed just why with a powerful trio of poems. “Blues
in the Black Country” was a lyrical, evocative remembrance, of
Afro-Caribbean parties in the late 1960's and early 1970's, whilst “All
Black Men” was a bitter sweet journey around a tired stereotype told
with love and affection. A great strength of the evening was its
unpredictability, never was this more in evidence than in the
performance of Phil Simpson whose earthy poems would have made Chaucer
blush, the highlight of which was “Cocoa Butter Queen”. The BBC recorded
some of the evenings performances for use on their Big Screen, Phil now
has the distinction of producing the first “R 18“ rated poetic
performance. A cry of “Are you available for Mothers Day?” as he left
the stage brought the house down on what was a memorable set.
Shaila Sharif is enjoying a national reputation for
her poetry form Tower Hamlets to Edinburgh. She expresses her
Bangladeshi heritage in a traditional English form offering an unique
expression of her culture. She scores with universal themes, touchingly
with “Hala” about the loss of a beloved aunt, and tales of loss
friendship and adulterous relationships. That two out of her three
pieces were untitled was a slight drawback as in short sets, titles do
provide an initial focus for the listener. “Behind the Arras” has been proud to record the
growth of Spoken Word in the Midlands, so it was a particular pleasure
that Jo Bell, Director of National Poetry Day should take time to break
her trip from London to Macclesfield to attend, perform and generally
support the occasion. As Roy MacFarlane does in his local role, Jo does
so much to promote poetry nationally that it is easy to forget what an
accomplished poet she is in her own right. Tonight she gave us a timely
reminder. Waspish, wry and laconic, she specialises in a faux verbal
ennui, like a wise predator luxuriating in its lair, waiting, before
pouncing to devour its prey.”The same Damn Thing” being a perfect
example. “Floor Spot” poets of the highest standard popped up
to deliver single offerings in addition to the advertised bill. Adrian
Johnson excelled with old favourite “The Jam”, with Leonie, David
Stackhouse, Sue Challis, Denise Williams, Lucy Jeynes (“A Maiden's
Prayer on Valentine's Day” was great knockabout fun) and Jane Campion-Hoye
also performing. In order that the others were made to look even
better than they already were,, I was asked to close the evening with,
“Love Sonnet #1”, “Cheryl Cole” and “Adultery” winding up
proceedings. And so the evening ended. A resounding success in
terms of attendance, calibre of performance and performer, diversity of
material and desire to be heard! Roy is hoping to put on more such
events both to meet the demands of those who were unable to perform due
to time constraint, and to continue to support Poetry in Birmingham and
the Midlands. “Behind the Arras” will let you know as soon as dates are
set. Gary Longden |
Big Bilston Love Slam Bilston I guess somebody has to be first. I just wish that on my first proper slam, it hadn't been me! Yes, the random draw for the running order put me on as contestant one of heat one of round one. At least it means that I get the awkwardness of reviewing myself out of the way quickly. So what about this Bob Hale fellow? Any good? Well I think my poems were pretty good and they were certainly well rehearsed but I'm coming to the opinion that they are fundamentally unsuited to slams. It was noticeable, as it often is, that the few people who, like myself, did serious pieces (i.e. not funny) consistently scored lower than the people who made the audience laugh. The other poets in my heat were Heather Wastie and Steve Rooney. Heather, who I have seen quite often, did a longish piece about eating her partner's bread pudding in her usual accomplished style. Steve's piece, about a girlfriend being unimpressed with his new shirt was also very funny but suffered slightly from being a little too slight for its length. Unsurprisingly, Heather got through and I came last. The second heat also went as it should. Tom Jenkins seemed a little less confident in his material than usual, though his very clever piece constructing a love poem from terms used in chemistry was very well received. Simon Lee followed with a poem about being in love with his dentist, which he assured us was OK as his dentist is also his wife. And Peter Wyton who concluded, and won, the round gave us a poem that started slowly but built very well into a lively and animated performance, an unlikely outcome for something that was about updating the messages printed on Love Hearts. GLOOMY IN TONE Heat three had Hazel Malcolm, an old friend of mine Donna Scott and Roy McFarlane: not a good draw for Hazel or Donna given that Roy is the Birmingham Poet Laureate. Hazel's poem comparing love to molasses was the first properly romantic poem of the evening, though perhaps a little gloomy in tone. As one of the more serious pieces it again suffered from the audience predilection for humour. Donna's poem fell nicely half way between the serious and humorous camps and was a good piece about love in the 1990's, filled with popular culture references and performed well. It inevitably suffered from being followed by Roy who did the two love poems that he had practised last week at City Voices. His greatest asset is his rich, deep voice and combined with his passionate performance it saw him through to round two. Marion Cockin, Louise Stokes and Theo Theobald were up next. Marion, a seasoned performer but taking part in her first slam, gave the best introduction of the night - describing her poem with the words "there can be no greater love than a woman who puts her husband's severed head on the mantlepiece". And that's what she delivered, a poem called Sir Walter Raleigh's Head. Louise, like Roy, gave a poem which she had performed earlier this week, this time at Hit The Ode. I liked it better this time round but, clever and accomplished though it was, it seemed to be more suited to a shorter work and was a little stretched at three minutes. Still, she is the first to admit that her normal poetry runs to the pessimistic rather than the romantic. Theo followed and though the three minute format limits him - he is much funnier when he has the space to meander around his poetry with long and often hilarious introductions - his "I'm In Love With The Girl from H&M" is an old favourite and went down very well, sending him through in fine style. MATHMATICAL TERMS The final round one heat saw Yvette Rose give a couple of slight poems - one similar in content to Tom's Chemistry, used mathematical terms as love metaphors and the other was a very traditional romantic poem. Once again more serious and once again suffering in the marking because of it. She was followed by Jo Bell who began by announcing that she didn't do romance and would we mind if she did filth instead. And that's what she gave us, two hilarious and very dirty poems about former boyfriends and how men make love. Eileen Ward-Birch, accompanied by a pillow and a bad case of nerves, completed the first round, explaining in verse about losing sleep trying to write a love poem. It was a good poem but her nervous performance let her down slightly. Jo ran out the worthy winner of that heat. After that we broke for the highlight of any night at the Imperial, the curry: - and very nice it was too. Reflecting on the first half I felt that in every heat the correct result had come from the judges. All the performances had been good but the right people had, ultimately, gone through. The format for round two saw all six performers - the five winners and the highest scoring loser, Peter Wyton, compete in one big round. Their poems reflected their first round performances. Jo gave us an alphabetical list of words from her phone's custom dictionary which sounds as if it couldn't possibly be any good when described like that but which was in fact very cleverly done and really rather good. Theo followed with a poem listing the possible illnesses and symptoms to claim to have when "throwing a sickie". It got a good audience reaction though, as with his first round, I felt that the three-minute slot doesn't really do his kind of performance the justice it deserves. Peter's poem, like the Love Hearts poem from round one, started slowly and built well as he compared the people on holiday in modern Greece to the ancient Greek Gods. For me it seemed to lack a proper climax though which may have let him down. MULTIPLE VOICES Heather, in multiple voices, became the various icons and symbols that we see on our computer screens talking to a frustrated user. First the spinning symbol when something is loading, and then, by turns, the hour glass, the hand and the arrow. It was clever though maybe a little repetitive, though that was probably the point. Roy followed with a poem about his wife's lack of sympathy with him when he is sitting writing and waiting for inspiration. Though his performance was as powerful as ever he badly misjudged the time and became the only person of the night to actually be "whistled" off before completing his recital. Simon, the highest scoring runner up concluded the round with a better piece than his previous one, an elegy to the late Richard Whitely, of Countdown fame. When everything was counted and the dust had settled our two finalists, and it must have been a tough decision, were Jo and Theo. Jo opened with a nicely observed poem comparing real life to Facebook and real relationships and interactions to computer ones. Her description of someone having only eight friends, but one's she'd actually met, echoed my own sentiments on the subject. Theo put on a fisherman's hat and proceeded to give us a cleverly constructed poem based around the names of the places in the Radio Four shipping forecast. It played to his strengths of humorous one-liner gags building a very funny and very well written piece from what was essentially a series of jokes. (Though, of course, the Rockall joke is an old one!) And so to the result. It was a close run thing but overall Jo's material had been funnier and better received and she ran out a worthy winner with Theo only a whisker behind in the scoring a very worthy second place. A truly excellent night's entertainment with one of the finest collections of poets I have seen in one place. Of course I also need to mention the excellent organisation and splendid MC duties of Marcus Moore and Sara-Jane Arbury who made everything go so smoothly and led us through a perfect evening, perfectly. And me? Well just as somebody has to go first, somebody has to come last. C'est la vie. 12-2-11 Bob Hale |
Leicester Comedy Festival IT IS (in my ever so humble opinion) a true
test of a performer's ability when they play to a small crowd rather
than a full house. Every performer knows playing to an audience of 50 in
a venue designed for 200 is tough work. Conversely, play to 50 squeezed
into a space that should only seat 40 and the gig just seems to fly. So when Luke Wright brought his one man show
Cynical Ballads to the Leicester Comedy Festival and stepped on
stage in front of a dozen or so people you can imagine how he felt. I'm
pleased to say there was no sign of disappointment in Luke's attitude
and demeanour as he launched in to the first of his ballads about Broken
Britain, The Drunk Train. Luke's soundscape of modern Britain took us from the
X Factor; yobs on council estates to the sometimes
questionable morality of the rich and powerful. By highlighting
the worst elements of both ends of the social scale he portrays a
society you wouldn't want to live in. The genius of this show is the
dawning revelation this IS the society you live in, even though you may
be insulated from the crueler and corrupted extremes. Luke has great stage presence and from the first line he shot off his rhymes with passion and precision. The rolling metre of the ballad form (Iambic Tetrameter as Luke educated us) lends itself to performance which is why at one time, spoken ballads (not the sung version) were the CNN of its day. SHARP SUITED News was conveyed by ballad with sales of certain
“Broadsides” topping a million copies. Luke's sharp-suited animated
delivery is subtly and superbly complemented by Sam Ratcliffe's
excellent quirky cartoons which engage your interest but do not
overpower the narratives. This is all wonderful, thought provoking stuff;
poetry as entertainment as well as art. This well written, dynamically
performed show turns many flashpoints of modern culture into
contemporary parables. Ultimately, a poetry based show rests on the
quality of the verse and here Luke demonstrates why he is a frequent
contributor to national radio and other media. His writing is
accessible with witty rhymes, solid jokes and even when he's discoursing
on the less palatable nature of modern life he is still engaging whilst
never pulling a punch. Indeed it was during such a tirade that Luke
undoubtedly hit his stride, absolutely in the moment as he sprayed the
room with rhyme with an evangelical passion, despairing at some of the
social injustices we seem to accept as the norm. He'd forgotten he was
playing to a huddled dozen in a Leicester pub and we did too. I hope
karma rewards Luke for his professionalism and endeavour and that the
rest of the tour garners the audience he undoubtedly deserves.
