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Adrian Jackson is the executive and artistic director of the Lichfield Garrick but he talks to Roger Clarke about his other career as an international conductor and musical director. More | |
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Jo Bell is the director of National Poetry Day on October 7 and this year was Glastonbury's website poet in residence. She has been talking to Gary Longden. \More | |
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Keith Jack, runner up in Any Dream Will Do, has finally got his hands on Joseph's amazing Technicolor Dreamcoat and is heading for the Hippodrome. More | |
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Actor turned producer, director and now theatre owner Ian Dickens talks about hi repertory seasons and his fears for the future of theatre to Roger Clarke. More | |
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Jean Bayless, seen left as Maria in the very first British production of The Suund of Music, loaned us her copy of the programme from that 1961 production and as the show opens at Birmingham Hippodrome, Roger Clarke has been taking a look to see how times have changed. More | |
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Norman Pace plays Inspector Pratt in Peter Gordon’s Murdered to Death in the final play of Wolverhampton Grand’s month long repertory season of four Ian Dickens productions. Roger Clarke met him on stage at the Grand to talk about the play and his life as an actor. More |
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Christopher Biggins set to play Widow Twanky at the Grand tells Roger Clarke why panto is much more than knockabout fun at Christmas. More |
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Roger Clarke caught up with Joan Collins in Birmingham where she was at the Hippodrome to talk about her pantomime debut in Dick Whittington. More |
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Jean Bayless, seen here with Connie Fisher, the latest Maria in a half century of The Sound of Music, was the first to set the hills alive in 1961. She has been talking to Roger Clarke ahead of the musical arriving at the Hippodrome in July. More |
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As Birmingham Royal Ballet opens its 20th
anniversary season with Sleeping Beauty Roger Clarke talks
to the man who keeps the dancers on their toes - Shoe
Master Michael Clifford. |
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Sir Laurence Olivier in what was perhaps his greatest role, Archie Rice
in The Entertainer which was revived by Tom Roberts at the Lichfield
Garrick studio in October, 2009. Roger Clarke looks back at the Britain and theatre of 1957 when John Osborne's play first appeared at the Royal Court. More |
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