09-02-11 Noel Hill |
Hit the Ode Victoria Pub Birmingham City Centre Sponsored by Apples & Snakes, and the
brainchild of MC Bohdan Piesecki, “Hit the Ode” is fast becoming
an event of significant national artistic credibility, as this month's
Bill bore testament to, with a roster of international talent oozing
talent and creativity. Over three hours of performance left another full
house entertained, challenged , and content. The first half was
dominated by Byron Vincent, who hails from Huddersfield, but is
currently based in Bristol. In his publicity material he claims that : ”
he was (poorly) educated within the cloying conurbation of various
northern sink estates. His flowery name and love of language ensured
that his journey was a challenging one. Never a defeatist he fought back
with poetry. This was a terrible strategy and he regularly got his head
kicked in. STARRING SPOT He mischievously claimed during his set that he
wasn't clever enough to be a real poet, not funny enough to be a
comedian, and not cool enough to be an MC – wrong on all counts. Fresh
from his starring spot on BBC Radio 4's “Wondermentalist Caberet” (Still
available on I player) Byron unleashed a slick show, and deceptively
laid back manner, on an adoring crowd. An unique talent, Byron doesn't really do
conventional poetry, he reflects on the Wombles of Wimbledon Common, he
rails at the madness of Advertising Campaigns from his time as “Poet in
Residence” at a Shopping Mall, and is gentlemanly enough not to describe
women's bottoms as fat – but prosperous. He enthralled, entertained and
delighted the audience with a lengthy set which was not a minute too
long. Probably the brightest spoken word performer on the scene right
now. The evening had begun strongly with the increasingly
confident Matt Windle beginning with a trademark street mood piece,
“Untitled (lobster)”, followed by, “Outstanding”. Matt is incredibly
self aware for a teenager, confident enough to deliver fey, vulnerable
words and sentiments, amidst a boxers shuffle and braggadocio. A
precocious and prodigious talent, his word skills matched the best that
the later headliners could offer. Louise Stokes' trademark is
“miserable”, so her new piece “Stay” was an interesting departure for
her. A fragile but warm homily to love, its longer than usual form, had
a defiant ring to it, a welcome addition to her repertoire.
James Burnett made his debut with a quirky memorable
appearance which included “Pillow Talk (after DH Lawrence)” and the,
“Yes and No Game”, which contained the most memorable line of the
night:”She was conceived in the very toilet that she squats to piss in”
–yes, it was an “audience reaction” moment! Al Hutchins returned to the
stage after a period away with a “Love Death and Buses” theme, and a
very bright shirt.“The Headless Chickens Hum” about the Birmingham Outer
Circle Bus route, was his best poem, his piece about the discovery of a
dead baby's body harrowing, and his advice on how to shine large
stainless steel pots invaluable. The unenviable task of preceding Byron Vincent was
given to the be-suited Fergus McGonigal who played it just right, with
humour and self-assuredness. His experience as a father of five
that, “The Greatest Pleasure of Being a Parent is Seeing Other People's
Children Behave Atrociously ” astutely recognised the Schadenfreude all
parents secretly hold in that situation, with “It Could Have Been
Worse”, equally light and fun. After the break the adorable Jodi-Ann Blickley
played with our heart strings with the wonderful “Hold Tight” revelling
in a personality that fuses the lovability of Kylie Minogue and the
chirpy street persona of Lilly Allen. In a welcome innovation, we were
then treated to a quartet of poems from the University of Birmingham
Poetry Slam Team who were warming up to take on arch rivals from Warwick
University in a forthcoming Slam (who were in the audience scouting) in
a local derby scheduled to take place at the University of Birmingham
Guild hall on the 4th March. Unsurprisingly, Andy Cook, Sam
Murphy, Sean Colletti and James Bunton were rather good, Colletti's “The
Product” particularly so. The mood shifted again with the arrival of American
Rappers Professor D ,whose “Don't Dumb Down My Content,” was powerful,
but all too brief, and Kenny Baraka, who had taken a break from his run
in “The Rememberers”, to perform a piece which is both an homage to, and
an expansion of, hip hop performers like Jonzi D. “The Rememberers” is set in a post-Apocalyptic time
and the actual shows takes place in the base camp of the narrator.“The
best way of describing it is to say that it is as if a graphic novel had
come to life but with the voice of an MC,” Baraka said. “It is as if
the dark side of these superheroes has come to life and we ask ‘what
would their story look like? It is illustration, music, soundscape,
classic graphic novel, narrative prose and hip hop. I would say that
people who are really into graphic novels wouldn't necessarily see
another level but I guess they will be able to read more into it.”
Born in Eritrea and brought up in New York, Kenny
has made the UK his home. He is an actor, poet as well as a touring
musician with the likes of De La Soul and Supernatural. Support to the second half headliner was local star
Fatima Al Matar, a Kuwaiti who is resident and studying in the UK.
Fatima's stark intense poetry was in marked contrast to much else of
what had gone before and stood out as a result. Beautiful, poised and
elegant, she assumes an other worldly persona when she performs, exuding
a Shamenic quality which mesmerises and transfixes the audience. She
combines a commanding, lyrical use of the English language with a
mystical Eastern phraseology, reminiscent of Kahil Gibran, whom she
name checked during the evening. “Some Loves Live” is a robust defence of the
capacity of love to endure, and “The Self” a powerful philosophical
exploration of the inner battle we all face between our “Self”, mind and
body. “I Never Thanked You” was a tender reflection on a parent's pride
which brought fond laughter from the audience, something which I am sure
Fatima enjoyed. Although naturally a feminist, she bravely tackles “You
Only Want The Woman” in which the case for adultery is examined, before
a caustic ” Mother”, and her tour de force, “Face”, a beautiful, pained,
naked study in female maturity and ageing which has a wonderful
universal quality to it. Closing proceedings was American Slam champion Joshua Bennett who has
performed in the East Room of the White House -- and received a
standing ovation from President Barack Obama, First Lady Michelle Obama,
and about 200 guests. Joshua closed with the piece he performed to the
President: "Tamara's Opus," an original poem about his own struggle to
communicate with his deaf sister. "I want to leave an impression on
people that Josh did it right," Joshua said. "That's the legacy that I'm
concerned with: How will people remember you when you're gone?” Some
poetry when performed smoulders with sincerity and authenticity,
“Tamara's Opus” was one of those, as was, “Jesus Riding Shotgun” a
celebration of the importance of the Christian Faith to his family and
his mother in particular, ” She believed in God more than gravity”. A
fine closing act for a fine event. And so finished an astonishing evening of diverse
content, cultural background, and message. There really was something
for everbody. “Hit the Ode” returns to The Victoria on Thursday 24th
March. Gary Longden |
Night Blue Fruit The
Tin Angel, Coventry LAST WEEK, my writing week started on Tuesday evening with a trip to Coventry, I went of my own volition, I wasn't sent, before you ask. Night Blue Fruit at the Tin Angel is Heaventree Press' monthly poetry night, its name taken from Joyce's Ulysses, which itself finds its roots with Homer, and so the poetic air of the event hangs around the doorway of the Tin Angel. This café come bar is made for reading poetry, it is not an “in your face” place, its low lights and small bar, its hum of Jazz. If Hopper had come to Coventry he would have painted it, with its slight shabbiness, its mix of furniture, the CD bar and posters that show real music is a live and being performed on small stages in Coventry. And so to our temporary stage with its open mic. The seating and surroundings don't matter, the Jazz is tuned out, it is the poetry that people want to hear. The night was compered by Barry Patterson who gave us poetry and song from the heart of the woods, his drum beating out the tribal dance of the ancient knowers. He introduced a wonderful mix of poets of all ages. The young Josie Allen whose poetry from the art gallery buzzed with sexual tension, and the not so young Colin Dick whose poetry always entices you into the world of someone with a wise artists eye, his colour filled words trip from his brush tongue, to nostalgic times that could have happened yesterday. Diane, whose monthly poems of her mysterious muse, who wants her, but then never arrives. There were new faces, all young: Charlene, Anna and
Si, all expressing the nervous mellow voices of poets climbing aboard
the poetry clipper for the first time. Then there was me, not one of the young, closer to
the old. Taking my time, I got into a place where my lyrics floated from
my tongue, my carefully crafted words sent in peace to drift among the
ears and into the thoughts of my fellow poets, as they sat on the
oddments of chairs, in this unique space. This is the first time I felt really good about my
reading, I didn't have to act like a stand up comedian, didn't have to
make them laugh, I could hold them with my threads. Night Blue Fruit is held at the Tin Angel in Old
Spon St, Coventry on the First Tuesday of the Month. Mal Dewhirst's
Poetic Blog is available:
http://pollysworda.wordpress.com/
01-02-11 |
Espresso Theatre Margaret rose Abri,
Digbeth This now well established quarterly event
aims to provide a showcase for short plays, around 15 minutes long, with
minimal props, costuming and sets. Once again it delivered in spades
with variety, and quality. “Breaking Free”, by Irish author and playwright Mary
Rochford, who was in the audience, was an absolute delight. Largely a
single hander, Zofja Zolna plays Nuala, a young Irish woman, trapped
watching a tennis match at Centre Court at Wimbledon, when her heart is
really with how the Eire National Football team are performing in a
World Cup Finals match being played at the same time. Beautiful and
feisty ,Zolna's performance is a veritable tour de force, as with only
the Umpire to keep her company, events unfold. Her “Meg Ryan”
moment at the end – outdid Meg Ryan! The combination of her acting
talents and Rochford's nuanced script was a triumph. Aaron Twitchen is a man destined for great things.
Already an emerging star on the midlands comedy circuit as a
comedic talent, DJ and MC tonight he turned his hand to playwriting –
inevitably he is pretty good at that too. Jane Campione –Hoy milked
“Cooking” for all it was worth embellishing wry lines with dexterous
flashes of her eyes or hair ina marvellous dialogue.
Louise Stokes is another established fixture on the
Brum performance circuit and is a playwright and author with several
distinguished productions and books to her credit. Instinctively she
loves the dark side of life, but her piece “For Pete's Sake”, about a
mysterious telephone call is a bit of a departure, a light effort
with a wicked twist at the end, and was very well received. “The Ghosts of Pere Lachaise” by Stuart Zola
continued his proud tradition of fine drama. His ability to combine
character with circumstance is uncanny, this time the twist was that he
was dead, railing about the unsuitability of Piaf and Bizet as fellow
plot sharers, and wishing that instead he had Marcel Marceau for
company! My only complaint was that it was not longe nough Sam Hunt Is a young emerging poet and
playwright who draws upon her own dramatic personal experiences to play
out the fictional role of “Amanda Jane”. Tonight she combined discipline
with talent, and pathos with structure. Her strongest work, and
performance, to date. The next “Espresso Theatre” is in two months time,
details available on the Margarett Rose Abri Facebook page. 04-02-11. Gary Longden
Poetry @The Cafe Margaret Rose Abri, Digbeth Paid events are proliferating around Birmingham at the moment, but this open mic evening defiantly bucks the trend affording new and established poets and writers the chance to present their material with no door or performance charge. John Richman epitomises the zeitgeist of the
event, his first public performance at all , let alone of the piece he
delivered, entitled “Procrastination”, a rehearsed, spiritual reading
was well received by all, and promised much for the future. At the other end of the spectrum David Calcutt
performed a selection of largely new work. Best known for his novels, “Crowboy”,
“Shadowbringer” and “Map of Marvels”, David offered a series of new
poems inspired by his walks in Walsall Arboretum, a wonderful selection
of the pastoral lyrical and naturalistic. David is next appearing at the
Library Theatre in Bloxwich in support of the “Tiger Tiger “ project on
the evening of Saturday the 5th of March.
Janet Smith's performance authority seems to grow
each time I see her. This time, in a varied and characteristically
intense set she included her signature “Bear” with the new “Lucifer”,
which had a beguiling Shamenic quality and is sure to become a staple of
hers for the future. Penny Hewlett's style is equally distinctive
personal and domestic territory is her home ground, always sharply
observed, and never sentimental. Her reflections on her own, compared to
her daughter's experiences at university a good example of her style,
warm, witty and universal in sentiment. A common question is where Poets derive their inspiration from. Bob Hale is inspired by travel, and whether it is incapacitation on a hill walking holiday, Bear Museums in Alaska, or “Mountains of Friendship” in North Korea, he never disappoints. Another poet on a different type of journey is Ian Ward. Originally his staple material was vampires,
Armageddon and contemporary pop culture. His latest love poetry , which
will no doubt be repeated at the Bring & Share Poetry Night at the
Library Theatre, Birmingham City centre, on the evening of February 14th,
was inspired, and his “twin poems, “Truth 1 &2” were a clever
development of the pop culture theme. Brendan Higgins and Stuart Favell
offered their customary stirling support. Stuart Zola facilitated, next
session, Thursday 3rd March. 03-12-11. Gary Longden Utter “Sickness” Green Note Café, Camden The themed poetry nights Utter kicked off their 2011 season in superb style at the Green Note Café in Camden: “Utter Sickness” This was a show where Utter founder Richard Tyrone Jones took centre stage for once with a first reading of his debut one man show. The event was expertly hosted by Mark Niel, known as
a headline act in own right and he warmed up the audience with his New
Year Hate poem. This call and response piece wishing good riddance to
all the celebs and news making non-entities who spoiled 2010 and it was
enthusiastically received by the audience. Mark then introduced the first guest of the night,
Niall Spooner-Harvey. Niall is an award winning poet who has featured on
BBC Radios 1 and 3 and he brought his own unique take to the night's
theme with funny and moving poems about growing up with Cerebral Palsy.
His first poem however was a British version of the current revolution
in Egypt. The understated “A Polite Request” captured the repressed
characteristics we Brits would bring to a civil uprising. However it was
the personal pieces which were most affecting. The burden of a condition
that isn't visible but still impairs your ability to function as
expressed in “Disco” (It's like writing with boxing gloves on) was well
communicated. Any small achievement becomes a landmark (tying your shoes
is like tying up the ends of world peace). Niall's quirky, animated
delivery was sure-footed and energetic, tinged with enough humour to
leaven the uneasy moments such poems inevitably bring without diluting
the message. Niall was followed by Fay Roberts. Fay won the last “Utter” Ajar Mic and this paid gig was reward for her triumph. Fay hails from Wales and after cutting her performance poetry teeth in Milton Keynes and establishing the successful Poetry Kapow! events, she now lives in Cambridge. SOFTLY SPOKEN WORDS Fay is a quiet voice in an arena where ranting
is often mistaken for talent. It takes a special wordsmith to let softly
spoken words do their work and hit the mark as forcefully as a shout.
Fay uses inspired images to thoughtfully invoke such emotion you feel
you are eavesdropping on a confession such as “Cobwebs of muffled rage
thicken in the throat”. Fay brings a quiet assurance to the stage and if
you have the chance to see her, make sure you take it. After the break, Mark Niel settled the crowd down
with “Poetry Voice”, a too-familiar parody of a certain type of poetry
reader which drew many laughs of recognition from the audience. Then is
was time for the main event as Richard Tyrone Jones (RTJ) gave his first
public reading to his debut show “Richard Tyrone Jones has a Big Heart”.
It recounts Richard's experience of being a fit, active, non-smoker who
after feeling ill for a while, found his condition degenerated and
ultimately he was diagnosed with heart failure at the age of thirty. You
may think this is grim or uneasy material on which to base a show and
indeed there is a certain degree of “frank medical terminology”.
However RTJ seems to strike a good balance between verbatim
story-telling, humour, the moments where he faced his own mortality and
the relief at surviving without becoming too saccharin sweet. Poems are dotted within the narrative and though RTJ
was reading from notes, it is clear he has the makings of an excellent
heart-warming (boom-boom) show. It is by no means the finished article
but neither is it meant to be yet. There are weak puns that should have
a DNR* notice and the pacing and transitions will improve as the show
progresses. I'm sure that there are plans for visuals and sound that
will further lift the dialogue. Having said all that, this was still a
well told and constructed tale with great flashes of humour and humanity
and well worth the ticket price as it is. I look forward to seeing the
finished article which I'm sure will grace any Festival. 01-02-11. Noel Hill |
Bilston Voices Metro Cafe, Bilston BILSTON Voices started this month with Jackie Evans who gave us quartet of poems and then one of her prose pieces. The short poems - about the moon, butterflies, Valentines day and blackberries - were very nicely done and very traditional but, for me, what I like to hear from Jackie are her very warm and human tales of her life. She is in the process of writing an autobiography and her memories of incidents from her life in her wheelchair are warm, humorous and an absolute delight to hear. On Thursday her tale was of two brief brushes with the law when she was younger and were as charming as ever. I rather hope that one day she completes and publishes her autobiography as I, for one, will be at the front of the queue to buy it. I suspect that everyone who has ever heard her read will be there with me. Jackie was followed by Ron Davies who, in previous performances, has usually given us very Black Country oriented writing but on Thursday gave us a very funny tale of two people visiting a particularly seedy guest house in Weston-super-Mare. PORTMANTEAU I chuckled all the way through it and laughed out loud a a couple of the funniest parts. It was a portmanteau view of some of the worst places that most of us will have, at one time or another, have stayed in. Jane Seabourne was next. Her poems are diverse and thoughtful and covered topics as far apart as why we throw coins into fountains (or indeed, as the poem suggests, into just about any bit of available water), the story of King Canute, how fossils are formed and, as with Jackie, butterflies. Her quiet, relaxed style perfectly suits her poetry and, as I've remarked before, the venue - Cafe Metro - perfectly suits the style with its comfortable surroundings and attentive audience. After the break we had a slightly more lively and animated performance from Naomi Read who was the only performer of the evening that I hadn't seen before. Her poems, and her one song, were also diverse in tone and content but were great fun. Perhaps, though, fun is the wrong word, given that the content of some of the poems wasn't exactly cheerful. I was particularly taken with her poem about libraries which included the great line "a novel a day keeps the fascists away". She finished with a tale of a trip across the USA on a hippy bus. It was a great performance from someone I hope to see perform again. We finished with Dave Reeves who mixes poetry and music in the most entertaining way. Some he recites unaccompanied, in other cases he uses a harmonica to punctuate the verses or an accordion to provide a pleasing backdrop like a frame for a great painting. So he gave us the story of Good King Wenceslas, retold from the peasant's point of view, a rant about living in a home with thin walls. His final piece, this time with the accordion, was a marvellous piece about going home in the rain on a cold day in 1953. It reminded me greatly of Ivor Cutler or, perhaps, Viv Stanshall. I was pleased to find that he felt this to be a compliment because that's certainly what I intended it as. 27-01-11. Bob Hale |
Hollybush Public
House, Cradley Heath This was a site specific live performance
which combined theatre with poetry for a production which used the
Hollybush pub in its entirety as its stage for the first of two sold out
nights. The brainchild of Emma Purshouse and Heather Wastie, “Snug” is a
celebration of the pub – in a pub! Trudy King acts as Narrator and leads us in to
proceedings by introducing an evening where the traditions of the pub
are looked back upon, with the audience as time travellers ,dipping into
the past. The cannon of pub characters are wonderfully brought alive.
Heather Wastie wanders in to wryly reflect on, “We had a bust up” and
“You' re sitting in my seat”, the latter the perennial cry of the
disgruntled regular, to ease us into people and situations which many of
us are familiar with. This is a performance of many moods. Brendan
Hawthorne delivers a tour de force spot with the “Retirement Speech of a
Black Country Ventriloquist”, filled with pathos and introspection,
before Emma Purshouse rips through “Concheta”, a hilarious spoof on a
fruit machine which comes to life. The site specific pieces work
particularly well, “Pool Life” around the pool table, “Nubs” around the
discarded fag ends in the smoking area and memorably “Bogs” by the bogs,
performed by landlord Dave Francis. The writing is very strong, as is the acting, with
Heather Wastie an astonishingly convincing drunk binge drinking Mayor (
you had to be there),and Brendan Hawthorne oozing regret and vino
veritas through the bottom of a glass. “Old boy regular” Geoff Cox is
never far away doing the crossword either. Bold, inventive and fresh, this production has
enormous potential to evolve and grow. It was warmly received by an
audience who revelled in being part of the show, and where having a pint
was entering into the spirit of the evening. The divide between
narration, live action, poetry, prose and dialogue is marvellously
blurred resulting in a fusion of styles which constantly holds
everyone's attention as the performance dynamic shifts, twists and
turns. A little gem of a show. 01-02-11 |
Scribal Gathering Special at
Stony Words The Crown, Market Square, Stony Stratford The Inaugural Bardic Trials SCRIBAL Gathering is a vibrant Open Mic
night featuring Music and Poetry that has carved out such a niche for
itself, it's amazing the think it's only one year old. It is to the
credit of Richard Frost and his colleagues for devising a formula that
allows music and spoken word to share the night without alienating
either fraternity. Stony Stratford has a long folk music tradition as
evidenced by the popularity of such events as Folk on the Green and
Stony Live! However this special edition of Scribal Gathering
was part of the Stony Words Festival and the spoken rather than sung
word took centre stage. It was pleasing to see as big a crowd as for the
regular Scribals but this wasn't just any poetry open mic, it had a
purpose: to elect the first ever Bard of Stony Stratford, a role
recognised and supported by the Stony Stratford Town Council. The Bard
would be elected to serve the community for a year and a day. The night consisted of a traditional round of Open
Mic poetry. Fay Roberts, Ken Daniels, and matthew michael taylor
(founder and editor of Monkey Kettle a cottage industry poetry
and short fiction magazine which is credited for inspiring so much of
the current scene in Milton Keynes) all established their credentials as
part of the judging panel. Chair of the judges, Mark Niel gave us
The January Black and Blues a poem inspired by the annual media
fuelled phenomenon of Gloomy Monday.
With the Open Mic over, it was time to get down to
the serious business of electing the Bard. Northampton veteran of the
Bardic tradition Justin Thyme set the scene with a headline set bursting
with anarchic energy which welcomed in the spirit of Awen before hosting
the Bardic trials. Justin then enlightened us about the Bard's role in
past times and with that the five pretenders made their claim to the
title and Bardic Chair. Danni Antagonist kicked off her challenge with
Bless This, a moving evocation of remembered childhood inspired by
the clearing out of the kind of old “stuff” we all have squirreled away
in attics and garages. Danni's understated and well-timed delivery made
for a moving performance that in less skilled hands could have been
overly sentimental. Danni was followed by Steve Hobbs who delivered the
stand out piece of the first round. Steve served the library service in
the Milton Keynes area for many years and the proposed closure of Stony
Stratford library and the recent protest had stoked his pen. (A campaign
was launched to get people to go and check out their full allocation of
fifteen books in order to empty the shelves of all 16,000 books. They
managed this in just four days and made the national press). Steve
delivered a heartfelt polemic that ranged from righteous indignation to
humour and set a recurring theme for the evening. Next up was Hilary Colie (apologies if I have mis-spelled
the surname) who performed an extended monologue about a naïve underage
girl's first sexual experience and the consequences. This moving piece
would perhaps be better suited to a theatrical setting rather than an
upstairs room of a pub.
Richard Frost then took the mic with the next
instalment of the continuing saga of his family and gerbils. These
allegoric tales take episodes from the family interaction with their
pets and translate them to the metaphysical. In this case the passing on
of a gerbil leads Richard to muse on the transient nature of existence
and the untruths we tell children about death, Father Christmas, the
tooth fairy etc. As is Richard's style it was wry, witty and charged
with emotional warmth that genuinely moves. The last challenger was Ian Freemantle (dubbed the
dreadlocked protagonist) who opened his bid for Bardship with “This is
me”, a statement of his values as a poet and citizen of Stony. The
judges judged and the audience voted and at this stage we said goodbye
to Richard and Hilary leaving the other three to further their quest. Danni came out strong with another quality
performance and vivid images such as “make shattered glass wait before
it hits the ground” evidenced the quality of her writing. Steve turned
to lighter subject matter with The 33 Signs of Ageing which
garnered many laughs of recognition. Ian took up the Library closure
theme with a passionate protest poem. Another round of judging and audience voting
determined that Danni and Ian should face off to decide the competition.
Danni read the highly appropriate “Awen” (published in the Anthology
“Reflections from Mirror City” ISBN 978-0-9560974-1-5) and Ian finished
strongly with a rhythmical protest poem about the coalition government.
The Bardic Trials were advertised as open to “anyone who had a voice”.
Ultimately Ian's poems conveyed both passion and a sense of place so he
was crowned the inaugural Bard of Stony Stratford as both the judge's
choice and audience favourite. It was a late finish but there was time for the
presentation and a poetic lap of honour by Ian. Drinks were finished and
the clearing away began on a stirring event that carried a real sense of
history. A wonderful end to a Bard day's night! 25-01-11. |
Fizz 5 Poleworth Abbey TUESDAY delivered an enjoyable evening at 'The Fizz 5' a poetry evening at Polesworth Abbey, which if you're not aware is closely linked to poets from the Elizabethan times; John Donne, Michael Drayton and possibly Shakespeare. I know what you're thinking - poets but you're a writer? Hear me out on this one - poets, writers, song writers - we're all wordsmiths hacking, digging and sculpting the English language so it's an ideal stimulus and down time for any writer. Plus, it enables me to marvel at their craft written in a few lines, when I complain that thirty chapters is a squeeze for the story I wish to tell! The invited poet was Sarah James, reading from her poetry collection 'Into the Yell' (ISBN 9781906451240) - I was entranced the moment I spotted the Russian doll on the collection's front cover - the perfect symbol for all poets and writers. Anyway, her poetry was fresh, filled with great imagery on a range of subjects; flood water, mermaids, Mandy Jones and Russian dolls. Mal Dewhirst read his beautiful poem, inspired by Fleur Lombard and dedicated to Firefights everywhere - which touched home for me (as hubby is firefighter). I was pleased to see Gary Carr, from 'Burton's Spoken Word' his poetry has a simplistic beauty which always leaves you wanting more. And finally, 'Hench' with his mammoth tale, performed as always with such energy and vigor. All in all, an excellent night of poetry - 'Fizz 6' is on Tuesday, 22nd March 2011 - Polesworth Abbey - it goes without saying, everyone welcome. 19-01-11. BOD |
Rhymes Annual Slam 2011 Old Crown, Digbeth An eclectic mix of the best of Poetic talent assembled once again to vie for the title of Rhyme's Slam Champion, previously held by Spoz. A mark of the increasing prestige of the event was the presence of the Farrago National Award Winning poet Mark Niel who had travelled from Miton Keynes to compete – and won. Yet a slam is defined by its constituent parts as
much as by the winner, and so it proved here. Confusingly Mark is the
2010 Champion, even though it was competed for in 2011! Co-finalists were Ddotti Bluebell and Jodi Ann
Bickley. Ddotti has become a seasoned campaigner over the last year or
so and it was good to see her competing at the finish. A beautiful and
compelling artist she writes about everyday life with a passionate,
lyrical intensity, sometimes part sung, part rapped, but always in
distinctive style. Jodi Ann is, by contrast, a relative newcomer.
”Hold Tight”, “I'm an Idiot but I Love You” and her signature piece “Bob
Marley & Me” are all relationship based, fey and light, but acutely
observed and layered with wry pathos. A poetic Lily Allen, she charmed
and delighted in equal measure and is clearly here to stay. Semi-finalists Matt Windle and Andy Cook by no means
disgraced the boys. Matt entertained with a killer tale of why it is so
difficult to get a taxi when you are drunk, Andy Cook delighted with
“Five Reasons Why We Should Send Singers on Creative Writing Courses” on
the absurdity of song lyrics.
With seventeen poets in total, inevitably some very good contributions did not make the cut. Gary Longden asked “Why Do Women Like Crap music?”, Ben MacNair offered us warnings on modern life, Janet Smith offered a powerful trilogy culminating in the wonderful “Bear” and Spoz had us all laughing to his idea of a good night out. The multi-talented Heather Wastie knows how to work
a good idea. Following the success of “Halloween Nightmare” she offered
the sequel, ”Christmas Nightmare” in which the Carol singers were
definitely not harbingers of peace and goodwill. In the second half, Sammy Joe made a solid debut
slam performance, whilst the talented American, Sean Colletti, just off
a plane from California performed the clever “There is no Mathematics in
Facial Expressions”. Louise Stokes never shirks from delivering serious
poetry with a message well, by contrast Donna Scott had us roaring to “I
like Cake”. Marcus Taylor claimed a girlfriend in every district in
Birmingham whilst Najeeta and Keisha closed the opening round with
performances of considerable promise. Winner Mark Niel gave us a master class in how to
win a slam and exposed his craft for all to see. His opening poem
combined a list of all the things we hated about 2010 combined with a
call and response refrain of “why don't you push off and die”.
Contemporary accessible pop culture meets audience participation – you
can't lose can you? His semi-final set piece of a strip tease while
explaining how he becomes sexually excited reciting performance poetry,
as usual, brought the house down. The pauses and disrobing, all timed t
perfection. His “Slam Winner” was a new work about performers with
irritating “Poetry Voices” which struck a chord with us all – even if we
had been spared the worst examples in the readings previously. Hosted by the slick Lorna Meehan ( with stage
management by Kim Charnock!) the evening was a tremendous success with
the historic setting of the Old Crown a fitting backdrop. To think that
Queen Elizabeth 1st talked of defeating the Spanish Armada in that very
building, I wonder whether the entertainment was as good back then?
18-01-11. |
Hit the Ode Victoria Pub, John Bright Street, Birmingham This was the second event at the venue, located behind the Alexandra Theatre, organised by Apples & Snake's West Midlands co-ordinator Bohdan Piesecki. A packed house of almost 100 people saw a varied and high quality bill of the best of the Midlands, English and European Poetic talent. The evening was split into two sections with short
open mic slots warming up for the headline performers. Ddotti Bluebell's street style with acapella sung
passages was as smooth and sassy as her new look. The ever reliable
Charlie Jordan debuted a trademark, pithy “Words”. Bob Hale entertained
us as “One of the Girls”, Matt Windle belied his status as the youngest
performer with his uber cool delivery, all warming up for first half
Headliner, Sergio Garau. Sergio Hails from Sardinia, Torino and Berlin and his multi-cultural background is used to full effect in his performance. Speaking in his native Italian, he also performs innglish, German and Russian in a virtuoso multimedia set the highlights of which were “ Kauf Mich” and “Luna Park”. Performing in front of a video screen he loves to blur borders. His physical performance is demonstrative in classic Italian style. When not speaking in English sometimes what he is saying is translated on screen as part of the performance, sometimes not. The screen is an internet tool, as he dates – with himself. So what the audience is not seeing is a sub-titled performance but neither is it seeing a mere audio visual backdrop. Unique, innovative and compelling the sound, rhythm and cadences of other languages are skilfully employed to counterpoint the more familiar English delivery in a brave tour de force. Bravo Sergio! T The second half opened to Louise Stokes's moving
plangent words, Gary Longden's knockabout verse, Curly's wonderful,
multimedia “New Horizon”, Maggie Doyle's wistful homily to a teenage
date and Jodi Ann Brickley's quite brilliant alternative teenage date
scene set “ Bob Marley & Me”. Emma Purshouse is a very clever performer whose
acting and characterisation skills wonderfully flesh out her material.
Her talent is in taking the most mundane situations and bringing them
alive. “Nubbs” tells of an ex-boyfriend's obsessive pursuit of discarded
cigarette butts. Only could take on the character of a fruit machine,
complete with Mexican voice and tell a hilarious tale of the thoughts of
the machine as it encounters punters in the lounge bar. Main headliner Ross Sutherland was recently listed
in The Times top 10 list of rising literary stars and did not
disappoint. A laconic easy going set had as its centrepiece a modern
fairytale with animated backdrop interpreting the traditional tale of
“Little Red Riding Hood”, and was a fitting culmination to a fine
evening. “Hit the Ode” presents again on Feb 10th, 7.30pm
with headliners Fatima Al Matar, Ian McMillan “The Shirley Bassey of
Poetry” (TES), and from America, Joshua Bennett who has performed for
President Obama. 13-01-11 |
Poetry @ The Cafe Margaret Rose Abri Cafe, Digbeth THE opening event of 2011 saw Irish author
Mary Rochford debut at the Cafe reading from “ Niamh Takes Ulysses
Home”. Although a Dubliner by birth, she studied at the University of
Birmingham, obtained a Masters from Birmingham City University and
lectures. Her collection of short stories “Gilded Shadows” was
listed in the prestigious Frank O'Connor International Short Story Award
and won Birmingham City Library Reader's Book for Birmingham Award. Her
reading perfectly showcased the lyrical style which has won her such
plaudits with her affection for her hometown of Dublin, obvious. Her
presence was a real coup to organiser Stuart Zola. Regulars Lorna Meehan, Brendan Higgins, Stuart
Favell and Jasher provided sterling support with Louis Campbell arriving
just as proceedings were drawing to a close. With the increase in
invitation only paid events, Poetry@The Cafe is providing a much needed
platform for new poets to find their feet, and for established poets to
try new material. The next open mic event will take place on Thursday,
3rd February at 8pm. 06-01-11 Gary Longden |
Victoria Pub,
John Bright St, Birmingham Thurs 25th Nov 'Hit
the Ode', a new monthly poetry night run by Bohdan Piasecki,
launched at The Victoria pub this month and is yet more proof that
Birmingham has a thriving spoken word scene. An eclectic mix of styles,
ages and indeed nationalities made for an engaging evening which was
enthusiastically received by an equally eclectic audience. Proceedings
kicked off with local legend Spoz with his unparallelled knack for
making toilet humour charming. Ddotti Bluebell followed, a fantastic
talent with a razor sharp delivery of stream-of-consciousness lyrics. Louise Stokes, usually donning a
shell suit to 'chat some chat innit' as her alter ego Kimmy Sue Anne,
left her lip gloss at home to perform something more serious, and
equally engrossing. Sean Sheehan got us in a
philosophical mood with something hot off the press before the awesome
talent of local poetry queen Kim Trusty, who has thankfully came out of
her semi-retirement to be the first headliner, kept us on the edge of
our seats as she told us the subtle and self-deprecating story of her
'quiet heart'. It's good to have her honest
humour and vivid imagery back behind the mic and she will no doubt be
back to hit more odes. DJ Soesmix provided some quality
beats between poets and during breaks, sampling everything from Gomez to
Polish Hip Hop, all in keeping with the variety of the poetry. BELLY LAUGHS The second half kicked off with
the phenomenally talented Andy Conner, who induced belly laughs with the
state of his 'life in progress' before reducing the room to intense
silence with his poetic personification of The Unknown Soldier. Young up-coming poet Kesha C is
one to watch out for judging by the rip-roaring applause that greeted
her tale of a single mother, and was followed by the equally enthralling
Joe Coghlan who took us on a insightful journey through a desperate mans
suicide attempt. The perfect way to finish off
this second half with it's mixture of laughs and sharp social commentary
was a headline slot from Manchester's hardest working poet, Tony Walsh,
who had us cheering through his high octane tribute to Punk Rock to
start and had us stroking our chins to some plain speaking philosophy to
finish, with everything from kinky confectionery to the heartbreak of
bereavement in between. Punk's not dead as long as Tony Walsh is around! And just when you thought it
couldn't get any better, we had the pleasure of nothing less than the
World Slam Champion Ian Keteku and his Ukulele playing friend Brad
Morden. A few lines into his first poem,
calling upon Justice to answer some grievous wrongs, it was clear why
Ian has gained his title.
INTERNATIONAL TALENT A tour de force of spoken word
brimming over with wit, intelligence, social conscience and the art of
great story telling. You don't get poets like this very often and it was
clear the audience as a whole felt privileged to see an international
talent so close to home. Each poem was superbly crafted
and delivered with effortless exuberance, a particular highpoint being a
subversive ode to a Russian beauty called 'K' who morphs without us
realising at first from a femme fatale into the Kalashnikov. Another favourite, in complete
contrast, was a witty love ode to the laptop. The slot was split with
the equally talented and instantly like-able Brad Morden who taught us
how to 'Raise It' with his tales from back home and his cleverly penned
justification for daydreaming. The evening closed with a
fabulous mash up of ukulele and hip hop as they took the stage together
and left it to thunderous applause. A fantastic launch night for what
is clearly going to be a popular and unique event and it's all thanks to
West Midlands Apples and Snakes co-ordinator Bohdan Piasecki, who
happens to be an awesome poet as well, who hosted the night with charm,
humour and obvious enthusiasm for all things poetry. Don't miss the next 'Hit the
Ode' on January 13th if you want to see some of the best poets in the
country and beyond. Lorna Meehan |
Cafe Metro, Bilston
Thursday 25th
November The final meeting of Bilston Voices for 2010
was “Black County Night” where the cream of local talent was scooped up
and ladled in one gastronomic delight at Cafe Metro. This event has
reached out far and wide into the Midlands Poetic community over the
year so an evening of local indulgence was easily justified, and at the
evening's end, gloriously vindicated. Jill Tromans opened the evening with a very assured
start. When poets go straight into poems it can take time to adjust to
the subject matter and style. Jill's easy manner, and engaging
explanations of her work, made her performance very accessible whether
it was the affectionate look at her family reminiscences with “Our Kid”,
her take on modern image obsession with “Plastic Surgery”, or the
amusing tale of her visit to the vets. Eileen Ward- Birch chose eclectic inspiration for
her set. “Inspired by Faeries” wondered into fantasy, “Fallout” the
Icelandic Volcanic eruption, “Urban Madonna” contemporary street chic
but her longer elegiac piece” On the Renovation of St Leonards” really
stood out. Geoff Stevens closed the first half with a Gatling
Gun like fusillade of humour and wit. “The Flying Squad” queried what
multi lingual translations of Council signs might really say, “Why “Em
Darlaston Blokes So Slow?” queried the intelligence of Darlo men folk
and “Black Country Chat Line” was as salacious but affectionate, as the
title suggests. The stand-out pieces though were “No Faking Out” as
all-in wrestling from yester year was recalled and the hilarious “Grandad's
Night Out” giving a whole new dimension to the concept of Club 80's/90's
nights. After the interval Mike Tinsley picked up Geoff's
humorous mantle, and placed his own distinctive stamp on it. Looking
like a cross between Gerry Garcia of the Grateful Dead and Wagner from
the X Factor he covered Doctor's visits, baldness, organ donation,
Balmoral and the ability of carrot to be ever present in vomit! Needless
to say the home crowd lapped it up................ Headlining was the excellent Brendan Hawthorn. His
topics included “Black Country Aspiration”, “Gastric Pubs”, “Health &
Safety Inspections” and his mothers Cuckoo Clock. He excelled with
“Thank You Letter ‘69” about the virtues of sending thank you letters
with greetings cards, taking in fond memories of presents past, in
particular the bright orange Space Hopper. He delighted with “Sot –Nav”
about the Sandwell Organised Travel Navigation System (European
version). Host Emma Purshouse should take enormous
satisfaction that the Black Country can provide such a strong roster for
an event such as this, rich in local dialect, reference and humour.
Hopefully an audio record of this type of talent will be made so that
the content, recollection and delivery of these poems is not lost. Gary Longden |
The Mrs T Party The Margaret Rose Abri Cafe, Digbeth, Birmingham Monday
22nd
November : THIS was a controversial event which brought pre-event protests from Thatcherite sympathisers as it sought to commemorate the 20th anniversary of the departure of Margaret Thatcher from office at No. 10.In conjunction with Birmingham based internet radio Stations Radio Wildfire and Rhubarb Radio. The evening offered a satirical and bitter sweet
look back at the Thatcher years and featured sketches, songs, comedy
and poetry from a number of local artists as well as nostalgic music
from the era which Rhubarb Radio DJ , Gary Dring skillfully
interspersed with Thatcher speeches. Radio Wildfire's Dave Reeves also performed
contemporary material and played harmonica and accordion. The smoothness
and professionalism of the set was in no small part due to the fact that
they had just performed it for a live broadcast on Radio Wildfire,
repeats of which can be listened to on a loop at:
http://www.radiowildfire.com/ A diverse evening also included a part improvised
sketch by local playwright Jan Watts and music and comedy by John
Langford. Compere Stuart Zola joked, sang, acted and played guitar in
his ubiquitous multi- talented way. A good appreciative crowd enjoyed an
evening of fond, and not so fond, reminiscence and excellent diverse
entertainment. Gary Longden
St Martins Church, The Bullring, Birmingham Friday
19th
November SMART poets are based at St Martins Church but
attract a membership and audience which reaches far beyond the immediate
Church congregation. Workshops, multimedia events, as well as
performance evenings ,all feature in a varied programme. This evening
featured the work of published poet and ex Birmingham Poet Laureate ,
Sybil Ruth. Much of her material came from ” I Could Become That
Woman”, celebrating desire and the way it disrupts our lives, turning
friends into lovers, partners into parents. The poems weave a world
where identity is constantly re-created as the imagination hijacks
confession, as fantasy and memory collide. Her ancestry of a German
Jewish mother and a Welsh father manifests itself in both the angst of
the former, and the lyricism of the latter. But pretentious she is not,
with a pithy poem about “Socks” the standout performance of the night. Local professional poet Bob Cooper was reliable,
whilst the up and coming Ben MacNair performed the most popular piece of
the evening with his “Warning on Modern Life”, a really good
performance piece. The well-attended event offered walk up slots to a
variety of other talented poets and was expertly compered by Penny
Hewlett. Gary Longden |
Margaret Rose Abri Cafe, Digbeth Thurs 19th
November RHYMES is now touring its bi-monthly Poetry
Evening around Birmingham and this month landed at the Cafe in Digbeth,
an established Poetry and Boho hotspot. This bill was probably the most
diverse ever, and was impressively strong, playing to a full house in a
delightfully intimate, supportive environment. Opening the night were Andy Cook and Sean Colletti
from Birmingham University. Andy excelled with the Urban Angst of “Seven
Hills”. American Sean gave us the humour of “Down Hill”, a wonderful
existentialist piece and Ginsbergesque “Cold Feet” , and finished
with the fine “California What You Mean to Me”, which compared England
with his homeland. Surprisingly, and gratifyingly, England came off
slightly better than you would imagine! Colletti combines a dry, laconic
delivery, with a formidable intellect, witty and compelling. Fatima Al Matar is attracting considerable attention on the Midlands Poetry circuit and beyond, and with good cause. It is said that when Eric Clapton first saw Jimi Hendrix play, his first reaction was to give up the guitar, his second was to go home and practise. Any poet who sees Fatima perform will understand those emotions. MYSTIC LYRICISM Born in Kuwait, she combines the precision of
expression befitting her accomplished academic background with a
mystic lyricism in the tradition of Kahil Gibran. Add in the dramatic
delivery of an actress, and you have a potent, powerful performer. Much
of her material came from her book “The Heart and the Subsidiary”.
“Redundant “ was a beautiful homily on motherhood, “Stains” a vitriolic
tirade against an errant love, and “Pebble” a poignant retrospective on
a failed relationship. It was an inspiring performance, from an
inspiring performer. Jordan Westcarr is the new Birmingham Young Poet
Laureate and was faced with what was probably a daunting experience as a
schoolboy performing in front of a seasoned , knowledgeable poetic
crowd. Fortunately the upside was that the audience knew young talent
when they heard it and Jordan received an enthusiastic reception to a
nicely balanced set. He opened with “I'm Listening” and “My Home” and
then really hit his stride with his love poetry , “Long Enough to Smile
At You” being the stand-out piece. His self- effacing, yet assured
performance and fresh convincing material will linger. Headlining was new Birmingham Poet Laureate, Roy
Mcfarlane. Roy champions a multi-cultural and international style in
traditional format. A charismatic, powerful, engaging performer his
material included “Where Are You From”, a celebration of Birmingham's
diversity, “the Flaying of Palestine”, a powerful allegory from Greek
mythology, “The Struggle of Normality” a study in mental health , and
some good Hurricane poems! This diversity in content will serve him well
in his year in office which together with an enormously likeable manner
augers well for the coming months. Rhymes plays again in January, date and time to be
confirmed on the Rhymes facebook page or at:
http://www.rogueplay.co.uk/ Gary Longden
Midlands Poetry Slam Newhampton Arts Centre, Wolverhampton Sat 6th
November ORGANISED by Farrago Poetry this was a
regional heat which culminates in the National Final in London. Very
well attended, sixteen poets did battle over two rounds culminating in
Theo McRory emerging triumphant. However what really distinguished this
event was not the winner, deserving as he was, but the diversity of
poetic content. Richard Frost from Milton Keynes shone with an astonishing opening piece on the cannibalistic habits of gerbils which subtly and delightfully unfolded into a brilliant allegory of separated fathers, following it with a pithy and brave piece, “God”, which reflected on what he would make of the world so far. Slams tend to be dominated by humour, but one of the stars of the evening progressed on content and delivery alone - Fatima Al Matar. Her opening “Face” a homily on ageing was one of the
best poetic recitals I have ever seen. Fragile, intense and with radiant beauty, she whispered, she intoned, she mesmerised a rapt
audience, following it up with an equally strong “Woman”.. Emma
Purshouse is a fine poet, actress and comedienne, and she combined all
three to delight all, in particular with the zany “Nubs”. Last of the
finalists was Lorna Meehan, always a wry observationalist poet, this
time she tickled us all with her failure to become a “Rock Chick”. Nationally renowned Slam Champion in his own right,
Mark Niel, MC'd the event, and Home Counties based duo the Anti-Poets
provided the entertainment. The Anti-Poets, recently seen at the Buxton
Festival ,visually combine the fetishwear of Marc Almond with the
braggodocio of Adam & The Ants, yet aurally offer sharp poetry from Ian
Eccentric supported by the double bass of Ian Newman. They are unique, funny and hugely enjoyable, as was the evening as a whole. Not
your regular night out in Wolverhampton I suspect. Gary Longden |
Old Fire Station, Highgate, Birmingham This was the inaugural Rhymes event at the
new home of Rogue Play since their move from the Mixing Bowl Theatre at
the Custard factory. Although the surroundings have changed the calm,
good natured Mistress of Ceremonies, Lorna Meehan, has not, and Lorna
opened proceedings with a fine poetic effort of her own “Shoes”. The first half was split between Kimmie Sue Ann and
Afroben, Kimmie delivered a trademark strong opening set of Chav poetry
and comic asides and was an interesting contrast to Afroben. The
latter's set majored on a War theme. Individual pieces including
“Remembrance”, “Fireworks Over Gaza” and “Grains of Sand” were very
strong, but would be even stronger within a balanced set. After the break Claire Corfield entertained everyone
with her comic creation Lady Josephine Whittle. Since graduating from
the Royal Scottish Academy of Music and Drama in 2002, Claire has worked
extensively as a comedy performer; from twisted cabaret theatre company
Voodoo Vaudeville, to Rogueplay's improvisation troupe, Funbags. A politically incorrect “Little Miss Muffett” led
into an uproarious “I like killing Animals”, cruelly observed
observation on men who wear Speedos climaxing with Grandma Sadie's
Song. Although a relative newcomer to poetry this is a Character Act
with enormous potential. Closing the evening was Apples and Snakes regional
Co-ordinator Bohdan Piasecki. Bohdan is, a Polish poet who currently
lives in England. He represented Poland at the 2007 Poetry Slam World
Cup in Paris and proudly wore the title of the 2008 Hammer & Tongue
Oxford Season Slam Champion, and was an artist in residence at the
European Poetry Slam Days in Berlin in 2009. A hugely
charismatic and charming performer he delighted the audience with a
highly idiosyncratic set. Although English is not his first language he
is not only fluent, but crucially understands the mechanics of the
language as a student but also its nuances with the deftness of a
native speaker. His self-effacing humour won everyone over, essential
when you come from a country which is unique in losing a war to Sweden! “Telling Time” was an amusing exploration of
learning English as a foreign language, but it was his decision to
perform “ Cisza”, in Polish which really cranked the quality of the
evening up several notches ,which culminated in “Almost Certainly”, a
poignant paean to the historic troubles of his homeland. So, an auspicious start to a new era for Lorna, Kim
Charnock and the rest of the Rogue Team for what was a most enjoyable
evening.
|
Hollybush Poetry Slam Cradley Heath The Hollybush is best known for the
excellent spoken word nights run by Richard Bruce Clay on the first
Friday of the month, and other acoustic, comedy and variety events. This
was however the inaugural Poetry Slam event and was organised by
“Brewers Troupers” Emma Purshouse and Heather Wastie, both formidable
performance poets in their own right. A strong roster of 15 poets, both seasoned
performers and newcomers, went head to head over three rounds.
Highlights included, Roy Sadler and his unique “dance flavoured” piece,
Naomi Paul's wistful hippy reminiscence and Carol Ward's affectionate
homily to lost youth. The second round was lit up by the brilliant Long
Lost Frank, whose unique brand of Black Country humour never
disappoints, his tale of scrap metal dealers doing the decent thing with
traffic island modern art is achingly funny. The final separated
deserved winner Dave Francis from runner up Gary Longden by 255 points
to 253, with young “Tom the Poet” coming a very creditable third. The intimate, and packed, Snug Bar proved an
atmospheric and sympathetic setting for what will hopefully now become
an annual event. Kay Dents Bilston Voices Cafe Metro, Church St, Bilston A towering thundercloud hung over the venue
as Poets and their audience gathered for the evening providing an
atmosphere which no doubt will have had several scribbling in their
notepads. Bilston Voices draws its audience from not only the Back
Country but far into the Shropshire borders too, which means that it
offers a welcome alternative to the established Birmingham Circuit. Ross Trotman not only opened the evening, but gave her debut public reading performance which will surely not be her last, with a delightful lyrical collection of longer reflective pieces. Gary Longden delivered a set familiar to Birmingham audiences but new to the Black Country whilst Paul Francis from Great Wenlock closed the first half with a thoughtful and diverse set taken from his book collection “Various Forms”. Paul Francis has been writing poems for fifty years.
From 1967-1998 he worked in comprehensive schools, and is the author of
Beyond Control? A Study of Discipline in the Comprehensive School, the
novel Love and Chalkdust and an autobiography, Comprehensive View. He
proudly pronounced that he thought that poets should be political and
vindicated that view with pieces about the London Bombings and Iraq. Can a poem about suicide ever have been funnier? Could anyone else write poems using one letter? I think not! Simon Fletcher topped the bill. Simon is a
literature development worker, freelance writer, poet, novelist and
storyteller, his work has been widely published and he's performed all
over Britain in the last few years. The erudite content, combined with a
delivery which was as smooth as a Nigel Havers chat-up line was a
fitting climax to proceedings, although Literary Editors may wish to
double check his sources! Emma Purshouse hosted the evening with her
customary grace and self effacing wit. Wolverhampton Libraries with
Simon Fletcher provide welcome and appreciated support for this event.
To take part, or for more information contact Simon on:
simon.fletcher@wolverhampton.gov.uk Kay Dents |
Lichfield
Literary Festival programme Oct 5-10 2010 Comedienne Jo Brand is set to help launch the fifth Lichfield Literary Festival as the Lichfield Festival-run event brings the world of books to the city next month. Brand will launch the eventat Moor Hall Hotel and
Spa in Four Oaks on October 5 to talk about the new second part of her
life story, Can't Stand Up For Sitting Down. Other big names confirmed include The Lic field
Poets, former MPs Roy Hattersley, Tony Benn and Martin Bell, as well as
legendary actor Ron Moody. Lord Hattersley is the guest speaker at the
Lichfield Literature literary dinner at the George Hotel on October 8. There will also be a Big Read event for children,
with free copies of author-in-residence Liz Kessler's book, Philippa
Fisher's Fairy Godsister, being distributed during September and a
chance to meet the author on October 9. Booking for Lichfield Literature opens on September
6 at the Lichfield Festival office, 7 The Close, Lichfield WS13 7LD, by
phone on 01543 306270 and online at
www.lichfieldfestival.org. Full list of Events: October 5 @ 7.30pm: Can't Stand Up For
Sitting Down – Jo Brand, The Charter Suite, Moor Hall Hotel & Spa. October 7 @ 10am: Between the Sheets: The Literary
Liaisons of Nine 20th Century Women Writers Lesley McDowell, The George
Hotel. October 7 @ 11.45am: Precious – A True Story –
Precious Williams, The George Hotel. October 7 @ 8pm: Lichfield Literature Quiz Night,
Darnford Moors Golf Club. October 8 @ 11am: The Model Wife: Effie, Ruskin and
Millais – Suzanne Fagence-Cooper, The George Hotel. October 8 @ 3pm: Control – John Macken, Lichfield
Library. October 8 @7pm: Battle Lines – The Lichfield Poets,
Lichfield Library. October 8 @7.30pm: Lichfield Literary Dinner with
Roy Hattersley, The George Hotel. October 9 @ 10am: She-Wolves: The Women who Ruled
England Before Elizabeth - Helen Castor, The George Hotel. October 9 @ 11.45am: Galileo – John Heilbron The
George Hotel Ocotber 9 @ 2pm: A Still Untitled, (Not Quite)
Autobiography – Ron Moody, The George Hotel. October 9@ 3.45pm: The New Optimists: Scientists
view tomorrow's world & what it means to us – Edited by Dr Keith
Richards with a foreword by Jenny Uglow, The George Hotel. October 9 @ 5.15pm: The Cranford Companion – Sue
Birtwistle & Susie Conklin, The George Hotel. October 9 @ 7pm: Bluestockings: The Remarkable Story
of the First Women to Fight for an Education – Jane Robinson, The George
Hotel. October 9 @ 8.30pm: A Very British Revolution –
Martin Bell, The George Hotel. October 10 @ 12noon: Slave: From book to stage and
screen – Mende Nazer and Damien Lewis, The George Hotel. October 10 @ 2pm Letters To My Grandchildren – Tony
Benn, The George Hotel. October 10 @ 4pm The Last Englishman: The Double
Life of Arthur Ransome – Roland Chambers, The George Hotel. October 10 @ 5.45pm Storyteller: The Life of Roald
Dahl – Donald Sturrock, The George Hotel. October 10 @ 7.30pm Shakespeare On Toast – Ben Crystal, The George Hotel. |
Join the Funbags Troupe for
a jam-packed evening of comedy impro, stand up and sketch comedy.
Including the multi-media magic of Matt Pritchard, the highly witty
poetry of Lady Josephine Whittle and the thigh-slapping frivolity of the
biggest flirt in Texas, Darla July Daygwar. As well as sketches by
RoguePlay Theatre and 'Whose Line is it Anyway' style games from the
immensely talented troupe with suggestions from you the audience. Come
on down and have your funbags squeezed! 10 Sept 2010 |
Poetry@The Cafe Digbeth A particularly diverse evening of spoken
word from a wide range of Poets. The Cafe is due to open full time on
the 4th October, with the roster of special events in addition to poetry evenings including
acoustic music , theatre and comedy scheduled to grow further. Hosted by
Gary Longden, first up was Martin Gibberd whose unique, “Rock n Roll
troubadour” persona never ceases to mesmerise and entertain with
“Berlin” being the undoubted highlight. Lorna Meehan hosts the “Rhymes” Poetry
evenings at the Old Fire Station in Moseley, but her own MC duties
sometimes distract from the fact that she is a very good poet in her own
right. “Doctor Doctor” and her yearning for a “sonic screwing” is
becoming a welcome and trademark closer for her now. However her opener,
a wonderful homily to The Doors lead singer Jim Morrison, inspired by a
discovery of his music and a visit to his Paris grave, stood out for me. Renowned author David Calcutt once again graced the
evening with several fine readings. He is appearing again shortly at the
Ikon Gallery in Brindley Place with co-author Jo Bell to launch
“Bugged”. In addition to his current novel “Map of Marvels” he is also
serialising a new work “The Hunt for the Great Bear” on the
Internet:
http://davidcalcutt.wordpress.com/ Closing the evening, fellow author Richard Bruce
Clay delivered a typically understated performance of his epic ,“The
Green Wodenese”. In between, Jasher made a noteworthy debut performance.
Stuart Favill always entertains with his Black Country humour and can
also be found at “Bilston Voices”. Michelle Barzey as “Afrobhen”, and
Sam Hunt previewed strong material in advance of forthcoming Artsfest
appearances ,Penny Hewlett gave a customarily strong showing and Stuart
Zola read Afrobehns “Pied Piper of Hamlin”. Poetry@ the Cafe next
happens ,7th October,8pm.Facebook page: Margarett Rose Abri. |
Bilston Voices Cafe Metro, Church St, Bilston “Bilston Voices” is an established Black Country Spoken Word evening so I thought that it was about time that “Behind the Arras” checked it out. And it was a very worthwhile journey. Organised by Emma Purshouse
and Simon Fletcher, an organised and diverse Bill played to a packed
house of around 40 people. The licensed cafe met all tastes from cold
beer to exotic coffees and cakes, and pretty much everything in between.
No amplification is available, but a combination of good acoustics, a
modestly proportioned room, and a hushed, attentive audience meant that
every word was audible. Carol Ward opened the evening
with a light, regular rhyming style, taking in subjects as diverse as
Men in Frocks, old age and how youth is wasted on the young ,and the
eternal dilemma of the older woman – when to wear purple! Roger Jones
hails from Llanelli and his trademark powerful Welsh lilt combined with
a fine prosaic style to enthral all. Broadcast work including sketches
and reflections on gas masks and rugby alternated with some straight
forwards poetry, the pick of which was “The Old Photo” a poignant
reflection on an old group picture, and what fate had doled out to those
pictured. Closing the first half, the quixotic Bob Hale entertained with
a very distinctive collection majoring on quirky museum collections, his
enormously varied travels – and Teddy Bears (you had to have been
there).
The second half was kick
started by Dave Finchett with light knockabout humorous material about
office jargon in “The Jargonwocky” ,and a witty piece about telephone
options when large corporations are phoned which I suspect had the
headliner rapidly re-arranging her set. ”Gorse” visited traditional
poetry territory whilst the finishing “Michael Winner”, delivered in an
uncannily Winneresque vocal imitation, left the audience both laughing,
and wanting more. Top of the
bill was Lorna Meehan who had temporarily abandoned her place as MC and
co-ordinator of “Rhymes” in Birmingham, to spread some poetic
wonderfulness to the Black Country. “Stephen Fry for President” was
contemporary and witty, “Serenity” sharply observed. Her deconstruction
of Lady Ga Ga's “Madonna Lite” persona was as funny as ever, as was her
set closing “Doctor Doctor”,
her
favourite tipple is surely Tennants . . . And so a pleasingly diverse, and
always entertaining, evening came to an end. “Bilston Voices” is held on
the third Thursday of the month, 7.30-9.15pm, admission £2. For further
information, or if you want to perform, organiser Simon Fletcher is
contactable at:
simon.fletcher@wolverhampton.gov.uk 26-08-10
|
Time for a confession Opium: Confessions of An English Opium Eater Debuts at the Hare & Hounds, Kings Heath This innovative one man show is presented as an audio visual experience with West Midlands actor Jonathan Goodwin in the titular role. Set in the year 1843, we find de Quincey ailing due
to a lifelong addiction to opium and the despair caused by the death of
his eldest son Horace, who was killed the previous year fighting in the
Opium War against imperial China. The play itself takes its basic structure from de
Quincey's own Confessions of an English Opium Eater, regaling the
audience with our hero's first tentative steps into opium eating. De Quincey is at times humorous, almost self-deprecating when describing
his experiences of the drug and life in general - refusing to be drawn
into self-pity. As the play progresses de
Quincey's mood and behaviour becomes ever more erratic. He is
heavily under the influence of opium and his intake of the drug is at an
all-time high. In many scenes de Quincey suffers hallucinations,
usually these are images from his past and they either haunt him or
delight him, depending on their nature. There is a particularly
touching scene where de Quincey sees his beloved sister, whose death in
childhood greatly marked his early life. Sometimes the subject of the
hallucination is shown to the audience, as when de Quincey talks to his
recently deceased son, but usually the stage is empty save for de
Quincey. A DJ plays
throughout, the idea being that the music will not intrude on the
performance but both complement and enhance it, thus providing the
audience with a complete visual and auditory experience. Opens , Hare &
Hounds, Kings Heath, Fri 20th
August at 8pm The production
is then being taken on a Nationwide tour, details:
http://www.jonathangoodwinactor.com/?p 9772 Gary Longden |
For the record Mind Out
Birmingham Hippodrome Patrick Centre Rosie Kay is fast gaining a
reputation as one of the finest choreographers in this country and
beyond. Her Company “The Rosie Kay Dance Company” won national and
international acclaim with her “5 Soldiers” show which explored the mind
set and role of our troops in Afghanistan through Dance on a UK wide
tour. This show was groundbreaking
in two respects. Firstly, it explored attitudes to Mental Health, and
secondly it mainly comprised a cast, drawn from the Community who had
never danced before. It was a triumph, played to two full and
appreciative houses. Rosie's personal dance performance was exemplary,
exuding grace, style, control and beauty as she commanded the stage in
a full dress, styled from Ancient Greece which perfectly complemented
her flowing movements. Her novice amateur company
excelled under her tutelage and instruction. Indeed watching the show it
was like watching the conductor of an orchestra command a performance
with a movement of the hand, a tilt of the head, or the lifting of an
eyebrow. That she trusted her charges to perform was a testament to her
confidence, skill – and six months rehearsal! Poetry @ The Cafe Margarett Rose Abri Cafe, Digbeth With the demise of “Rhymes”,
Poetry @ the Cafe represents the longest running monthly Spoken Word
only event in Birmingham, and is thriving on it. It combines a friendly
open mic policy with an ability to draw poets from as far as Coventry,
Barnsley, California (USA!) and beyond. This month, having previously
attracted Smooth FM DJ and Poet Charlie Jordan, this month author and
poet David Calcutt was in attendance. Novelist and playwright too, David
also spread the word about “Bugged” a National project to inspire
poetry, fiction , drama and prose which has attracted contributions from
Celebrities, professional writers and amateurs, in equal order. Effortlessly compered by the
masterly Stuart Zola, regulars were delighted to see the return of
Martin Gibberd, an American Style Road Poet whose distinctive tales and
cool Rock n Roll demeanour always delight. Next poetry @ the cafe, 8pm,
Thurs 2/9. Details on the Cafe Facebook page
http://buggedblog.wordpress.com/tag/jo-bell/ Cafe Lafacino Margarett Rose Abri Cafe, Digbeth Now an established event,
this was the finest incarnation yet of an event which overflows with new
ideas and performers. Impresario Rachel Sambrooks also doubles as
Theatre Director/ Writer at Birmingham Art Gallery, and she certainly
knows her artists. The multi talented Stuart
Zola opened up with his debut as a Stand Up Comic, and survived to tell
the tale with a series of witty one liners and humorous stories
including an intriguing fixation with Harry Potter. Aaron Twichen is a
star in the making. Camp, self effacing and very funny, Aaron romped
through a hugely enjoyable set and is surely destined to make the big
time, catch him again locally while you can. Throughout, Rachel compered
the show and offered assorted comic interludes, the highlight of which
was an achingly funny “Blockbuster” routine. The evening featured around
ten performers. In what amounts to a variety show one of the joys is
never being sure what is coming next. And the surprise highlight this
evening was penultimate performer Claire Corfield who delivered a
hilarious song and gags routine as a prim posh bird who wasn't at all
sure she should be there. Another one not to miss for the future. Next
Cafe Lafacino , Sat 2/10 at 8pm, details on the Cafe Facebook page. |
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